During the very strange time that is the Covid quarantine era, livestreams have become quite popular over the last year. Having seen a few of them, they are well produced and are meant to feel as if one is at the show, albeit with no one else around, and have been quite popular. Having said that, the latest Puscifer livestream entitled Billy D and the Hall of Feathered Serpents featuring Money Shot is on a whole different level! Starting off with Billy D (portrayed by Maynard James Keenan) ending up in an underground luchador bar with “bartesians” serving up experiences in a glass, each drink served up is named after a track from the Money Shot album.
In a post to Instagram, Maynard James Keenan shared that he is currently working on new Puscifer music. The last new music from the band was 2015s Money Shot, which was followed up in 2016 by the re-mix album Money Shot Your Re-load, both released on Keenan’s personal imprint, Puscifer Entertainment. Continue reading
Puscifer, in conjunction with The A.V. Club, has released a hilarious animated video for their song ‘The Arsonist’. You can watch the video below:Continue reading
It has been quite a year for Puscifer and their leader, Maynard James Keenan. Although he gets the most ink for his association with Tool, it is with Puscifer that Keenan seems to be more in tune with these days. It’s not a surprise that their recent Money Shot (Puscifer Entertainment) is a stellar album, but the level of comfort Keenan and his collaborators share in writing and performing is noticeable. It’s easy to get sidetracked by the theater of it all in person, but the staging and costumes are a guise to draw you in closer. It doesn’t hurt that his band features some amazing talent with mainstays Mat Mitchell, Carina Round and Jeff Friedl; now joined by Mahsa Zargaran and Paul Barker (Ministry) who all play flawlessly together. Keenan per usual is hiding out, preferring to be heard and rarely seen in the middle of a traditional wrestling ring. In one of the most unconventional settings for a concert ever, one of musics’ great frontmen makes his home. Making extra use of the ring was high-flying opening act Luchafer. Captured on the last night of the tour in Prescott, AZ by Melina D Photography, we learned that Puscifer doesn’t need a submission hold or a finishing move to get their message across.
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Puscifer, who just wrapped a spate of tour dates in the US last week, have booked a second leg of the tour for this spring. All dates will be again supported by Luchafer. General on sale tickets and VIP experiences go on sale on December 23rd. The band is supporting Money Shot (Puscifer Entertainment) which was released October 31st.
Puscifer 2016 tour dates, with Luchafer:
Mar 17: Fox Performing Arts Center- Riverside, CA
Mar 18: Comerica Theatre- Phoenix, AZ
Mar 20: Pikes Peak Center- Colorado Springs, CO
Mar 22: Orpheum Theatre- Omaha, NE
Mar 23: Minneapolis, MN – Northrop Auditorium
Mar 25: Riverside Theater- Milwaukee, WI
Mar 26: Devos Performance Hall- Grand Rapids, MI
Mar 28: Coronado Theatre- Rockford, IL
Mar 29: Old National Centre – Murat Theatre- Indianapolis, IN
Mar 30: The LC Indoor Pavilion- Columbus, OH
Apr 01: Stage AE- Pittsburgh, PA
Apr 02: The Fillmore Detroit, MI
Apr 04: Akron Civic Theatre Akron, OH
Apr 05: Center for the Arts – Buffalo, NY
Apr 06: Sony Centre for the Performing Arts – Toronto, ON
Apr 08: Merrill Auditorium Portland, ME
Apr 09: The Paramount – Huntington, NY
Apr 10: Santander Performing Arts Center- Reading, PA
Apr 12: Bergen Performing Arts Center Englewood, NJ
Apr 13: Count Basie Theatre Red Bank, NJ
Apr 16: Veteran’s Memorial Auditorium – Providence, RI
Tickets are on-sale on – Wednesday, Dec. 23 – with VIP packages available simultaneously via.
