Croatian trio Them Moose Rush, for those who’ve never had the pleasure, are pleasantly bonkers. It’s kind of like putting Jane’s Addiction and Captain Beefheart in a blender, and seeing what crazy shit results. The chaotic twists and turns within third album Dancing Maze (Dostava Zvuka) are all named after random people’s belongings or actions and allow accessibility despite the complexity of the music. Continue reading
In 2020 Metallica has announced they will take part in the Global Citizen’s 10-hour “Live Aid”-style concert event happening on September 26, 2020 on five continents: Central Park in New York, Lagos in Nigeria, and to-be-announced cities in Latin America, Europe, and Asia. The event will be the culmination of a yearlong campaign dubbed “Global Goal Live: The Possible Dream” that will benefit United Nations’ Sustainable Development Goals with aims at ending extreme poverty and tackling climate change. Also set to perform are Billie Eilish, Coldplay, Eddie Vedder, MUSE, Ozzy Osbourne, Red Hot Chili Peppers, Pharrell Williams with co-hosts for the event Deborra-Lee Furness, Hugh Jackman, Idris Elba, Jill Vedder, Katie Holmes, Rachel Brosnahan, Trevor Noah, and Uzo Aduba. Continue reading
Minimal waffle, maximum music – I’m very aware that there is too much music and not enough time! I’ve had close to 1,000 albums pass through my inbox this year alone (I’ve probably only been able to listen to about a third of them), and what I’m presenting are my favourite albums of 2018, the albums that I’ve connected most with, that matter most to me, one way or another.
Hope you find something new to get into… Continue reading
Over the years Muse have become the masters of reinvention, seemingly able to transform between albums and constantly keeping their fan base guessing as to what direction they would go next. Even with this fluctuating history, their eighth studio output Simulation Theory (Warner Bros.) was a high-stakes gamble, even for Muse. Continue reading
It’s long past the time of day when Thomas Giles (aka Tommy Rogers of Between The Buried And Me) began being able to do whatever the hell he wanted. To be fair, to say his day job band has moments of eclecticism is like saying that Brexit negotiations have been a little bit difficult. And that diversity of spirit, of zig-zag, is absolutely at the core of fourth solo offering Don’t Touch The Outside (Sumerian Records), a record that is everything and nothing, and that is laissez-faire in respect of genre while being incredibly focused in trying to keep the listener moving. Continue reading
Check out all of today’s new releases in the music world! Continue reading
Normandie introduced themselves in 2016 with their impressive debut Inguz (InVogue) With follow-up White Flag due out on 26 October 2018 on EasyLife, vocalist Philip Strand of the progressive, anthemic Rock act talked us through his live experience of Muse, and their direct impact on his band… Continue reading
Woah! SHINING (the Norwegian BlackJazz Munke(b)ys) have got some balls. While Rock and Metal fans are often the most obsessive and loyal of supporters, woe betide a band who undergoes a misplaced style change; when heroes embark in a new direction that isn’t just left at the traffic lights but involves a radical transformation, it’s not unknown for a band to split and lose an audience, sometimes irretrievably. Make no mistake, Animal (Spinefarm) is one such move. Continue reading
It is refreshing to know that it is still possible for bands to make a genuine impression and progress on merit. Black Peaks have not arisen on wings of hot air belched from a hype machine based on market research, haircuts, stylists, or a neat-line in zeitgeist paraphernalia and right-here-right-now shallow bandwagonistic anthems, but as a collective who are on the cusp of succeeding, of truly making an impression on the alternative music landscape, due to the fact of being talented musicians with obvious chemistry, and the ability to craft great works of art distinctive to them alone. Continue reading
August 2018 saw the lives and times of UK bluesy rockers Massive Wagons change, perhaps irreversibly, as hot on the heels of a headline performance at SOS Festival that impressed punters and Ghost Cult alike, their fourth album Full Nelson not only hit the racks, but mounted a serious, and unexpected for the band, assault on the UK album charts, achieving a truly impressive week one position of #16.
With the band experiencing a step up in profile in the run-up to release, guitarist and founding member Adam Thistlethwaite took time out to shoot the breeze with Steve Tovey. Continue reading