Ghost Cult was honored to catch up with legendary axeman and leader of Accept, Wolf Hoffman. The band will release their 16th studio album, Too Mean To Die via Nuclear Blast Records on January 15th, 2021. Wolf talked about his long career in the music business, the creation of the new album, the PMA aspect of the band, adding new members to the band, working with producer Andy Sneap for the last decade, his views on the many anniversaries the band has coming up, their working-class roots, the resurgence of media such as vinyl and cassettes, thoughts on live streaming and more! Pre-order Too Mean To Die here and check out our chat! Continue reading
Today marks the sixteenth anniversary of the murder of Dimebag Darrell Lance Abbott of Pantera and Damageplan while on stage at the Alrosa Villa club in Columbus, Ohio. Although we are sad at the occasion and we prefer to honor how he lived most of all, we can’t overlook the significance of the loss to the world of metal. Somewhere in the world right now, someone is strapping on a guitar and learning to play those songs, licks, and solos, which is at the very least, a comfort to know. As we do every year, we pay tribute to this fallen hero. Jam out to some classic Dimebag and Pantera tracks and raise a glass or smoke (or both) to the legend of legends on guitar! Getcha pull!
Connecticut Hardcore Metal giants Hatebreed have released a new lyric video/visualizer for the track “Cling To Life”. The song comes from their just-released album Weight Of the False Self, their eighth full-length, out now from Nuclear Blast. Watch the clip now!
Former Manowar guitarist Ross the Boss returns with all guns blazing on Conquered Lands (Steel Cartel), the third full-length release from his subtly named Death Dealer project. In a gloriously predictable manner, the riffs come thick and fast as gods, blood, battles and all other true metal necessities rain down like exploding magma from the skies.
In 1995, Alice In Chains had been feeling good on the success of their first #1 album on the charts, 1994’s Jar of FliesEP, the first EP to ever debut at #1. At the same time, they were in peril as a band, with issues stemming from Layne Staley’s addiction to heroin and other band turmoil. The band did not tour to support Jar of Flies as Layne was in rehab and they took part of 1995 off. The lost opportunities from this period, including a massive Metallica/Danzig/Suicidal Tendencies tour and a near-top-of-the bill split at Woodstock 1994 (which I am still mad about) almost killed the band. They broke up briefly too, according to Sean Kinney. Little did we know they were crafting a great album, Alice in Chains (Columbia), to wash all that pain and disappointment away for a brief moment in time.
This year has been as chaotic as anyone has ever seen. And for chaotic times we need good, solid, tight riffs, and Junior Bruce provides them on their album Pray For Death (Sludgelord Records). The Florida quintet brings an album with absolute bangers for fans of Stoner/Sludge Metal. Having a clash of different styles, Pray for Death is an album that reflects the collective anger society has against whatever anyone they choose to be mad about, still combining a certain melancholy that grows some of the most interesting aspects of Junior Bruce.
Ghost Cult’s Keefy caught up with John Connolly of Sevendust to chat about their new album, Blood and Stone, releasing on October 23rd, 2020 via Rise Records. We discussed the making of the new album, releasing new music during this uncertain time, the more adult themes of the band’s music these days, how the band approaches songwriting, working with producer Elvis Baskette, the decision to cover Soundgarden’s “The Day I Tried To Live” and how they almost didn’t go through with it and more. Purchase the album here and listen to our chat right now.
I want to open this review by saying that the talent and obvious skills of all the musicians involved in this record is undeniable, these are musicians that have been proving over and over again why they are recognized as some of the top artists in their genre and why they have the following they have. Having said that, this solo album by John Petrucci (Dream Theater) was not for me. And though we can argue that this kind of album is for a specific sector in the Progressive Metal realm, I truly cannot digest music that is made to show off the skills that “x” or “y” musician has in their instrument and that is my perception of Terminal Velocity (Sound Mind Music/The Orchard).
We caught up with Dez Fafara of Devildriver to discuss his upcoming new album Dealing With Demons I, out on Napalm Records on October 2nd, 2020. We chatted with Dez on the state of the word, changes to the bands’ songwriting approach for this new record, considering different angles for lyrics and vocals, his long relationship with Napalm Records, plans for the next album after Dealing with Demons II – already being written, some musings on Coal Chamber, Dez’s many business successes – especially his new record label, and much more.You can order Dealing with Demons I here, and check out our chat! Continue reading
Consistency is the best word that can be used to describe a band like The Ocean. After releasing the critically acclaimed album Phanerozoic I: Palaeozoic (Metal Blade Records/Pelagic Records) in 2018, the Germans come back with can possibly be a solid candidate for album of the year in Phanerozoic II: Mesozoic | Cenozoic (Metal Blade Records/Pelagic Records). And it’s just that this band keeps raising the musical and creative bars that are out there. They are not afraid to crush any musical barriers and do love to delve into unknown territories and as a result, they always come out on the winning end of it.