The Punk Rock MBA Examines Why “Rock Is Dying”

The Punk Rock MBA has made a living (actually) on their ‘What Killed the Genre” series of videos on their YouTube channel. Now he has posted a new video making a case for the fact that Rock is Dying or already dead if you watch the video. He makes a fair, data-driven case. Of course, he is talking about mass appeal and popularity, the rock and metal underground has never been stronger in our opinion. He mentions Slipknot, Metallica, Tool, Blink-182, Ghost, Five Finger Death Punch, A Day To Remember, Fred Durst, Limp Bizkit, The Used, but also Travis Scott (and Kylie Jenner), Riot Fest, Download Festival, Self-Help Fest, Wacken Open Air, and more. Continue reading

Watch All of Tool’s Music Videos, Uploaded to the Band’s YouTube Channel

The hits just keep in coming for Tool! In addition to their stunning new album Fear Inoculum, The band has shared all of its music videos on their YouTube Channel. In addition to the new Tool album being the first released in the streaming age, this is the first time the band has allowed their videos released beyond past music channels, their concerts and the sadly out of print Salival Video/DVD Boxed Set. Tool originally reached acclaim early in their career with their dark, incredibly crafted videos that matched their early singles. They were also a favorite of MTV‘s animated icons Beavis and Butthead. Adam Jones confirmed some time ago that they created a brand new video for the song ‘Opiate’, but it has yet to see the light of day. Maybe soon? We hope so. Continue reading

EXCLUSIVE VIDEO: Scott Lewis of Carnifex on the Albums That Changed His Life

Carnifex just released their hellacious new album World War X out now on Nuclear Blast Records. The album, the bands’ seventh overall, is their most ambitious and brutal to date. In this EXCLUSIVE video, watch as frontman Scott Ian Lewis discusses the most important albums that changed his life, the music of Trent Reznor of Nine Inch Nails, and why he returns to that band over and over. Continue reading

Twenty Years of Blink-182’s “Enema of the State”

In the year of boy band domination, Blink-182 was the answer for the counterculture with Enema of the State (MCA Records). They were there to bring you anthems with no-holds attitude for in between classes to failed crushes and even jokes about diarrhea and animal sex. Jerry Finn who was behind the production of Green Day’s classic Dookie produced the debut album that connected with so many in more ways than one. Continue reading

CKY Books East Coast Tour, Record Store Day EP Now Streaming

Popular rockers CKY (Camp Kill Yourself) have booked a run of East coast tour dates and more beginning this spring. The band also announced that their exclusive Record Store Day 2018 release Too Precious To Kill (eOne) can now be purchased or streamed digitally as well. Too Precious To Kill includes the bands cover of GG Alin’s ‘Bite It You Scum’. The band toured heavily in 2019 with tours including Necrogoblikon, Slaves and more. CKY are: Chad I Ginsburg, Jess Margera (brother of Bam) and Matt Deis (ex All That Remains). Continue reading

Good Charlotte – Generation RX

It’s hard to fathom that Good Charlotte has been around for over twenty years – it doesn’t seem that long since the Maryland natives were the one band to really thrive in the pop-punk MTV explosion of the early 2000’s with the very successful The Young and The Hopeless (Epic/Daylight). They’re released a number of hits since then, the Madden brothers took time off for a side project, got married to Hollywood darlings, and came back with 2016’s Youth Authority (MDDN) to much praise from old fans, and not so much from others.

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Danzig’s Self-Titled Album Turns 30

By the time 1988 rolled around, Glenn Danzig was already a music legend with over a decade-long career under his ghoulish belt. He had already left his imprint on two influential punk bands. Although much more underground at the time than today, The Misfits was one of the preeminent hardcore punk bands to ever come into being. The were innovated, copied and had a huge mythos since they were relatively short-lived. Samhain was even more underground, playing up the splatter and gore theme of the horror punk angle, and had several influential releases. Moving on to a solo project, and partnering with mega-producer Rick Rubin (Beastie Boys, Run D.M.C. LL Cool J) the Def American label honcho seemed like a calculated risk at the time. The results were explosive and arguably produced the best, most endearing music of Glenn’s career with his new band Danzig and his eponymous debut, which was released thirty years ago today. Continue reading