Magnetic Eye Records Launches “Black Sabbath Redux” Covers Album Project

Magnetic Eye Records, the home of brilliant stoner, doom, sludge, and other interesting bands has announced the next edition in their “Redux” series of covers albums. Having previously had huge sellout hits with Helmet, Pink Floyd, and Alice In Chains already in the pipeline is at it again! They will release a Black Sabbath tribute, Vol 4 in 2020. Magnetic Eye always pulls the finest underground bands to contribute distinctive covers such as Melvins, Pallbearer, Mark Lanegan, Ruby The Hatchet, ASG, Year of The Cobra, Yawning Man and many more. The Kickstarter for Vol 4 is live and certain editions are already selling out fast. Check it out, support the label which also puts out original full-lengths by their bands, compilations, has a subscription club and much more.

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Dumb And Dumbest Podcast Streams Episode 55

Ever thought of starting your own boutique record label? Does the thought of signing bands and pressing custom vinyl excite you? Episode 55 of the Dumb and Dumbest Podcast is streaming right now, hosted by music executive Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions) and Publicist Curtis Dewar (Dewar PR). Today’s guest is Jadd Shickler of Red Lead Media, Magnetic Eye Records and more, discussing his career, his awesome new subscription-based label and more. Ghost Cult is proud to present Dumb and Dumbest Podcast with new episodes daily! Continue reading

Various Artists – The Wall Redux

Like the noble slice of pizza, a cover song, if done well, can be amazing. And if it’s not, it’s still pretty good. It’s tough to cover well-known songs and albums by famous bands because music becomes our lexicon and fans know every little nook and cranny of a track. This is the case with Pink Floyd and their iconic double album The Wall. Luckily Magnetic Eye Records and their incredible “Redux” series is here, and they always do a bang-up job of assembling the talent. Covering the entirety of The Wall seems both ambitious and a little crazy too. While The Wall is lower on my personal list of Floyd favorites, it’s as important as it is beloved by the masses. Continue reading

Listen To ASG’s Amazing Cover Of Pink Floyd’s “Mother”

 

Southern stoner sludge metallers ASG have shared their stellar cover of Pink Floyd’s ‘Mother’ from their classic album The Wall. The track comes from the upcoming Magnetic Eye Records‘ The Wall [REDUX]. The cover-to-cover re-imagining of Pink Floyd’s ambitious concept album by up-and-coming and seminal artists from across the heavy music landscape, with single releases of songs from Pallbearer and Mark Lanegan already streaming. Check out ‘Mother’ now! Continue reading

Listen To Pallbearer Cover Pink Floyd A Classic For Tribute Album

 

Pallbearer has recorded a cover of Pink Floyd’s ‘Run Like Hell’ from their classic album The Wall which you can hear now below. Magnetic Eye Records is releasing The Wall [Redux] a massive Floyd tribute album featuring The Melvins, Ruby the Hatchet, Mark Lanegan, ASG, Scott Reeder and more for release along with the companion album, Best of Pink Floyd [REDUX], on November 9th. Continue reading

GUEST POST: Martin Wegeland Of Domkraft – 10 Heavy Hitters for a Heavy Year

Ghost Cult once again brings you “End Of Year” lists, memories, and other shenanigans from our favorite bands, partners, music industry peers, and other folks we respect across the world. Martin Wegeland of Domkraft shares his list of 10 Heavy Hitters for a Heavy Year.

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Various Artists – Meantime Redux

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Helmet will go down as one of the greatest and most influential bands ever. This fact is undisputed. Coming out of new York City at a time when a generation of bands bred on New York Hardcore values married to the talent of thrash bands (with some general avant-garde weirdness for good measure), Helmet stood out like a sore thumb of weirdness. Continue reading

Elephant Tree – Elephant Tree

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The eponymous debut album from London-based quartet Elephant Tree (Magnetic Eye Records) is graced by a sitar, no less, and is a bewitching amalgam of crushing weight and heartfelt melody. Its riffs akin to having both an elephant and a tree dropped upon you simultaneously, it nevertheless possesses a light dexterity which allows them to sashay gracefully through your ears.

