Ghost Cult’s Keefy caught up with John Connolly of Sevendust to chat about their new album, Blood and Stone, releasing on October 23rd, 2020 via Rise Records. We discussed the making of the new album, releasing new music during this uncertain time, the more adult themes of the band’s music these days, how the band approaches songwriting, working with producer Elvis Baskette, the decision to cover Soundgarden’s “The Day I Tried To Live” and how they almost didn’t go through with it and more. Purchase the album here and listen to our chat right now.
I want to open this review by saying that the talent and obvious skills of all the musicians involved in this record is undeniable, these are musicians that have been proving over and over again why they are recognized as some of the top artists in their genre and why they have the following they have. Having said that, this solo album by John Petrucci (Dream Theater) was not for me. And though we can argue that this kind of album is for a specific sector in the Progressive Metal realm, I truly cannot digest music that is made to show off the skills that “x” or “y” musician has in their instrument and that is my perception of Terminal Velocity (Sound Mind Music/The Orchard).
We caught up with Dez Fafara of Devildriver to discuss his upcoming new album Dealing With Demons I, out on Napalm Records on October 2nd, 2020. We chatted with Dez on the state of the word, changes to the bands’ songwriting approach for this new record, considering different angles for lyrics and vocals, his long relationship with Napalm Records, plans for the next album after Dealing with Demons II – already being written, some musings on Coal Chamber, Dez’s many business successes – especially his new record label, and much more. You can order Dealing with Demons I here, and check out our chat! Continue reading
Consistency is the best word that can be used to describe a band like The Ocean. After releasing the critically acclaimed album Phanerozoic I: Palaeozoic (Metal Blade Records/Pelagic Records) in 2018, the Germans come back with can possibly be a solid candidate for album of the year in Phanerozoic II: Mesozoic | Cenozoic (Metal Blade Records/Pelagic Records). And it’s just that this band keeps raising the musical and creative bars that are out there. They are not afraid to crush any musical barriers and do love to delve into unknown territories and as a result, they always come out on the winning end of it.
Kataklysm has proudly been waving the banners of Melodic Death and Death Metal for nearly thirty years. Originally hailing from Canada, this now multinational act has consistently delivered strikingly aggressive music for decades and it has solidified their spot at the Heavy Metal table. It’s only been two years since they released their last record, Meditations (Nuclear Blast). Yet this new full-length, Unconquered (Nuclear Blast) demonstrates how this quartet has a wealth of heaviness still to share.
With bands taking so much time between studio albums these days, it’s astonishing to believe that in the space of just three years, between 1970 and 1973, Brummie icons Black Sabbath released no less than five of the most important records in the annals of heavy metal.
Twenty-five years plus into his career, Marilyn Manson continues to be an enigma, wrapped tight inside a riddle, not wishing to be fully known. By never making the same album twice with his namesake band, he continues to defy expectations, and be equally loved and hated. While his early albums are masterworks that others from the 1990s would kill to rest their reputations on. However, as the rockstar gains on years and gets further away from his early years, he has transformed into a much more interesting character than when he was freaking out pastors and scarring moms and dads.
Heavy alt-Rock band The ReAktion has announced they are heading into the studio this fall to record a brand new album, their fourth, and their first since What A Day in 2018. Acclaimed veteran Mike Exeter (Black Sabbath, Cradle of Filth, Judas Priest) will produce the album. Exeter is also an ongoing collaborative partner of Tony Iommi, so expect The ReAktion’s trademark riffs and vocals to sound as big as ever. Their prior albums Similitude and Selknam generated a huge buzz, saw them tour internationally, including a standout appearance at Knotfest 2015. This will be one of the most anticipated albums of 2021.
If there was a way to tell how an album would sound just by knowing who the musicians that are playing in it are, it wouldn’t be possible to do so with Mcstine & Minnemann‘s self-titled, debut album (McStine & Minnemann). The duo consists of multi-instrumentalist Marco Minnemann (The Aristocrats) and Randy McStine (Lo-Fi Resistance). In all honesty, I had never heard of Mcstine or Lo-Fi Resistance, but I am familiar with Minnemann’s work, particularly of his work with Steven Wilson. If you’re wondering why it could not be possible to guess how this album is going to sound based on the knowledge that these two musicians are working together, well the reason is that Minnemann really is a very versatile musician that can play a lot of genres that do not necessarily fall in the realm of Metal. Continue reading
It is easy to forget that Forever Blue is the debut album from AA Williams, such is the level of status she has already acquired since first taking to the stage only last year. In the meantime, she has garnered a huge amount of critical acclaim, released a self-titled EP, and collaborated with Mono before releasing Forever Blue.