Einherjer – Norrøne Spor

The first time I crossed swords (!) with Norse warriors Einherjer was shortly after the release of the stellar blackened Viking Metal opus Odin Owns Ye All (Century Media) when they impressed on a bill that included Cradle of Filth and the underrated Old Man’s Child. The next stages of their career, however, were not so kind on the band, as they struggled to establish themselves, or really kick on. Continue reading

Nekrogoblikon – Heavy Meta

Nekrogoblikon-Heavy-Meta

Nekrogoblikon aren’t doing this for critical acclaim, or good reviews, and as such, probably don’t give a Stench (sic – self released) what people think of their merits, or otherwise, instead doing this to have fun, stand out from a maddening crowd, and provide a platform for Goblin related buffoonery all to the backing track of some uptempo meloblack. If you’re looking for something progressive, epic, developed or overtly serious Heavy Meta (released on the band’s own Mystery Box label) probably isn’t for you. Swim in the shark-and-troll infested seas of Alestorm and Finntroll and you may have come to the right place, my fiends.

Crawling out of the underground cave where they undoubtedly concoct their foul brews, Scorpion, in his best Abbath croak, spits out “Babies, children, women and men, Get ready to implode on the count of ten. One… Two… TEN!” and we’re off into their stompy, earwormy world of melodic black metal and opener ‘The End of Infinity’. As the album progresses, keys dance and enhance over contagious songs, as the guitars chug and spray, hitting into Children of Bodom and more so (early) In Flames territory (for the choruses, Scorpion is reminiscent of Anders Friden) as accusations of a lack of technical proficiency that have blighted previous releases are well and truly laid to rest.

With both clawed feet firmly grasping onto the mid-90’s carnival world of the post-second wave – bands like Old Man’s Child, Borknagar, Arcturus and their ilk – this is catchy, theatrical and not a million miles from Dimmu Borgir’s more theatrical mid-paced moments, not afraid to open out into Gothic baroque tech metal territory (yep) on pairing ‘Snax & Violence’ and ‘Atlantis’, or just invoke a full on filthy party on the Andrew W.K. endorsed ‘Let’s Get Fucked’.

With elements of huumpa, Viking, classic, black, thrash and melodeath metal, Nekrogoblikon have a fair arsenal to bite, scratch and claw at your ankles and demand your attention. Ensuring each track is both memorable, likable and distinct from its predecessor, this is an enjoyable romp through a critter infested world that shows us just how these ‘gobli(ko)ns (black and) roll.

 

7.0/10

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STEVE TOVEY