Puscifer – touring line-up
Maynard James Keenan – vocals
Carina Round -vocals
Mat Mitchell – guitars
Jeff Friedl – drums
Mahsa Zargaran – keyboards/vocals
Paul Barker (Ministry, Lead Into Gold) – bass
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People descended on Tempe Beach Park in Tempe, Arizona Halloween weekend for the first ever Monster Mash Music Festival. Set up in the shadow of Arizona State University and right on the water, it was a great location for a big music festival. Once Tool was named as the headliner, it turned into a must see event since the band has barely toured the last few years. I flew out from Boston, by some good graces of friends for the show. The rest of the lineup was equally stacked, so it looked to be a great time in the making.
Saturday at the fest was a pretty short day between the two. It was cool to meet people not just from across the country, but across the world. I met people from Australia, Germany, Toronto, and Brazil and more. I saw more Tool band t-shirts than at any point in my entire life combined. The Halloween atmosphere was awesome with people in costumes. The whole town seemed to be in awesome spirits from the local folks I ran into.
The event was spread out with one huge stage with large screens on the sides if you couldn’t get up close. This was a factor towards the end of the night each day as the fans packed in all day. Based on demand, Tool had merch at the front gate and the special custom Monster Mash Tool posters were sold out way early, much to the chagrin of many. Still, the rest of the fest was well stocked with a massive beer garden, some cool foodage (the mediterranean wrap guys had the best grub of the weekend) and other vendors. I spent some time at the To Write Love On Her Arms (TWLOHA) table, talking about the charity, learning all about mental illness and suicide. They are awesome and making a dent in helping people.
The first band of the weekend was With Our Arms To The Sun, and they just totally surprised everyone. They are well-known locally from AZ, but with the crowd from all over, so they were really playing to all new people today. Front man Josh Breckenridge really brings it in terms of charisma and style vocally. Their best song ‘Great Black Divide’ was frankly beyond belief and you should stop reading this review and go hear it now. Also props to drummer John McLucas, the kid is a beast. These guys will be on our radar for a long time to come. Aeges from LA was up next and they were in the Halloween spirit in costumes ranging from a hotdog with mustard, a monkey to Jason Vorhees. Aeges came to rock faces off and they did just that. The band just has that cool modern rock thing that bands like Soundgarden and Nine Inch Nails (think last ten years) have, that sets them apart. People didn’t seem to mind the late afternoon sun baking us dead since the band was slaying.
It was kind of a mixed bag for Coheed and Cambria. I can’t profess to being a super Coheed fan, but being a lover of prog I have always had a respect for them. However, with their new album the Color Before the Sun, it just felt like the band had mailed it in to me. Playing a third of the set from the new album, you could just feel the air leave the venue during these tracks. They of course crushed it on all the classics. It’s a tough spot for the band that have indeed been visionary, but at least live they still deliver on the old jams. Primus however, was just gold. Although they faked me out with the inflatable mushrooms from their Chocolate Factory album, it was all greatest hits for an hour straight. The band was tight, having recently wrapped up a year on the road and Les Claypool was in top form. He joked during the set about Tool’s Maynard James Keenan during the set. On any other night, it would be hard to follow these guys.
Of course the largest crowd of the weekend was packed in tight for Tool, upwards of 35,000 people by some reports. Security seemed nervous about the number of people, but overall I think they did a great job. Tool’s legendary special effects heavy show was put in place and the lights went down and a huge cheer went up. The band came on stage and I thought something was unusual about them. I noticed drummer Danny Carey wearing a read headband and then I saw bassist Justin Chancellor and his fancy bell-bottoms. I said out loud “Are Tool dressed as Led Zeppelin for Halloween?” And indeed they were. No only that, they were dressed as the band and how they looked in the film The Song Remains The Same. Then Adam Jones began the familiar notes of their cover of Led Zep’s ‘No Quarter’ played and my mind was blown. It set the tone for the night, with a lot of feel-good throwback songs in the set list.
