Consisting entirely of musicians from the eccentric Demon Bitch with equally esoteric pseudonyms, Detroit’s White Magician settles firmly into the world of heavy Occult Rock on their first full-length album. “The Agents Of Fortune”-esque cover art is enough to indicate that any comparisons to Blue Öyster Cult are likely intentional; the band exercises a similarly freerolling attitude with an ominous undercurrent. But while Dealers Of Divinity (Cruz Del Sur Music) gambles on a well-trod formula, the group seems to have a couple of aces up their sleeves.
Cover songs can be tricky. A balancing act that often results in calamity. Lean too far one way and be accused of musical blasphemy; keep things too safe and be reliably informed you shouldn’t have bothered in the first place. So with that in mind, surely an album consisting entirely of cover versions is just asking for trouble, isn’t it? Continue reading
It”s been four years since Eternal Champion unleashed The Armor Of Ire in 2016, but the hype has only intensified with their sophomore full-length. Ravening Iron (No Remorse Records) continues the Austin group”s Epic Metal aspirations as the coarse but melodic guitar work casts a dungeon friendly atmosphere and the vocals forever echo Manilla Road”s Mark Shelton (RIP) with their nasally yet bombastic character. Thankfully, there are enough alternate approaches explored that keep this album from feeling like a retread. Continue reading
Melodic Death Metal pioneers, Dark Tranquillity, release their twelfth studio album Moment (Century Media Records). The twelve-song album began recording shortly after founding member Niklas Sundin announced his departure from the band (Editor’s note: although he is still involved with the band behind the scenes) on their social media platforms, after touring members, Christopher Amott (ex-Arch Enemy) and Johan Reinholdz (Andromeda) formally joined Mikael Stanne, Anders Jivarp, Martin Brändström, and Anders Iwers as part of the official dT lineup.
Over 35 years ago, Fates Warning was one of the main trailblazers and influencers in the Progressive Metal movement. With so much history, there has been a lot of lineup changes throughout the years, but the band has always been known for its exploration and expansion of the scene. Even today this East Coast act is still examining their special sound. Earlier this month FW released their newest full-length album, Long Day Good Night (Metal Blade Records). These boys went big and completed 13 songs to celebrate their 13th full-length release. The group took their time to dig deep into their assorted inclinations to expose the wealth they found there.
Not exactly renowned for being a hotbed of thrash metal, Australia has nevertheless served up some quality bands over the years. Sadistik Exekution, Addictive, and Deströyer 666 all enjoyed relative success along with bigger names such as Hobbs’ Angel of Death, and of course, Sydney’s Mortal Sin, but in more recent years it’s been left to Melbourne act Harlott to fly the Aussie flag of hate.
For the most part, Solstafir’s seventh full-length album follows in the footsteps of its predecessor, 2017’s Berdreyminn (Season of Mist). The songwriting still largely favors the band’s subdued side with influences ranging from Post Punk, Prog Rock, and Ambient greatly informing the Post Metal whole. Tracks like ‘Rokkur’ and ‘Her Fall From Grace’ are heavy on atmosphere with extensive space to breathe and ‘Or’ throws a curveball with its almost Jazz-tinged rhythms.
A duo comprising Czechian vocalist Viktorie Surmøvá (Bohemian Metal Rhapsody) and Týr guitarist Heri Joensen, symphonic metal act Surma was formed in 2018 but spent the following year writing and arranging the music for their debut release.
Cortez’s third full-length album shows a certain spark that was merely hinted at the Boston group”s previous releases. This is immediately established with the opening”No Escape,” which comes crashing in with a template more in line with Classic Metal than their usual Stoner Rock. I find myself reminded of Cauldron or Castle as the driving tempo sustains a reverb-friendly production job with a slew of flamboyant guitar leads, gritty bass, and chanted vocals to go around.
Helion Prime’s third album features yet another lead singer shuffle as live vocalist Mary Zimmer (ex-Luna Mortis/White Empress) makes her studio debut, but their sci-fi Power Metal vision remains undeterred. Following the underwhelmed reception to 2018’s Terror Of The Cybernetic Monster, the band seems to aim for a vibe similar to their 2016 self-titled debut. The song structures are similarly streamlined, and the vocals have a consistently poppy character prone to anthemic layering and the occasional Melodeath scream. Guitarists Jason Ashcraft and Chad Anderson’s polished chugs and sweeping leads serve as the grand equalizer. Continue reading