ALBUM REVIEW: Lustmord – Much Unseen Is Also Here


Lustmord is the pseudonym of Brian Williams, now more than four decades into his music career and with myriad releases under his belt, including many soundtracks and collaborations, as well as a plethora of “ordinary” albums.Continue reading


ALBUM REVIEW: Myrath – Karma


The Myrath sound is an exciting, intoxicating and entertaining one. On Karma (earMUSIC), there’s a dark side to some of the lyrical content (“Wrath of a raging sea …” Demons, oblivion, etc), leaning towards the heavy and the epic, but the overall impression is relatively light, hooky and generally uplifting. Continue reading


ALBUM REVIEW: Kollapse – AR


The newest offering from Kollapse is by no means something that should be consumed whilst in a distraught headspace. AR (Fysisk Format Records) is as much an introspection as it is a complex collection of seven Noise Rock, Sludge, and experimental tracks from the Danish trio. Continue reading


REVIEWS ROUND-UP: ft – Haystack – Rough Justice – Crawling Through Tartarus – Dwarrowdelf


When Entombed followed Uffe Cederlund’s vision and produced the divisive Same Difference in 1998, the direction and sound that incorporated a hefty dose of Unsane and Cederlund’s other project, Haystack, was quickly parked following an overwhelmingly negative response -it’s genuinely not a bad record at all, with hindsight – Senior Ed], and the Stockholm massive returned to their HM-2 Death n’ Roll stylings.

Haystack, too, fell by the wayside for over two decades, too. The resurrection continues, though, with second album since their return, and fourth overall, Doomsday Goes Away (The Dogma Repertory Institute/Threeman Recordings).

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REVIEWS ROUND-UP: ft. Amaranthe – Blackberry Smoke – Bokassa – Shooting Daggers


When Swedish Europop-metalcore (they’re a difficult band to put a tag on considering how distinct their sound is!) sextet Amaranthe announced their arrival with 2011’s self-titled semi-classic album, it was hard to imagine them, as great as their first shot was, still being around thirteen years later. Continue reading


ALBUM REVIEW: Ace Frehley – 10,000 Volts


You can take the boy out of The Bronx, but can’t take The Bronx out of the boy.

Ace Frehley, Kiss guitar legend, gives birth to some of his finest cuts and hottest licks with the fret-burning, string-bending, grin-inducing 10,000 Volts (MNRK Heavy).Continue reading


ALBUM REVIEW: Spectral Voice – Sparagmos


Spectral Voice‘s sophomore album Sparagmos (Dark Descent Records) is possessed by a dark anguish that draws you in. A decade or so ago this brand of Atmospheric Death Metal was labeled “occult death metal” and referenced bands like Necros Christos who follow Incantation’s lead down into the doomier depth of death metal. Continue reading


ALBUM REVIEW: The Last Ten Seconds Of Life – No Name Graves


Delving into No Name Graves (Unique Leader), a constant quickly becomes evident.

The majority of the songs on the latest effort from Deathcore outfit The Last Ten Seconds Of Life feels introductory. Which is to say the tracks routinely edge listeners by delivering about seventy percent but never really breaks the surface.Continue reading


ALBUM REVIEW: Transit Method – Othervoid


Music that’s right here, right now, with echoes of glories past. A dream of an album that takes off fast, edgy, in a punky rush, sounding like … a punky Rush!

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ALBUM REVIEW: Hiraes – Dormant


The title of Hiraes’ new album, Dormant (Napalm Records), caught me a bit off guard.

The word “dormant” conjures images of calm, rest, inactivity. Yet, I’ve seen them play and listened to their first album numerous times, and nothing led me to believe that the band would be entering such a period or engaging in such a manner. Continue reading