Next they played another rarely heard track, ‘The Grudge’. Normally when I have seen Tool in the past it was always a note for note, flawless performance. Each member of the band tonight seemed to be kicking the rust off in their own way. Mistakes were made, but they were few and barely noticeable to most. To me it lent an air of fragility to the band that I dig. These guys are human beings after all, not machines. Maynard was in great form in particular. He also seemed to be having a lot of fun up there, and made jokes at the band, some fans, and professed his career highlight as seeing Batman in the front row.
The band played another old-school gem in ‘Opiate’, a new song was played (now know as a smaller part of a longer track) dubbed ‘Descending’, a killer drum solo by Carey, and several of their biggest hits. All in all, the show felt like a triumph. I felt lucky to be there.
Sunday I got to the venue early, hung out with some industry folks and hydrated like a mofo on this arid, cloudless day. Ghost was up first and it was a packed crowd early right in front of the stage. I was up close and it seemed 50/50 Ghost fans and people who had no idea who they were. It was interesting to see the band deal when they didn’t exactly have the full command of the crowd. But by the end of the set, songs like ‘He Is’, ‘Year Zero’ and the surprising closer of ‘If You Have Ghost’ seemed to convert many to the flock.
Puscifer came next, and along with it the first performance of their new material for their album Money Shot (Puscifer Entertainment). Dressed as a mustachioed, pot-bellied, speedo wearing Captain America complete with shield, Maynard Keenan’s other muse seemed a lot more relaxed than his other act the night before. Aside from Maynard, the band were all dressed in snazzy suits and Lucha Libre wrestler masks, except for drummer Jeff Friedl who drew the unlucky leather clad BDSM sub get up in the sweltering heat. The presentation is all on purpose with Puscifer, but serves only to force you to face the music on their terms. And it is brilliant. Opening with the fitting ‘Grand Canyon’, one gets the immersive musical experience Keenan and his troupe are aiming for. Hearing Keenan and Carina Round trade vocal lines and weird stage mojo with each other live was one of the highlights of the weekend, and maybe my entire year.
After that I made the decision to leave the pit and get some more water and a better vantage point. Where Puscifer was high-art theater meant for the small stage, Deftones would bring the thunder of an arena band. Front man Chino Moreno whooped and crooned, running all over the set and jumping into the crowd numerous times. Although he claimed to be drunk before doing an on stage shot early on, he sang well. He did have microphone issues the entire set which was a bummer, especially when his mic cut out for half a song at one point. Joined by local resident Max Cavalera (Soulfly/Killer Be Killed) for ‘Head-Up’, it was another unforgettable moment, and the best pit action moment of Sunday too.
With darkness falling and a huge stage set unveiled, it seemed like a lot of fans were in the house to see Rob Zombie. With his over the top imagery, the stage was decked out in tribute to Universal Movie Monsters. Sadly, Rob’s voice was shot from three straight weeks of shows. During the first song he struggled to sing at all. He addressed the crowd about this after and said he refused to cancel or cut the set short. Instead he was a trooper and danced, sang his best, and asked the crowd to pitch in. I think many other artists would have bailed, but props to Rob for caring about his fans.
Linkin Park came out to close the night and the weekend for Monster Mash Music Fest. Similar to Tool, they came out in costume (cool zombie makeup, bros) and they also seemed oddly rusty. Perhaps it was mainly Chester Bennington, who has toured up a storm lately with LP and Stone Temple Pilots. It’s easy to see why these guys are one of the biggest bands in the world, even if they forgot some of the words to two of their biggest hits (‘One Step Closer’ and ‘Numb’, ugh). However, Linkin Park puts on a hands-down stellar show. From impressive lights, to solo spots for most of the guys, including a full on EDM set and DJ Joe Hahn doing a Fort Minor mini-set, it was excellent. The crowd was tired, but into it as the music rang out in the desert night for the last time. Based on my experience, I’d like to see this fest come back next year and every year!
