Long-running Heavy Metal legends Queensrÿche recently released their excellent new album The Verdict on Century Media Records. We caught up with founding member Michael “Whip” Wilton at their sold-out show at Irving Plaza in New York City and talked about the new album, the loyalty of their fans, working with Chris “Zeuss” Harris, the bands’ approach to music videos, their tour plans for the rest of 2019, some key upcoming milestone album anniversaries in their career, and much more. Interview by Keefy and videography by Omar Cordy of OJC Photography. Continue reading
The term Supergroup is often used to describe any band consisting of musicians from other acts and thus disappointing when it ends up lacking household names, or consisting of dream groupings who do not live up to the expectation their legacy suggests.
Fortunately, new entity Vltimas have offered a debut that smashes those notions.
Made up of former Mayhem man Blasphemer, Cryptopsy’s Flo Mounier and David Vincent (formerly of Morbid Angel), Vltimas is a solid who’s who of Extreme Metal royalty. Notably, this is Vincent’s first Metal outing since the polarising Illud Divinum Insanus (Season of Mist), thus potentially leaving him with a point to prove. Fortunately, it doesn’t take long for Something Wicked Marches In (Season of Mist) to ease any lingering doubts there. Continue reading
Alternative Metal is considered by some in the Metal community to be the black sheep of the genre: bands like Breaking Benjamin, Disturbed, Sevendust and many others have seen mainstream success because of the accessible sound and simplistic yet catchy song structures which come with the genre. During the 00s, Alternative Metal exploded and has acted as the gateway for many listeners to discover the vast sonic ground which is under the banner of Metal. The question is: does Colt 48’s new release Negatives (independent release) have any merit now that those heydays are over? Continue reading
It’s hard to put a finger on what exactly East Of The Wall is and this is a double edged sword in many aspects. Calling them a progressive band would be like calling a spade a spade: the music follows all the staples and notions of the genre, but, as a label, it still does not fit comfortably, especially with their new release NP – Complete (Translation Loss Records). Continue reading
If there was a genre that’s been done to death in every possible way, it’s Metalcore. Talk about everything and the kitchen sink, the genre has become oversaturated in recent years with the same tired template of songs, sounds and ideas which are rip-offs from the genre’s heyday in the noughties. There are still bands like Architects and Killswitch Engage who continue to grow both their audience and their sound by bringing new ideas to the table even if the genre is no longer the musical hotbed it once was.
This brings us to ExitWounds’s new EP Visions (Sharptone Records). Continue reading
During an interview a few years ago, Conan’s Jon Davis told me he didn’t want to release music by his worshipped band on his own Black Bow label, in an effort to keep the two projects separate. Well, Ungraven is no Conan. A darker, more Industrial beast than the Caveman Doom outfit he has lovingly tended to for the past thirteen years, debut EP Language Of Longing (Black Bow Records) sees the more savage edges roughened up and thrust to the fore. Continue reading
Many believed the end was nigh for Washington act Queensrÿche when the legendary Power/Prog Metallers fired their iconic vocalist Geoff Tate back in 2012. However, more than happy to prove those people wrong, the recruitment of former Crimson Glory vocalist Todd La Torre has seen the band release some of their strongest material for quite some time. Continue reading