ALBUM REVIEW: Enterprise Earth – Death: An Anthology


The sign of a confident album is when the guest appearances bolster rather than salvage the work put in by the primary artists. Thus, Enterprise Earth’s Death: An Anthology (MNRK Heavy) is a certified scorcher in which the 11 featured tracks stand tall, both independently and as an aggregation of technically aligned Deathcore.

The wealth of intricacies and variety is but the starting point for this behemoth. So let’s get into it.Continue reading


ALBUM REVIEW: Ryujin – Ryujin


The new year is off to a good start because Ryujin’s shining new self-titled album Ryujin (Napalm Records) is about to be released. Continue reading


ALBUM REVIEW: Malevolence – Malicious Intent


The very title of Malevolence’s new record should tell you all you need to know about what to expect.

Malicious Intent (Nuclear Blast) is the third full-length release from the groove-meets-metalcore five-piece outfit hailing from the UK and follows up 2017’s Self Supremacy. Boasting all original members, Malevolence has returned with a vengeance, though one that is tempered.Continue reading


ALBUM REVIEW: Trivium – In The Court Of The Dragon


By the time Floridian thrashers Trivium released their second album, Ascendancy (Roadrunner Records) in 2005, the band were locked firmly into an upward trajectory which promised nothing short of global domination. Unfortunately, things didn’t quite work out as planned but the four-piece still remain one of the most successful metal acts around today despite having to constantly push against an unrelenting tide of haters who decided sometime during the mid-late ’00s that Trivium just weren’t metal enough any more or something.

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Trivium Shares New Photos of Their “Airplane Hangar” Compound


Trivium recently shared their first new single and video from their expected next album, “In The Court Of The Dragon.” The track and video also feature an epic intro composed and orchestrated by Ihsahn (Emperor). Now the band has shared images from their compound, based in an abandoned airplane hangar in Flordia. The band made news at the height of the pandemic in 2020 – buying the hangar to convert it into a recording studio, Metallica-style HQ, and streaming venue/video production stage with their earnings from their very first livestream. The band — Matt Heafy [vocals, guitar], Corey Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums] has been influential in validating livestreams and streaming economy in general for being a legit way for bands to augment their revenue in the face of the global shutdown. Catch the band soon on the Metal Tour of the Year with Megadeth, Lamb of God, and In Flames soon and European tour dates with Heaven Shall Burn, TesseracT, and Fit For An Autopsy.

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ALBUM REVIEW: Bleed From Within – Fracture


Glasgow may not be considered a heavy metal hub, but the band Bleed From Within proves that Scotland can produce some pretty extreme musicians. Formed fifteen years ago, this young, charged-up group of guys sought to make a spectacle of aggression and severity. Their early works took on a very vengeful edge that was mainly categorized under the Deathcore genre. Now, these fresh-faced Scots present a more sophisticated take on the ‘Core’ genres while merging it with Modern Metal on their new fifth full-length album, Fracture (Century Media Records).Continue reading


PODCAST: Episode 87 – Andreas of Cabal on “Drag Me Down”


Ghost Cult Caught up with Cabal vocalist Andreas Bjulver Paarup to discuss their slamming new album Drag Me Down, out now via Long Branch Records. Andres discussed the new album, the bands’ process for writing the new albums, writing for and working with guests such as Matt Heafy (Trivium), Jamie Hails (Polaris) and Kim Song Sternkopf (Møl), thoughts on the deathcore versus death metal genres, elitism in metal fans, future plans for the band, and much more. You can purchase Drag Me Down here. Continue reading


ALBUM REVIEW: Trivium – What The Dead Men Say


There was a time when it looked like Trivium were going to be huge. Seriously huge. Arriving on the scene with two critically acclaimed albums, they rose fast, eventually exploding onto the international platform with a career-defining performance at Download Festival in 2005. Continue reading


Watch Matt Heafy of Trivium Cover Machine Head’s “Descend The Shades of Night”


Matt Heafy is one of the best artists at using Twitch on Social Media today. The Trivium frontman does all kinds of contests and auctions to engage his fans, often doings dongs by request. He even said recently he makes more money from streaming on social media than he does from touring. Watch Matt cover Machine Head deep cut ‘Descend The Shades of Night’, unplugged, from their 2003 album Through The Ashes of Empires (Roadrunner). Continue reading