For just one weekend the Banc of California Stadium was transformed into a carnivalesque outdoor funhouse for the Adult Swim Festival. The stadium was alive with colorful distorted animations reminiscent of children’s cartoons and claymation scenes warped and hyperbolized beyond the mind’s comprehension, while a giant Meatwad dome sat across an even larger inflatable slide shaped like Morty’s head vomiting a rainbow.
And now, the end is near, and so we face the final curtain. My friends, we’ll say it clear, we’ll state our case, of which we’re certain. We’ve lived a year that’s full, and listened to each and every album (well, a good several hundred, in any case), But more, much more than this, We did it our way…
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Carcass with Surgical Steel (Nuclear Blast) in 2013, Behemoth and The Satanist (Metal Blade) in 2014, Ghost in 2015 and 2018 with Meliora and Prequelle (both Loma Vista), Magma (Roadrunner) by Gojira in 2016, and 2017’s Emperor of Sand (Mastodon – Reprise) is our legacy. Those incredible, scene-enhancing, ear-destroying releases are the standard-bearers by which Ghost Cult‘s albums of the year are to be judged. These are the albums of our times; and following another sensation year of great alternative, rock, and metal, the pantheon cries out for more, for another slab of wax, another Album of the Year to join them… the very best of 2019.
With a fully democratic poll of the views and votes of the length and breadth of Team Ghost Cult (including our photographers, reviewers, newshounds, podcast and YouTube contributors) taken, with no editorial steer or amendment, we present to you Part 1 (75-41) of the Official Ghost Cult Albums of the Year for 2019, for your vulgar delectation… Continue reading
Buckle up, you’re about to enter an epic journey. If you’re just like me, that gets into the music and just get chills by listening to certain melody arrangements and you just cry; yes, cry, then this album will probably lead you to that (maybe not necessarily crying, but you catch my drift). It’s not because the music is necessarily sad, this is not the case here, but rather from the excitement of what you’re listening to. Well, that was my initial reaction to Wilderun’s third album, Veil of Imagination (Self-Released), I literally couldn’t stop the tears coming out of my eyes in awe of what the information my brain was receiving. The first track ‘The Unimaginable Zero Summer’, my absolute favorite, by the way, it’s a summary of what you will get from this album. From epic choir vocals to great instrumentalization, this album surely brings a great variety of elements that will make any Progressive Metal fan jump in excitement. Continue reading
40 Years, Still Breaking The Wall
Ever wondered what makes a “classic band” classic? Have you ever sat down and play records of bands like The Beatles, Led Zeppelin, AC/DC, etc. just to analyze the components of what makes them be as magnificent as they are? Even more, how is it that forty, fifty years later their music still as intact and as relevant as ever before? This is the case with Pink Floyd, especially when we think about that four classic albums run that they had in the mid-seventies. Albums like The Dark Side Of The Moon, Wish You Were Here, and Animals, brought us records that still are in the charts and are, basically, soundtracks of our current lifestyle. Continue reading
For years, metal and hardcore have been regular bedfellows but that wasn’t always the way. Back in the ’80s, metalheads regularly ran the risk of getting beaten up if they attended hardcore or punk shows. Skins and Mohawks did not take kindly to long-hairs stepping onto their turf, and vice versa. It wasn’t until the emergence of more popular bands like Slayer who, by straddling both genres, showed that the two sets of fans were capable of co-existing without confrontation.
I’ve written about this before, but given the huge response of a recent Bacon’s Bit on the topic, I wanted to re-address it. Your band should have a cover song or two in your back pocket. If you are able to do this then you are going to be able to differentiate yourself and more importantly have your band be remembered. When it comes down to it, as an unsigned band trying to break it in the underground having your band be remembered is the most important thing. If people can’t recall who you are you are fucked. But if you can give them a reason to recall you – you’re in the clear. So I wanted to address all this and get into why covers aren’t corny, how they help to cement you in the fans’ mind, how to choose a good song to cover and of course some of the additional benefits that covers bring to the table. Continue reading