Pop Superstar George Michael, Dead At Age 53


 

The music world was in shock again this Christmas Day as news came down that pop star George Micheal had been found dead in his home in Oxfordshire, England. He was 53 years old.Continue reading


Candlebox Shares New Music Video For Supernova, Books UK Tour Dates


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1990s hit making rockers Candlebox have released a new music video for their song ‘Supernova’. You can watch the clip below: Continue reading


Nirvana’s Nevermind Album Turns 25


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Do you remember where you were on September 24th, 1991? That is, if you were even alive, since it was a quarter century ago. I was in class at community college in my home town. As usual I was hanging out on the soccer field, guitar in hand, hanging with my usual band of freaks, geeks, stoners, punks, metalheads, and the like. The buzz around campus was this song ‘Smells Like Teen Spirit,’ that was not only all over MTV, but also becoming an actual hit song on the radio.

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Monte Pittman Details Inverted Grasp Of Balance, Future Touring Plans And More


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Monte Pittman will be releasing his fourth full-length album, Inverted Grasp Of Balance, on September 23rd via Metal Blade Records. (Pre-order it here).Continue reading


Skunk Anansie – Anarchytecture


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Skin could sing a Health and Safety policy, replete with appendices, and make it sound heartfelt, deep and relevant, so it’s little surprise that she is, once again, the undoubted star of Skunk Anansie’s new album Anarchytecture (Spinefarm), their third since reforming and sixth overall. Showing a more considered side, though resplendent in the 90’s production tones their angsty rock used to be defined by, this time around Skunk Anansie are dialling back the vitriol.

While it is hard not to compare where they are now with who they were then, surely a band is only judged against who they were if their current output doesn’t stack up? So, while perhaps only Led Zeppelin should expect the song to remain the same (even though theirs weren’t) and repetition leads only to contempt and ever diminishing returns in the world of musical delights, it is a shame that, once again, maturing or developing as songwriters doesn’t actually equate to better song-writing. In fact, maturity, or indeed banality sees a regression as, pleasant and deliberately crafted as the fare on offer is, other than the distinctive and excellent velvet of Skin’s timbre, Anarchytecture is complete wallpaper. And not even the crazy fucked up wallpaper your grandparents had from the 70’s, but magnolia.

Which isn’t to say there is a dearth of decent material, though, it’s just that all through we are greeted by inoffensive, pleasant if entirely competent and decent songs. Electro-tinged pop mingles with alt.rock.lite on ‘Love Someone Else’, a steady stroll that isn’t a million miles from where Madonna was around the turn of the millennium, ‘Beauty Is Your Curse’ jangles as Skin seems to get a little hot under the collar and ‘Death To The Lovers’ is a sparse, and emotive sensitive number, where once again Skin dazzles with delicacy. Yet high spots are scant, as the remainder of the album meanders away, until the excellent ‘Suckers!’ builds over the course of a minute and a half before cruelly, suddenly stopping in its tracks, replaced by close-but-no-cigar plod staccato ‘We Are The Flames’.

‘Little Baby Swastikkka’ turned heads, ‘Weak’ proved that vulnerability and power could dovetail exceptionally, ‘Hedonism’ was poppy-magic, ‘Charlie Big Potato’ shook things up, and Skunk Anansie were proudly, boldly different and defiant. Skunk Anansie used to be about statements. Musical, political, aesthetic, they made an impact. Anarchytecture simply shakes your hand and wishes you a good day. No matter the maturation process, there is no excuse for safe and uninspired songwriting.

