ALBUM REVIEW: The Black Crowes – Happiness Bastards


Rock ‘N’ Roll might be a young man’s game, but it is not stopping the Robinson Brothers from again coming together on Happiness Bastards (Silver Arrow Records) to prove they still have it. If Amorica was the last album you picked up by these guys, then things have changed dramatically. If you are one of their more avid followers then you have heard their transition away from merely being a Led Zeppelin/Rolling Stones hybrid, so this album makes perfect sense.

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ALBUM REVIEW: BRAT – Social Grace


Where to start with BRAT? The potential is on the wall as I don’t recall too many bands that get to release their debut LP – Social Grace, by the way – via Prosthetic Records. And bear in mind that this is an outfit that formed right before the golden days of the Coronavirus pandemic so it’s not like they’ve been toiling away in the dark for the better part of a decade. So, therefore, these kids must have the goods. Continue reading


ALBUM REVIEW: Kid Kapichi – There Goes The Neighbourhood


Rising from Hastings, England, Punk quartet Kid Kapichi unveils their third album There Goes The Neighbourhood (Spinefarm Records), the blunt and cheeky follow-up to 2022’s Here’s What You Could Have Won. The album maintains the distinct personality the group is known for, utilizing it to present their political ideologies while keeping the music light and fun. Continue reading


ALBUM REVIEW: Sweat – Love Child


Sweat are a Los Angeles trio composed of guitarist/vocalist Justin Smith, drummer Anthony Rivera, and frontwoman Tuna Tardugno who handles both the band’s vocals and album artwork.

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ALBUM REVIEW: Lustmord – Much Unseen Is Also Here


Lustmord is the pseudonym of Brian Williams, now more than four decades into his music career and with myriad releases under his belt, including many soundtracks and collaborations, as well as a plethora of “ordinary” albums.Continue reading


ALBUM REVIEW: Kill The Lights – Death Melodies


It’s hard to believe that it’s almost been a decade since Michael “Moose” Thomas left metal big-hitters Bullet For My Valentine citing It just got boring”.

The drummer then went on to show his true potential with former members of Still Remains and Threat Signal, with the debut album of his new project Kill The Lights. Almost four years on from their last release From Ashes, and now the supergroup are back with their latest release, Death Melodies (Fearless Records). Continue reading


ALBUM REVIEW: Judas Priest – Invincible Shield


While the philosophy of “if it ain’t broke, don’t fix it” might work for some bands, UK metal gods Judas Priest are clearly not counted among them. Rarely repeating themselves from record to record, Priest have always preferred creativity over repetition, unafraid to take risks even when some level of criticism inevitably follows.

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ALBUM REVIEW: Exhorder – Defectum Omnium


After returning from hiatus with the rather good comeback album Mourn The Southern Skies in 2019, New Orleans Thrash Metal legends Exhorder are at it again with new album Defectum Omnium (Nuclear Blast Records) – thankfully not making us wait another twenty-seven years. Continue reading


ALBUM REVIEW: Skeletal Remains – Fragments of the Ageless


On paper, Skeletal Remains should be on top of the mountain for many a Death Metal connoisseur. All the parts are here, really: plenty of double-kick drums, blast beats and screaming lead guitars to go around.

They’re even from California, and we all know how much of a gold mine the West Coast has been for extreme metal in the last four decades.Continue reading


ALBUM REVIEW: Clouds Taste Satanic – 79 A.E.


It’s been a very long uh, several weeks since we’ve been blessed by new music from the New York Instrumental Doom outfit, Clouds Taste Satanic.Continue reading