Sometimes you really do only need to look at an album cover to know what you’ll be getting, and just one glance at Space Ninjas From Hell (Napalm Records), the latest album from German power metal act Victorius will be more than sufficient. Reveling unashamedly in its distinctly mid-late 1980s vibe, the frankly ridiculous cover art features robot ninjas, laser katanas, electric shuriken, dragons, purple skies, plenty of fire, and flying sharks shooting lasers from their eyes. If none of that piques your interest even slightly then it’s probably best to move swiftly along. Continue reading
Bay Area Technical Death Metal Band Black Passage is releasing their debut album, Veil, this July. An underground supergroup featuring members of Fallujah, Wolf King, and Anisoptera and led by guitarist Kevin Wilson, the band is already proving to have a deft touch for progressive songcraft, soaring melodies, and unflinching brutal vocals. So far the bands’ music is anything but predictable or safe. Ghost Cult is proud to debut the playthrough video for their current single, ‘Silent Home’. Continue reading
You know what’s the best thing about Bad Religion’s latest studio LP Age of Unreason (Epitaph Records)? How it’s such an honest and pristinely produced slab of melodic punk from a band that’s been rabble rousing since 1980. I mean, it’s futile to expect any different from this legendary Los Angeles outfit, but judging by the verbal ammunition in Age of Unreason’s chamber, it’s clear that today’s urine-soaked politics has clearly irked Bad Religion. Continue reading
Québécois Black Metallers Délétère have often had an air of mystique and the outrageous in their cannon, and the overriding narrative of latest album De Horae Leprae (Sepulchral Productions) is arguably more conceptual, with it being devoted to “Teredinis, a simple leper whose calling it is to become a prophet of Centipedes, as well as an incarnation of the Plague.” With such a vivid and eccentric conceptual idea behind it, its surprising to note that De Horae Leprae is a comparatively simplistic listen, albeit one with plenty of wealth. Continue reading
Melodic death metal is a very tricky style to get spot on, with a balance that needs to be struck between heaviness and an ear for a tune; a balance that all too often is lop-sided. It’s an understanding that Nottingham based death metallers Beyond Grace have, in a short life-span, have already recognised and mastered and thus, as evidenced on latest album Seekers (Self-released), have proven themselves as one of British metal’s best kept secrets and exciting prospects. Continue reading
Opeth will be releasing Sorceress on September 30th via the bands own label Moderbolaget Records, thanks to their new deal with Nuclear Blast Entertainment. Continue reading
If you are the kind of heavy music fan that enjoys fast drumming with catchy guitar riffs and a hint of blackened death metal, then George Kollias is your man. Coming from Nile fame, the heavy metal world knows George and his accomplishments as a drummer. However, he comes out swinging on his solo début, Invictus (Season of Mist). Outside a handful of guest guitar solos and guest vocals, George recorded all the rest of the instruments for the record. With eleven tracks that clock in around the fifty-four minute mark, there is enough glorious death metal to make even the crabbiest elitist entertained!
Track by track I found myself whistling guitar riff after guitar riff as they get more catchy with each song. It was tough picking out the favorites on this release as each song has its own interesting personality even after a handful of times through the album. I found the tracks that stood above the rest were the ones that sounded like new Behemoth or Septicflesh songs. Of course I am not saying George did covers or is “ripping them off”, but more in the sense that he was clearly influenced by his peers other work to help shape what he wanted Invictus to sound like. There are four tracks right in a row that I cannot seem to listen to unless they are right in order: ‘Aeons of Burning Galaxies’, ‘Shall Rise/Shall Be Dead’, ‘Voices’, and ‘Treasures of Nemesis’. I have caught myself at work on more than a few occasions either whistling the guitar riffs or smacking my two index fingers off of my desk as if I was George Kollias himself behind a set. Not taking anything away from the rest of the album (yes it is that good), but I just felt most connected to this stretch of the album.
Overall, I am more than pleased with the work done by Mr. Kollias here. Aside from the noted guests, George can play guitar, and boy can he play it well. Vocally he’s also quite gifted too! While not anything completely unique to the death metal world in terms of sound, Invictus has proven to all that George Kollias the solo artist is the real deal. Look out Dave Grohl, someone else in the world can play as many instruments as you do!
WORDS BY TIM LEDIN