Since forming in 2008, Thurmont, Maryland trio Faith In Jane has racked up an astounding eight releases of which Axe To Oak (Grimoire) is the latest. Quite impressive when you consider it takes a band such as Guns ‘N’ Roses decades to put out new music. The band is comprised of Dan Mize – guitar/vocals, Brendan Winston – bass, and Alex Llewellyn on drums.
October celebrates the return of cooler weather, overpriced pumpkin-flavored beverages, and everything spooky. This October is extra special as the Duke of Spook, Wednesday 13 returns to the land of the living with a brand new album, Horrifier (Napalm Records), just in time to set the mood for Halloween.
In our latest instalment of Where the Fuck Did All The Time Go? we discover it’s already been twenty-five years since the emergence of Louisiana blackened thrash/death outfit Goatwhore. Formed by guitarist Sammy Duet after the break-up of his previous band, legendary sludge lords Acid Bath, the band’s history can actually be traced back to 1991 when they were known as Kill Gore up until 1997 after Acid Bath, er… dissolved.
Metal in its various forms has a reasonably long-standing practice of making concept albums based on historical events, and the latest album from Dystopian Future Movies, War of the Ether (Septaphonic Records) continues that trend with what is almost certainly the most intense musical experience I have ever had.
Canadian quartet Monster Truck have returned with new album Warriors (BMG). This is their fourth record and the title track kicks things off in fine fashion – it is a bouncy number with retro, eighties-era Iron Maiden guitar harmonies provided by guest axeman Dave Baksh of Sum 41 fame. This track sticks to Truckers tried and tested formula, fuzz drenched southern rock with chunky riffs, catchy choruses and chant along backing vocals that do not outstay their welcome.
This recipe served them well on 2018 predecessor True Rocker and the same is true here, as the propulsive, no nonsense boogie of ‘Golden Women’ shows. Perhaps the best taster of this is ‘Fuzz Mountain’, a Black Sabbath inspired chugger which is helped along by the insistent background hum of keys.
Stormland is a one-man Death Metal project that bills itself as “Gundam Metal.” I’m not as hip to Gundam as I am to Transformers, but I love the approach. What’s more metal than giant fucking fighting robots?
The concepts and the all too real, bleak experiences of mental hardships and loss of loved ones will be well known to many people and additionally to many people we know. For Stake, these have been the fuel for the band since their inception (previously under the Steak Number Eight moniker), a vehicle for vocalist/guitarist Brent Vanneste’s grief and anxiety.
It’s been over 25 years since Canadian thrashers Razor’s last album. Since then the band has reformed and played a string of shows here and there. In recent years Relapse Records reissued some of the band’s earlier material, Violent Restitution, Shotgun Justice and Open Hospitality. A new generation seemed to discover or rediscover Razor and they were hungry for new material. This was just the push those old thrashers needed.
Fusing the punch of distorted guitar with funky drums and free-thinking lyrics, Hastings, UK-based quartet Kid Kapichi show off their distinctive ‘beat punk’ style with their new album Here’s What You Could Have Won (Spinefarm Records). The title represents opportunities certain groups miss out on due to poverty, discrimination, or mental health. Continue reading →