 

5.5/10

STEVE TOVEY

[amazon asin=B0181SRZR8&template=iframe image]


On The Road…with Five Finger Death Punch, Papa Roach, In This Moment and From Ashes To New


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As the summer heat gets further away and we press on toward winter, all of the fall tours seem to be hitting my town at once. Earlier in the year it seems like there were hardly any tours worth going to, let alone any with a deep enough bill to make one be need to be there. Five Finger Death Punch on the strength of their new album Got Your Six (Prospect Park) put together such a bill that people came out early, and rocked out in droves. From Ashes To New energized the early crowd with their hybrid mix of modem metal and old school rap metal sounds. High energy stage shows with two front men and uplifting jams are the blood of this band, and we are going to keep an eye out for them for years to come. Following that up is In This Moment’s theatrical stage show that just floors people. Hard to believe the leaps this act has taken since starting out as a little metalcore band from Las Vegas. Front woman Maria Brink channels her inner Madonna via costume changes, props, and sheer bravado. Resurgent hit-makers Papa Roach are in the direct support slot on this tour. Their sets are always a rabid sing-a-long with fans, screaming out the words to every song and hopping around in step to the beat. At last it was time for FFDP, themselves now the modern rock and metal torchbearers in America, taking up the reigns from the mostly absent Metallica the last half decade. With larger than life staging, the larger than life band prowls all over the stage jumping off risers, all while their fans try to soak it up and hold on to what the band doles out. Everything about this band screams Las Vegas spectacle or Texas Roadhouse. Thanks to Evil Robb Photography who caught all the action for Ghost Cult with the cam in hand!

Five Finger Death Punch, by Evil Robb Photography

Five Finger Death Punch, by Evil Robb Photography

Five Finger Death Punch, by Evil Robb Photography

Five Finger Death Punch, by Evil Robb Photography

Five Finger Death Punch, by Evil Robb Photography

Five Finger Death Punch, by Evil Robb Photography

Papa Roac, by Evil Robb Photography

Papa Roach, by Evil Robb Photography

In This Moment, by Evil Robb Photography

In This Moment, by Evil Robb Photography

In This Moment, by Evil Robb Photography

In This Moment, by Evil Robb Photography

From Ashes To New, by Evil Robb Photography

From Ashes To New, by Evil Robb Photography

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Master of Styles: An Interview with Monte Pittman


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Monte Pittman is a guitarist who has consistently been a working musician over the years. Between his time touring with Madonna, he has also been working on his own solo career and recorded a few solo albums. Pittman did a few acoustic shows this past summer in LA, including an appearance on one Warped Tour date in Ventura, CA. Little did the attendees know at the time that he had his newest release, The Power of Three recently drop from Metal Blade. He explained about the making of the newest release and finding time to making his own music, including doing a brief run of acoustic shows.

 

I have been working on my solo project for the last few years, which is what I initially when I moved out to LA to do. I grew up in Texas. I signed with Metal Blade Records so they’re going to be putting out my album. It’s heavy and I like being able to do all kinds of different styles. Like for Warped, I’m doing the Acoustic Basement stage. But these might be the last full acoustic shows I’ll do for a while.”

 

He spoke about his solo band. “I’ve got a band that plays with me – Max Whipple on bass and Kane Ritchotte on drums. Kane plays drums for Portugal, The Man so he’s out there.”

I did this acoustic EP last year [M.P.3: The Power Of Three, Part 1 2012] so the first album I did was just acoustic guitar and vocals. I’ve been building it from the ground up. So with signing with Metal Blade, it’s like a new beginning…again…thinking I was getting to that next level to where I’m playing acoustic shows and then having a bass player and drummer play with me, and doing solos. That’s what led to my second album being a rock album. It built up to this point working with Flemming Rasmussen. He produced the new album and the EP I did [in 2012]. I only had a day to work with him. So we did an EP. I gave him those demos. I gave him the heavy stuff too and he’s like ‘we need to record that stuff.’ So we made plans in February [2013], I flew into Copenhagen and recorded it. We did it in ten days. We recorded it all live and analog, like you would an album we grew up listening to on tape. It’s got that signature Flemming Rasmussen sound, which I’m very excited about. He’s one of my favorite producers. It’s the way he records it’s got that touch to it.”

Monte Pittman - The Power of Three

Ironically, The Power of Three is Pittman’s third solo album, but the first on a record label.

