One of the titans of the North American summer Music Festival season is Riot Fest, and we were damn glad to see it come back strong in 2021. Especially after Lollapalooza did such bang up numbers coming back, and kept the safety methods strongto minimize the effects of the pandemic, you knew Riot Fest was going to go hard, and bring it big time. Even with the departures from the lineup of Nine Inch Nails, Faith No More, Mr. Bungle, and others, it was as stacked a lineup as the fest has ever had. If you’ve ever been to Riot Fest, Lollapalooza, Coachella or any other festival, you’ve witnessed the power of live music bringing people together. At Riot Fest 2021, we learned that even a global pandemic is no match for a community this passionate and devoted. What makes Riot Fest particularly special, though, is the integration of bands and artists from several generations, and the consequent mingling of their fans. Whether you’re twelve or sixty years old, there’s someone on the lineup for you.
Getting ready to return to the touring lifestyle they’ve grown accustomed to, Ohio-based Metalcore and Hard Rock group Beartooth presented fans with the next best thing to seeing them from the barricades. Bringing their new album Below (Red Bull Records) to life with elaborate visuals and booming sparklers, The Journey Below livestream reminds us what rock shows are all about in case anyone has forgotten.
Arising from Los Angeles, California, Melodic Metalcore trio Light The Torch prove just how fitting their name is with their sophomore album, You Will Be The Death Of Me (Nuclear Blast Records). Each metallic anthem sets the stage as if the band had just lit their torches and sharpened their pitchforks in preparation for taking on their greatest demons.Continue reading
Relentless Metalcore prodigies Of Mice & Men have been through the wringer with their share of lineup changes, so a lockdown surely isn’t enough to break the united strength they have built. Conversely, it has only fed their resolve as they announce their plan for an EP trilogy, the first one titled Timeless. Prioritizing quality over quantity, Timeless (Sharptone Records) places Metalcore’s simpler times in a new context by using its nostalgic facets to tell a story we can all relate to today.
Concluding our 2018 In Review guest posts from some of the UK’s rock/metal/alternative music publicists is Becky Laverty of Pioneer Music Press and Cappio Records. Not only does Becky work with a fine selection of the finest alternative, progressive, dark, occult, doomy and, primarily, artistic bands, her work with Damnation and The Roadburn Festival are the stuff of legends. In addition, she also takes time to write advice pieces for bands and others involved in the music industry. She is, indeed, the goodest of eggs and future pub quiz champion of the UK (2019)… Continue reading
Swapping medium sized venues for full sized arenas can be a big gamble for a band, but after a highly successful show at Wembley Arena in 2015, Finnish Symphonic Metal act Nightwish decided to take the plunge and returned to UK shores for a lengthier three date arena visit in support of their recently released compilation album Decades (Nuclear Blast).Continue reading
We’re nearing the end of another year and no doubt we’re all scrabbling together our now mandatory album of the year lists, all the while agonizing over those handful of records that we leave out or forget, to showcase our personal highlights and the standouts that will be used in future years as a signifier for the high quality of music 2018 has bestowed upon us.Continue reading
Playing to a packed out Wacken Festival, German Metal legends Accept pulled out all the stops last year by performing a two-hour long set of purest classic teutonic Metal. Split into three separate acts, the band tore through a collection of greatest hits and instrumental surprises for the gathered long-haired faithfulContinue reading
As the dust begins to settle on what will undoubtedly go down in a history as a fine year for heavy and progressive music, the Ghost Cult crew present our favourite albums of 2017. While a year with only a couple of genuine life-changing, genre redefiners, nevertheless 2017 has seen an absolute plethora of very, very high quality releases. With over 400 albums reviewed this year, at an average of 7.5/10, there was a deep pool of quality releases selected and dissected throughout the year. A genuinely democratic inner sanctum here, we now present Part 1 of an official Ghost Cult Album of the Year (2017) run down that s truly representative of Ghost Cult, our writers, and our musical position as a site. Please share your thoughts and comments on the music we collectively love, as we countdown from 50 through to 26…Continue reading
It’s nigh on impossible to put a finger on quite why While She Sleeps’ sophomore effort Brainwashed (Search and Destroy) didn’t explode. Everything was in place. It was, as we at Ghost Cult opined at the time, the right album at the right time from the right band. And yet, while it undoubtedly moved them forwards, the smashing of the glass ceiling never happened. Whether that shattering and reaching of new heights is being reserved for You Are We (Sleeps Brothers / crowd-funded) time will tell,Continue reading