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While most of the rock world is patiently awaiting the next Tool album, Maynard James Keenan has released yet another gem from his (sort of) solo project known as Puscifer. Money Shot (Puscifer Entertainment) is the third full length release from MJK and has quickly shot up the list of my favorite albums of the year. This record provided proportionate doses of both your typical instrumentals with a more percussive feel as well as the electronic, manufactured sound. Probably one of the most important elements outside of Maynard is the returning second vocalist, Carina Round. As Ghost Cult’s own Keith Chachkes said of Carina, “She is the yin to Maynard’s yang.” Money Shot only adds evidence to that claim as Round and Keenan once again make magic.
I always found it hard to pick out any favorite tracks when listening to new albums from any of Maynard’s projects and this album followed in the same fashion. Each song on Money Shot is truly one of a kind with their own personalities almost. Opening track, ‘Galileo’ , kicks off the record with a very spacey feeling song which is suiting of its title. This song is slightly more electronic then rock but still showcases both sides of Puscifer in an enjoyable five minute opener. ‘Simultaneous’ is half spoken word/story over crescendo instrumentals and then spills into lyrics. I found the story itself to be the best part of the song. The story is being told by a man who tried holding a conversation with someone else who was mostly too wrapped up in the music on their walkman. It is not until the batteries stop dying that this person finally starts giving his undivided attention to our narrator. At which point, the man grabs hold of the narrator and tells him that world peace cannot be obtained until three people simultaneously look each other in the eye. ‘The Remedy’ is another solid cut from this album and which really resonated with me both musically and lyrically. Instrumentally, the riffs in this song, especially in the second half, get my hair to stand straight up each time I listen. The lyrics take a big shot at people nowadays that have that entitlement feeling about themselves. Specifically, one passage of the song has Maynard mentioning that a person is speaking “like someone who has never been… smacked in the fucking mouth. That’s OK, we have the remedy.” I am sure many listeners can think of a time they had to deal with some snotty brat that thought they were better than you. Now if only we could deliver such a remedy to said asshole such as the one mentioned in this song.
From start to finish, Puscifer delivers money shot after money shot in the form of aural enjoyment. There is enough variation across the album that there really is something for everyone here. Keenan and Co can continue to be proud of their work after yet another successful release. So, instead of pounding away at your keyboard on social media bitching about the next Tool album, maybe you should hit up YouTube and try out Puscifer.
In a post to Facebook, Monster Mash Music Festival has announced that the Friday portion of the festival is now cancelled. Saturday, headlined by Tool and sold out as well as Sunday are still going on as planned. Friday was to have featured Carlos Santana,, John Fogerty and The Tedeschi Trucks band. Full refunds are available from the point of purchase.
We’re very disappointed to announce the sad cancellation of Friday’s show, but HAVE NO FEAR! Saturday and Sunday’s shows are completely unaffected by this change. The shows will go on as planned and we can’t wait to see you there at #MonsterMashAZ!
We’re very disappointed to announce the sad cancellation of Friday’s show, but HAVE NO FEAR! Saturday and Sunday’s shows…
Tickets are on sale for Monster Mash Music Festival here:
Monster Mash on Twitter
(Editor’s Note: On 10/23 the Friday event for Monster Mash featuring Carlos Santana was canceled. More information here🙂
Prediction: Destination concert festivals will finally be the answer to European Open Air events American fans have been drooling over ages. With new events cropping up left and right it is going to get tough for discerning fans to know where to spend their money. One new fest that has the star power and the location to draw lots of concertgoers is the Monster Mash Music Fest taking place Halloween weekend in Tempe Beach Park, at Tempe AZ. With a comfy autumn climate and beautiful vistas from the park, this is a spectacular place to see a concert. And what a concert Monster Mash promises to be with the one of a kind return of Tool, as well as other headliners such as Linkin Park, Rob Zombie, Primus, and Deftones.
