Hardcore Metal and Eternal Struggle will drop their new full-length album, Year of the Gun, this Friday, June 4th, 2021, via Demons Run Amok Entertainment (DE) in partnership with Upstate Records(NY). The band channels the adversity and strife in their lives they have had to overcome to write anthemic, yet crushing anthems of empowerment, self-improvement, signaling a clarion call to all marginalized people everywhere to unite. Easily one of the years’ best Hardcore genre releases, stream Year of the Gun, here at Ghost Cult!
Rewinding back to August 2010, Metalcore savants The Devil Wears Prada put out the Zombie EP (Ferret Music) – a release that introduced a new level of maturity and heaviness for the band and remains a fan favorite to this day. Fast forward to the present day, TDWP have written ZII (Solid State Records), a sequel EP no one knew was coming. While its precursor is about fighting the apocalypse, ZII embodies the stemming feelings of exhaustion and hopelessness.
After a year and change of no live shows, every single band on the planet has got to adapt themselves into the world of live streaming. The few live stream concerts I’ve seen have portrayed each band’s unique style and vision, but none as bizarre as The Melvins’ Volume 3: Mayday! Mayday! Mayday! which aired last Saturday, May 1st. The complete show is exactly what you would expect from this legendary band. The live stream started with acoustic versions of ‘Dark Brown Teeth’, a King Buzzo cover, and ‘Up The Dumper’. The most interesting and funny aspect of this particular live stream is that it felt like you were hanging out with the band in between songs. Each transition from song to song had a small interview that started with the whole band, then with Buzz Osborne, followed by Steven McDonald, and finishing with Dale Crover. Each interview featured hilarious stories of the band and their lives that covered the usage of masks to, of course, weed. The overall performance of the band was superb with a sound the sound quality you would expect from a band like The Melvins and the visuals were in the more psychedelic side that went along well with each of the played tracks. Overall this was a fun and refreshing way of conducting a live stream event and one that only sets up for the upcoming return of live shows.Continue reading
It’s been twenty-two years since Liquid Tension Experiment, the Progressive Metal supergroup formed by Mike Portnoy (Transatlantic, The Winery Dogs) John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson), released a record after their critically acclaimed album Liquid Tension 2 (Magna Carta). In this new album entitled LT3 (InsideOut Music) these musicians prove once again why they are part of the biggest bands in the genre and why they are considered to be among the best in their respective instruments and their craft.
The last live show I attended was on February 22nd, 2020 watching Opeth at the Apollo Theater in New York City. It was a magical night, but little did I know that was going to be the last live music I was going to be watching perform in a year. I miss live shows, as I’m sure every single one of you does as well and I was particularly reminded of this since the beginning of last week. Having said that, when The Ocean Collective announced that they were going to play a live stream show of their amazing album Phanerozoic I: Palaeozoic (Pelagic Records) in its entirety, I immediately jumped to my feet and said: “I NEED to watch that”, I knew it was going to be magical as everything the German band does.
Funny, before writing this review I had just finished a very interesting conversation about Swedish bands with someone as passionate as I am for Swedish music and we concluded that there must be something about being born in Scandinavia that automatically increases your chances of being good at making music. Spelljammer proves this point with their latest effort Abyssal Trip (RidingEasy Records). An equally catchy, beautiful, heavy, and dark album that brings a scenario that can be only compared as being a collection of Black Sabbath’s darkest, twisted tracks but heavier and more melodic. And it’s impossible not talking about Black Sabbath when talking about a Stoner/Doom Metal band, but this Swedish trio can easily be in the same conversation.
Working With God (Ipecac Records/Liberator Music) is the 24th release by the Melvins and features their 1983 lineup of Buzz Osbourne, Dale Crover on bass, and original drummer Mike Dillard (although they have been doing a ton of regular Melvins lineup activities with Steven Shane McDonald of Redd Kross). The record encapsulates the Hardcore and Sludge style Melvins have delivered since their genesis. The result is a fresh album that is thrilling and cathartic.
It is bands like Riddlebreak that make it a shame there aren’t more descriptive titles for genres. Architeuthis may be early on the South African six-piece’s discography, but its ingenuity attests to their clear identity. Whether or not you think Metalcore is dead, prepare for a journey where you will witness its reincarnation into something far more elaborate.
Avatar took my live stream “virginity” away in this concert Ages|Madness from their series of Livestream concerts titled Ages, which has been running since January 9th and will end this upcoming weekend on January 30th. The Swedish band demonstrated why they are one of the most popular and entertaining bands in the genre right now by giving a performance that very well is worth the “price of admission” that COVID normalcy has given us for these types of events since we cannot go to live shows for the time being. Avatar was able to set a tone and ambiance like no other with this performance which was concentrated on tracks from the albums Black Waltz (Gain Music Entertainment) and Hail the Apocalypse (eOne Music).
The first word that comes to mind when listening to Gravehuffer’s new album NecroEcolosion (Black Doomba Records) is “fun”. Gravehuffer takes us on a journey through many different styles. Their versatility and ability not to be genre bound is on full display with this entry.