Ibaraki is the new solo project from Trivium’s Matt Heafy, and Rashomon is released through Nuclear Blast, having been over a decade in the making. The name translates as “Wild Trees”, but is also taken from a terrifying Japanese demon of feudal legend, and the concept is a profound affirmation of Heafy’s Japanese-American heritage, incorporating a number of different musical styles. Although the main inspiration clearly sits within the black etal genre, taking influence from the experience of Emperor’s Ihsahn, who co-produced, and whose quirkier ideas from his solo work are peppered throughout the release. Continue reading
Exploding with lurid technicolour noise and flooding your brain with nightmarish, acid-fuelled cartoon imagery, musician/director/writer/artist/sideshow freak Rob Zombie is back with his latest exercise in restraint and understatement, The Lunar Injection Kool Aid Eclipse Conspiracy (Nuclear Blast).
In a new series by Ghost Cult’s photo and video editor, Omar Cordy will pop in from time to time and gives his take on the creative output of musicians and personalities from the industry, be it films, graphic novels, cool side-hustles, interesting hobbies, and other endeavors; Ojayy will have his say. In his debut column, he takes on the much-buzzed-about directorial debut of Danzig, Verotika. Continue reading
Dutch horror metal band Carach Angren are getting ready to release their new album, Frankensteina Strateamontarus via Season of Mist this year and Ghostcult Magazine was lucky enough to be allowed to listen to it and ask a few questions in a sneak peak listening session, courtesy of their label Season of mist, earlier this year at an undisclosed location.
Music, throughout history, has had a way of influencing the social behavior and norms found in human societies. Music is a universal language that is capable of bridging the gap between disparate people and entire social classes, cultures, and continents. Music can also be a tremendously personal thing, a song that has certain significance to one person may hold no meaning for the next. The current immeasurable dissonance in the social climate that spans the entire globe seems to push lost souls to seek comfort in music. In my humble Skullgurl opinion, that reason alone is why the world needs more bands like the four I saw on the second day of October 2019.Continue reading
Shinedown just completed a special headline tour supporting their 2018 album Attention! Attention! (Atlantic). For their final run of dates for the year they took audience requests, played deep cuts, and songs never attempted live before. Watch them play ‘Monsters’ for the first time in America live at the House of Blues Orlando.