Halloween Saturday at Monster Mash is stacked as Tool headlines the festival in their return to activity. Much speculation has been focused on the bands’ long delayed fifth album. Still, one can never underestimate what the band will pull out of their magic hat musically or visually in a live setting. It is sure to be a spectacle. Primus is aptly ranked in the direct support slot. Having wrapped up their Primus And The Chocolate Factory tour this fall, their Monster Mash set might be the last chance to see them for a while. Coheed and Cambria precedes them and is on tour supporting their new album The Color Before The Sun (300 Entertainment). Up and coming rockers Aeges and With Arms To The Sun round out the early Saturday lineup.
All Saints Day promises to be a devil of a time with a bevy of rock and metal bands led by a 1-2 punch of Linkin Park and Rob Zombie. Both acts put on tremendous visual shows live anhttp://www.monstermashaz.com/#!tickets/cq53d hit laden sets tailor made for festivals. Hot on their heels will be Deftones, who always put on an amazing show. The band transcended their early roots in the Nu Metal 90s to become a ground breaking avant-garde band all over the world. Pulling double duty this weekend will be Maynard James Keenan, performing again on Sunday with his art rock collective Puscifer. Puscifer’s new album Money Shot (Puscifer Music) drops coincidentally in time for the show. Playing in the daylight should be an experience for Ghost and their ritual sacrament of heavy psychedelic rock and evil imagery. Rockers Haletstorm will also be on the bill early this day.
Tickets are on sale for Monster Mash Music Festival here:
Monster Mash on Twitter
Puscifer has booked a full US tour, comprising most of the month of November, after kicking off at the Monster Mash Festival in Arizona. Led by Maynard James Keenan (Tool), Puscifer has also revealed the artwork and full track listing for their new album Money Shot.
Puscifer’s current performing line-up for the tour now includes Keenan, Mat Mitchell, Carina Round, Jeff Friedl, Mahsa Zargaran, and new member Paul Barker (Ministry, Lead Into Gold).
Puscifer tour dates:
Nov 01: Monster Mash Festival – Phoenix, AZ
Nov 03: Majestic Theatre – Dallas, TX
Nov 04: Bass Concert Hall – Austin, TX
Nov 05: Tobin Center – San Antonio, TX
Nov 07: Saenger Theatre – New Orleans, LA
Nov 08: Cobb Energy Performing Arts Center – Atlanta, GA
Nov 10: Ovens Auditorium – Charlotte, NC
Nov 11: Strathmore Theatre – Bethesda, MD
Nov 12: The Orpheum Theatre – Boston, MA
Nov 14: Shubert Theatre- New Haven, CT
Nov 15: The Fillmore – Philadelphia, PA
Nov 17: Terminal 5 – New York, NY
Nov 18: Palace Theatre – Albany, NY
Nov 20: Taft Theatre – Cincinnati, OH
Nov 21: Riviera Theatre – Chicago, IL
Nov 22: Arvest Bank Theatre – Kansas City, MO
Nov 24: Bellco Theatre – Denver, CO
Nov 25: Kingsbury Hall – Salt Lake City, UT
Nov 28: Keller Auditorium – Portland, OR
Nov 29: INB Performing Arts Center- Spokane, WA
Nov 30: Southern Alberta Jubilee Auditorium – Calgary, AB
Dec 02: Queen Elizabeth Theatre – Vancouver, BC
Dec 03: Paramount Theatre – Seattle, WA
Dec 06: Warnors Theatre – Fresno, CA
Dec 08: Fox Theater – Oakland, CA
Dec 10: Ace Theatre- Los Angeles, CA
Dec 11: Ace Theatre – Los Angeles, CA
Dec 12: The Pearl at The Palms Casino- Las Vegas, NV
Money Shot track listing:
3. Grand Canyon
5. Money Shot
6. The Arsonist
7. The Remedy
8. Smoke and Mirrors
9. Life of Brian (Apparently You Haven’t Seen)
Pre-orders for the album are live and comes with an instant grat download of the single ‘Grand Canyon’