This is like my third album. In a way it’s like my first album. The first album is called The Deepest Dark [2009]. I’ve got a band page (www.montepittman.com) and you can listen to everything there. The second album Pain, Love & Destiny – it’s got the acoustic guitar, but with a band and guitar solos. I called the rock album. It’s a really stripped down EP of four songs I did [in 2012]. It’s called M.P.3: The Power Of Three, Part 1.”

 

He drew attention when he recorded his prior records by raising funds via Kickstarter at a time prior to it becoming a common practice amongst musicians. He took advantage of this and found new ways to reach fans of his music and getting them involved with his project.

It was still a new thing,” he explained. “I made the goal as low as I could make it. I made it for $5,000. I got that and I could at least take that and put it out myself. But a lot of people saw it was an easily attainable amount. So a lot of people got it for $25. Then it blew up the very first day. They put it on the Most Popular page. Then other people were checking it out. This is when bands were curious to see if it would work. So in 2011 I had the most money that a rock group has made. Now people are making albums and movies. I wouldn’t do another one for an album. I would probably do one for a tour. The important thing is the incentives. One of the things that helped it was there were people teaching online. I had people buying lessons for their kids for a whole year, which adds up. It was a huge help. I played house parties. That was a lot of fun too.”

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He is also well known for his “day job” as Madonna’s guitarist since 2001 on her Drowned World Tour, as well as his stint as a guitarist (on 2000’s Scorpio Rising as well as a bassist (on 2007’s Power of the Damager) in Prong. While he has experienced many major moments with her, he has learned a lot about touring and performing in front of larger audiences, and has applied that to his solo career.

 

I look at it as she pays attention to details,” he said. “When we go on tour, we’ll rehearse two to three months easily before playing the first show. There’s a lot of times before we play a show, the band will get together and rehearse a week before the show. That’s one of the differences. She goes over every little detail. She knows how to get the best out of everybody.”

 

What’s the best advice – pay attention to the details. I tell a lot of people what is good enough you have to go beyond that.”

From his time touring with Madonna, she has shown her appreciation towards a variety of music, and video clips of her playing metal riffs on a guitar live have popped up on YouTube.

 

She likes a little bit of everything. Somebody showed me a video of Metallica from A Day In The Life, the video of them on tour from “The Black Album”. I think it’s from that where she’s at one of their shows. She told me she went to see them play one time.”

 

I especially see this when she plays guitar. You see that she went to CBGB’s and those places, and she was around there in New York in the 70s. You see that in her playing. I see her as that type of artist. She could have become a Patti Smith or Blondie. She could have turned out that way, but it’s her dancing. She’s the best dancer in the world. That’s something that really stands out. It’s the way she moves. Putting that together with performing and singing at the right time with everything happening, it’s history.”

 

Ironically, a video clip of her performing Pantera’s “A New Level” circulated around YouTube, which Pittman admitted showing her how to play the song. “We practiced it so much it’s not doctored,” he said. “I was teaching her something about focusing on right hand technique, and also experimenting with drop D tuning. Pantera does it tuned down. You can play it drop D and it’s easy to play with one finger.”

 

Dime came to a Prong show one time. He was asking if we did the song ‘Cut-Rate’. He was talking about the rhythm part underneath Tommy’s solo. The thing he was talking about, I was telling her, and it really helped her mentally. The next day at her guitar lesson she was showing me [the rhythm part]. Dimebag taught me something and I taught to her in a roundabout way.”

 

It was easy to remember how the riff just builds up. Then she would just play that all the time. We were doing the song ‘Hung Up’ and at the end, she would start playing that. You have to remember the rest of the guys in Madonna’s band – they don’t know much Pantera. They just took that music and started playing to it. There’s some people who’re like ‘ that’s not how the song goes…’ – that’s not what we were trying to do is be Pantera – just recognize it as an amazing piece of music, as it is.”

 

Monte Pittman on Facebook

Rei Nishimoto