Can someone precisely point out to me when the decision was made to return to the vintage death metal sound? First off, I am by no means complaining. If this wave of neo-Morrisound bands keeps pounding out albums like Extremity’s Coffin Birth (20 Buck Spin) you can park a tractor-trailer worth of those motherfuckers on my driveway. In just the span of a few years, we’ve gotten remarkable work from bands like Tomb Mold, Mortuous, Gruesome, Necrot, Gatecreeper and Horrendous by playing death metal like its 1991.Continue reading
Born out of a ferocious love and respect for Death’s early and face-ripping work, Gruesome, the brainchild of Exhumed’s Matt Harvey and Death To All’s Gus Rios are ready to unleash a new full-length onto the world in Twisted Prayers (Relapse). Some may wonder how they’ve stretched out so much from Death’s songbook to cover two LP and a couple of EPs, and the answer is by writing ferocious and infectious Death Metal…
Take one swig of Tomb Mold’s debut LP, Primordial Malignity (Blood Harvest) and it’d be permissible to believe it was a lost recording from great death metal stock boom of the nascent 1990s. Somehow the young duo of Max Klebanoff (drums, vocals) and Derrick Vella (guitars, bass) made their way through time to scavenge Morrisound Recording studio archives and found untapped reserves of grimness.
To celebrate the upcoming release of dark, progressive thrash opus Dormant Heart (Nuclear Blast) Josh Middleton of Sylosis spoke of his love of Thrash, including his Top 5 (non-Big 4) Thrash albums…
In no particular order (except the first one, apparently):
SEPULTURA ‘Arise’ (Roadrunner)
After upping the ante in a serious way with the seminal Beneath The Remains Max Cavalera and crew cemented their place in the annals with one of the heaviest and one of the best slabs of thrash known to man, beast or beyond. Produced by the legendary Scott Burns at Morrisound, Brazil’s greatest musical export refined their delivery while maintaining the aggression, with an album chock full of anthems from ‘Dead Embryonic Cells’ and its neck-snapping groove, to the epic ‘Desperate Cry’ and the crunching pace of closer ‘Infected Voice’, while the opening title track boasts one of the greatest heavy riffs of the last forty years and is a bone-fide extreme anthem. A genuine Death/Thrash classic.
VIO-LENCE ‘Oppressing The Masses’ (Megaforce)
There’s a certain writing team currently topping the metal charts (and coming in third in Ghost Cult‘s Albums of the Year 2014), a writing team that includes Messrs Philip Demmell and Robert Flynn. Back in 1990, Machine Head‘s creative force were cutting not just their teeth, but an album of jagged thrash intent with no lack of cerebral content, from stomping tour-de-force ‘I, Profit’ to closing title-track, more of a traditional thrasher operating in the Overkill ball park, replete with Sean Killian‘s Blitz-deranged vocals.
FORBIDDEN ‘Twisted Into Form’ (Combat/Relativity)
Another band that operated as a stepping stone for some of its’ members, with drummer Paul Bostaph to move on to Slayer and Testament and highly-regarded guitar-wizard Tim Calvert to later join Nevermore for their defining album Dreaming Neon Black (Century Media). Twisted Into Form was the San Franciscan’s second opus, and with Calvert joining (at the expense of Glen Alvelias, who himself was later to also join Testament), saw a more melodic, technical and progressive approach to the debut.
HEATHEN ‘Victim of Deception’ (Roadrunner)
Another early 90’s great, “This is pretty much …And Justice For All Part 2!” states Middleton. Along with the Vio-lence and Forbidden selections, this is another sophomore album that saw a band at the top of its game really define their sound second time around. Widely regarded as one of the most technical thrash albums, Victim… is renowned for its many complex structures, time changes and guitar work, retaining little of the NWOBHM influence exhibited on their debut. Coming in at over an hour, with the majority of its tracks over six minutes in length, Heathen made a statement that thrash could be complicated and could be progressive.
TESTAMENT ‘First Strike Still Deadly’ (Spitfire)
“I haven’t had any Testament yet… and, you know what, I know it’s a cop out, but I really enjoy First Strike Still Deadly. I know it’s effectively a best of, but I like it.”
Featuring guest appearances from original vocalist/Exodus screamer Steve “Zetro” Sousa and Joey Tempesta, who had sat on the drum stool at various points in Testament’s career, as well as Alex Skolnick returning for the first time since 1992’s The Ritual, this compilation of re-recordings was Steve Di Giorgio‘s last with the band. Comprising of tracks from their classic first two albums, The Legacy and The New Order (Atlantic/Megaforce) and old demo track ‘Reign of Terror’, this was the start of the re-recording trend and has been widely panned by critics, which seems harsh as the tracks are, still, incredible. Besides, at least one person (Mr Middleton) likes it… Here at Ghost Cult we support First Strike… but would recommend getting hold of the first two Testament albums, if you don’t already own them. You can pick up pretty much every Testament release while you’re at it, too…
Words by STEVE TOVEY