The ReAktion to Record New Album This Fall with Black Sabbath’s Producer

 

Heavy alt-Rock band The ReAktion has announced they are heading into the studio this fall to record a brand new album, their fourth, and their first since What A Day in 2018. Acclaimed veteran Mike Exeter (Black Sabbath, Cradle of Filth, Judas Priest) will produce the album. Exeter is also an ongoing collaborative partner of Tony Iommi, so expect The ReAktion’s trademark riffs and vocals to sound as big as ever. Their prior albums Similitude and Selknam generated a huge buzz, saw them tour internationally, including a standout appearance at Knotfest 2015. This will be one of the most anticipated albums of 2021.

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ALBUM REVIEW: McStine & Minnemann – McStine & Minnemann 


If there was a way to tell how an album would sound just by knowing who the musicians that are playing in it are, it wouldn’t be possible to do so with Mcstine & Minnemann‘s self-titled, debut album (McStine & Minnemann). The duo consists of multi-instrumentalist Marco Minnemann (The Aristocrats) and Randy McStine (Lo-Fi Resistance). In all honesty, I had never heard of Mcstine or Lo-Fi Resistance, but I am familiar with Minnemann’s work, particularly of his work with Steven Wilson. If you’re wondering why it could not be possible to guess how this album is going to sound based on the knowledge that these two musicians are working together, well the reason is that Minnemann really is a very versatile musician that can play a lot of genres that do not necessarily fall in the realm of Metal.  Continue reading

ALBUM REVIEW: A.A. Williams – Forever Blue

It is easy to forget that Forever Blue is the debut album from AA Williams, such is the level of status she has already acquired since first taking to the stage only last year. In the meantime, she has garnered a huge amount of critical acclaim, released a self-titled EP, and collaborated with Mono before releasing Forever Blue.

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PODCAST: Episode 118 – Kalen Chase Talks New Singles, Gospel Influences and More!

Ghost Cult caught up with singer-songwriter Kalen Chase recently to discuss his recent series of singles, including “Good Things”, out now. We talked to the former lead vocalist of VIMIC (with Joey Jordison, ex-Slipknot) and Korn live member about the long and winding road of his career, his approach to songwriting, working with Brian Viglione of The Dresden Dolls, his upcoming new single “Let Them Come”, the country album he is writing with his brother, writing for other artists versus keeping songs for himself and much more. Purchase new Kalen Chase music here and check out our chat.
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ALBUM REVIEW: Disciples of Verity – Pragmatic Sanction

Music fans love a good supergroup. However, a lot of times the results may vary and the resultant music that felt like it would rule on paper doesn’t translate in the end. Well, that sure isn’t the case with Disciples of Verity. Not only does the band boast a who’s who of dynamic talents from across Rock and Metal (Living Colour, God Forbid, Negative Sky, Sekond Skyn), their debut release Pragmatic Sanction (The Label Group/InGrooves) has a ton of memorable songs; heavy enough for the real headbangers, but catchy enough for the masses. Continue reading

ALBUM REVIEW: Witnesses – Doom II

As hinted by the title, Doom II  (Self-Released) isn’t Witnesses’ second overall album but rather their second to expand on the Doom Metal style that was established on 2019’s To Disappear And To Be Nothing. Its predecessor’s combination of glacial riffing, distraught vocals and bleak mood is well-preserved here and the overarching narrative of a ship lost at sea allows them to be conveyed even more powerfully than before. Convoluted naming conventions aside, it’s a bold leap forward by every metric.

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Deftones’ Career-Defining Album “White Pony” Turns 20

Success has a way of messing with a good band. First world problems compared to the millions of bands that never make it, sure. However, so often when an emerging band that has fast become a genre leader, big corporate record labels can foul up the flow. This was almost the case of White Pony by Deftones, and the case where the hype was lived up to by pencil pushers, bean counters, and greed almost wrecked the game. White Pony is the band’s pivotal third album, where they built off the stylistic changes that came in with Around The Fur (Maverick) and pushed their sound further than before. In the process, they severed themselves far from the Nu-Metal wave that was exploding at the time and firmly created a new camp of “Deftones Music” as a category. That is, until, the label got in their business later on. Continue reading

ALBUM REVIEW: Constellatia – The Language of Limbs – Season of Mist

South African post-Black outfit Constellatia arrived just two short years ago, and already last year’s debut album The Language of Limbs (Season of Mist) has earned a power-label reissue. A blast of atmospheric harshness and aching melody with a touch of doomed romance, its four tracks are a paean to the outer edges of Emotion. Continue reading

EXCLUSIVE VIDEO PREMIERE: Latex Grenade – “The Cage” 

Ghost Cult is bringing you the fiery new video from San Diego’s two-piece hardcore and metal band Latex Grenade for their track ‘The Cage’! The anthemic track and emotional video highlights the unrest in America that has driven the entire globe to action. The band may look like chill skater dudes who like to party, the but song and the clip tap into the current state of unbridled outrage and heartache over the current systematic failures by our country. Watch the video here!  Continue reading

ALBUM REVIEW: Resent – Crosshairs

Everything in Canada is supposed to be nice, right? That Trudeau bloke’s boyish grin; the clean, crisp air; the way the natives go ‘Eh’ at the end of a sentence in a wonderfully endearing way. Tell that to Resent. The 2018 demo from the Victoria, British Columbia based quartet was one of the most frightening exercises in putrid Sludge I’d ever encountered, and new album Crosshairs (Dry Cough Records / Nerve Altar / Rope Or Guillotine) promises only to extend the suffering…

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