Masters of baroque melodic extremity, it is befitting that Suffolk symphonaires Cradle of Filth has grabbed the goat by the horns with a suitably slick foray into the live stream arena. Atop a multi-layered theater stage set, ring leader Dani Filth sets the tone, holding aloft a flaming torch and emerging from a cowl straight out of one of the Undertaker’s Wrestlemania entrances, before announcing the commencement of the invocation of the unclean…Continue reading
The evolution of Salem, Massachusetts metallers Carnivora continues on their latest single, “Witch City”. The band eschews some of their classic Modern Metal, Brutal Tech Death, Thrash, and groove-heavy tendencies to bring forth a mature, straight-forward melodic powerhouse of a track.
Ghost Cult recently caught up with Christopher Bowes of Alestorm, who dropped their new album Curse Of The Crystal Coconut via Napalm Records. The Captain of the “Pirate Metal Drinking Crew” was in high spirits when we spoke, delving deep into the new album, his entire career, Alestorm’s place in the powermetal scene, their die-hard fans, the Alestorm “rowing moshpit”, his love of the keytar, and much more. Purchase Alestorm’s music here and check out our chat with Chris!
2019 may only be two weeks old, but as shown by our Underground Albums Roundup, the great and the not-so-good of our world are determined to start the year with a bang. Or at the very least, to bury us in a deluge of albums. Seeing as the mean and the nasty had been given a platform, we thought it only fair to shine the light on some of January’s releases beholden of a more melodic or traditional Metal bent to their finery…
Melodic Power Metallers Amaranthe have shared a new music video for their track ‘Dream’, from their recent album Helix, out now via Spinefarm Records. ‘The ‘Dream’ video was created by Jens De Vos of Belgium’s Panda Productions. Watch the clip now. Continue reading
Minimal waffle, maximum music – I’m very aware that there is too much music and not enough time! I’ve had close to 1,000 albums pass through my inbox this year alone (I’ve probably only been able to listen to about a third of them), and what I’m presenting are my favourite albums of 2018, the albums that I’ve connected most with, that matter most to me, one way or another.
Hope you find something new to get into… Continue reading
As the Ghost Cult Albums of the Year 2018 run-down approaches the business end, picking up where Part 1 left off, we invite you to peruse the albums that, democratically voted for by the entire crew, make our Top 25 and didn’t just prick up our ears, but smashed their way into our hearts and minds. Read on…
Lacuna Coil celebrated twenty years by filming The 119 Show – Live in London (Century Media) in that bastion of musicality, London Town. The more than two-hour show showcases all that’s good about Lacuna Coil and features amazing performances by Incandescence Circus Theatre Company. From the freaky circus backdrop to the band taking the stage in unsettling white face paint, The 119 Show is a mélange of American Horror Story Season 4, a wicked Lacuna Coil show, and amateurish editing.Continue reading
After several decades it would be completely forgivable for any band to ease their foot on the peddle as it were, but then again Amorphis are no ordinary band. It is well documented how they weathered a substantial transition in style through the 90’s from death metal with the classic Tales From The Thousand Lakes (Relapse) into a much more melodic entity with Elegy (Relapse) two years later.Continue reading
At first Death Metal but now encompassing Folk, Symphonic and Prog Rock elements, Amorphis are a multifaceted Finnish Metal group with nearly thirty years on the clock (twenty eight, but who’s counting). Following on from the driven yet melodious Heavy Metal of Under the Red Cloud is their thirteenth album Queen of Time (Nuclear Blast), along with the production skills of Jens Bogren – whose previous work includes Amon Amarth, Kreator and Opeth amongst others. This record follows the same urgent, heavy yet tuneful ethos but with a much broader scope, with synths, choirs, violins, folk and prog all adding to the mix. Continue reading