‘Wither’ sees said riff growl, moan and howl along a wicked, lazy groove. The beauty here is in the decoration, the Low-end melancholy garnished with wistful, dreamy overlays: a solo oscillating through the mind, the Psychedelic vocals and atmosphere introducing Jar of Flies-era Alice in Chains to San Francisco trippers Sleepy Sun. Lead release ‘Dawn’, meanwhile, allies a filthy Stoner element to a Jon Davis-like scream.

The variety of the early stages is an absolute joy to behold: the hippy acoustic whimsy of ‘Circles’ sends those of us who grew up cocooned in Americana right back to the late 60s we yearn for. The riff of the ensuing ‘Aphotic Blues’ is so encompassing, pulverising, that this pleasant reverie is squashed like a bug: the crushing Sabbath-esque stomp still possessing enough cosmic, acid-drenched languor to keep the remains floating on air toward a vicious, pulsating close. ‘Echoes’, meanwhile, lends a 10CC mellowness to the bluesy notes and warm production before exploding in an Uncle Acid-like fuzz, its gentle mid-section bubbling beautifully.

It’s the juxtaposition between power and dreamy insouciance which is the real hallmark of this enthralling set. The titanic, warbling riff of ‘Fracture’ growls and crawls along like a sated behemoth while indolent, sleepy vocals caress its wounds. It’s a glorious feel, a heady atmosphere reeking of both patchouli oil and Kula:Shaker’s eastern melodies and rhythms, yet full of an easy vitality. This is all wonderfully brought together in the monolithic, drifting closer ‘Surma’, its moving, driving solos riding a trammelling riff toward a delicate coda of piano.

Fresh as a breeze, heavy as a mountain troll, and bloody addictive, even at this early stage Elephant Tree will sit atop a few weighty lists come the end of the year.

8.0/10.0

PAUL QUINN

 

News: Low Flying Hawks Releasing Kofuku In February

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Low Flying Hawks will be releasing their debut album Kōfuku on February 12, 2016 via Magnetic Eye Records. The album was produced by Toshi Kasai (Big Business) at Sounds of Sirens studio in LA, and featuring Trevor Dunn (Mr Bungle, Melvins) and Dale Crover (Melvins, Nirvana) on drums. Stream “Ruins” below.

Low Flying Hawks:

EHA – Guitar, Bass, Lead Vocals
AAL – Guitar, Bass, Additional Vocals

low flying hawks kofuku

Track Listing:

01: Kofuku
02: Now, Apocalypse
03: Seafloor Fathoms
04: Fading Sun
05: White Temple
06: Kokkai
07: Ruins
08: Wolves Within Wolves
09: Till The Night Meets The Light
10: Destruction Complete

KEN Mode, The Atlas Moth, etc Taking Part On Crowdfunded Helmet Tribute Album

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A Kickstarter campaign has been launched by Magnetic Eye Records for a tribute album to Helmet’s Meantime album titled Meantime [Redux] tentatively due for a 2016 release. A deluxe edition of the set is also being planned and will feature bands covers songs off of Helmet’s Strap It On and Betty albums.

Artists reportedly participating include:

KEN mode
Watchtower
Phantom Glue
Ironweed
I Am Become Death
Fuck The Facts
Family
Meek Is Murder
Kings Destroy
The Glorious Rebellion

Artists recruited for the “Strap It On” and “Betty” tracks include:
Fashion Week
Livver
Milligram
Heads
The Atlas Moth

More bands are expected to be announced soon.

We are beyond stoked to be a part of this awesome Helmet tribute with KEN mode, Phantom Glue, and a bunch more awesome bands! Go and donate now!

Posted by The Atlas Moth on Friday, April 17, 2015