The artwork that emblazons Municipal Waste’s Electrified Brain (Nuclear Blast) sets the scene as strongly as anything else could have: a Flying-V guitar violently piercing the left cheek of a skeletal head that’s also being shocked. That’s precisely what the nearly thirty-four-minute attack feels like. It’s a pummeling marathon of fun-loving ire, of bodacious violence. Continue reading
Bandcamp has gained immense traction and reverence as of late, ever since the music streaming website introduced “Bandcamp Fridays,” allotting 100% of artists’ proceeds to said artists without taking fees. A by-product of that has been releases that can only be streamed via Bandcamp, and Tombs are the latest to follow that path.
Australians know a thing or two about Pop Punk, and DeathFuckingCunt are no strangers to the scene, with their hummable hooks and heart-warming verses.
Of course not.
The very essence of doom metal is not for everyone, what with its bumper-to-bumper pacing and tame singing. In some cases, the very notion of metal is difficult to pick apart from the rest of the music.
The very title of Malevolence’s new record should tell you all you need to know about what to expect.
Malicious Intent (Nuclear Blast) is the third full-length release from the groove-meets-metalcore five-piece outfit hailing from the UK and follows up 2017’s Self Supremacy. Boasting all original members, Malevolence has returned with a vengeance, though one that is tempered.Continue reading
Grindcore by its very nature, is polarizing. It’s either unapproachably abrasive or energizingly frenetic; disorganized noise pollution or homicidally refreshing.
No/Mas stakes their claim by presenting a grindcore record peppered with intricacies that are as subtle as they are appreciated. One or two cycles isn’t enough to fully absorb the wonders that lie within Consume/Deny/Repeat (Closed Casket Activities)
Chris Reifert (Autopsy, Death) and Greg Wilkinson (also Autopsy, Deathgrave) combined bring sixty-one years of experience to the death-metal scene, the former since 1985 and the latter 1998. It’s only fitting that the two would not only come together to form a new band, but to also unleash an album that immediately sounds simultaneously old-school and deep-rooted.
Following on from dropping their debut EP Celestial Towers Of Silver Ash in 2021, Vivienne is the follow up release from Oceansnow, having signed with Italy’s Avantgarde Music a label specialising in quality black and doom metal in all their forms, with recent notable releases from the likes of A Pale December and Noircure, and a stable which also includes Abigor and Violet Cold. Continue reading
Ever since 2003’s Inhumanity (Listenable), Finnish powerhouse Mors Principium Est have been meticulously perfecting their Melodic Death Metal craft at a time when the genre started to feel a bit overcrowded. Fast forward nearly twenty years later and they are not only at the top of their game, but stand as one of the linchpins of the scene.Continue reading
Recorded towards the end of 2020, Paint The Sky With Blood (Napalm Records) was meant to signal the beginning of a new era in the career of Bodom After Midnight frontman Alexi Laiho. His first release since leaving the groundbreaking Finnish melodic death metal act Children of Bodom the previous year should have been the beginning of an exciting new journey. Instead, his tragic death in late December means it ultimately becomes an epitaph.