Ghost Cult caught up with Page Hamilton of Metal legends Helmet! Their 2023 album “Left” was released via earMUSIC, and is a document of where the band is musically, mentally, and politically. Page shared a track-by-track breakdown, discussed his creative process, why he went so deep on politics in his lyrics this time, the longevity of the current lineup of the band, and much more!Continue reading
Tag Archives: lyrics
INTERVIEW: Ricky Warwick of Black Star Riders – “Wrong Side of Paradise” Album Breakdown
Ghost Cult’s Keefy caught up with Ricky Warwick of Black Star Riders to discuss their new album, “Wrong Side of Paradise” – out now via Earache Records. Ricky chatted about the new album, signing to Earache, a track-by-track rundown of all the songs on the new album, his past with Thin Lizzy, and maybe a future for his first band The Almighty!
INTERVIEW: Sammy Pierre Duet of Goatwhore – “Angels Hung from the Arches of Heaven” – Track-By-Track Breakdown
Ghost Cult caught up with our pal Sammy Duet of Goatwhore! We discussed their new album “Angels Hung from the Arches of Heaven” which is out now from their long-time label Metal Blade Records. We chatted about the longevity and consistency of the band, how he composes songs, and a track-by-track breakdown of the new album!
ALBUM REVIEW: Dälek – Precipice
Dälek (pronounced ‘Die-a-leck’) returns with a new album Precipice on Mike Patton’s Ipecac Records. In what is becoming a common refrain of recent times, the album originally planned for 2019 has been completely overhauled because of the pandemic, and the chaotic times we currently find ourselves in. The duo of MC Dälek and DJ Mike Manteca felt that the originally planned album wasn’t strong, angry or heavy enough for the times we have endured. The added strength, anger and heaviness are indeed defining features on Precipice.
ALBUM REVIEW: Frank Turner – FTHC
There are a lot of great storytellers in the world. For over fifteen years as a solo artist, Hardcore kid and childhood Heavy Metal devotee Frank Turner has mined the considerable depths of his life experience to bring his raw delivery, and his unique take on the human condition. His transparent honesty as a person and artist has earned him a lot of love from fans, and respect in general from his peers. At the end of the day, he’s just a regular guy, sharing his story. Much like the rest of us, but sorting it out one verse, one song, one album at a time.
Tairrie B. Murphy Releases New Album, Covers Rage Against the Machine
Metal and Hip-Hop legend Tairrie B. Murphy has released a new album, dropped in time f(October, 20th, 2020) or the election run-up last weekend. The title Feminenergy is a portmanteau of Feminine Energy and could be a summation of Mrs. B’s entire career as a ground-breaking artist many times over in her glass-ceiling destroying career as a solo artist and with bands Tura Satana, Manhole, and My Ruin. The new album is great, includes a Rage Against the Machine cover (“Fistful of Steel”), and is available as a pay what you want on her Bandcamp and released via her own House of Capricorn Records. Tairrie has kept busy the last few years releasing some of her early records for free on her Bandcamp, releasing covers and new originals, working on this new music with her husband Mick Murphy (Chevy Metal), and reportedly writing her memoirs. Jam out to her album now watch the trailer and get out and vote like your life depends on it, because it actually does.
ALBUM REVIEW: Corey Taylor – CMFT
Metal heavyweight Corey Taylor has officially made his solo debut with the release of a full record. This new space has granted him the freedom to create songs you’d never find on a Slipknot record, for better or for worse. If you follow Taylor’s career exclusively because of Slipknot, CMFT (Roadrunner) might not be worth your time. But, for fans of Stone Sour, the collection of different hard rock styles and adjacent alternative influences are sure to please. Continue reading
PODCAST: Episode 91 – Tommy Rogers of Between The Buried And Me on Their Remastered Debut Album
Ghost Cult’s chief editor Keefy caught up with Tommy Rogers of Between the Buried and Me recently to discuss their upcoming remastered and remixed version of their debut album, due out on May 15th via Craft Recordings. We chatted with Tommy about the formation of the band, the post-hardcore, metalcore, and Death Metal scene the band came from in Raleigh North Carolina in their previous band Prayer for Cleansing and peers such as Code 7, Undying, Day of Suffering, recording with Jamie King on his first significant release and Jamie’s impact on the band, how the debut telegraphs elements of music the band would incorporate later, the process of remixing and remastering, what shaped Tommy as a singer and lyricist on the first album, taking “creative risks” as an artist, how the lineup change for the Alaska release shaped the future, how the band looked like nerds in their first photos, being a “keyboard” act in heavy music, his favorite song now from back then, and much more. You can order the album in several different bundles here https://found.ee/btbam-st-r and listen to our chat now.
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A Letter to Neil Peart of Rush
Dear Neil,
I’m writing this letter and Permanent Waves is playing in the background. You don’t know me and, with your passing on the 7th January 2020, I guess we will have to make our acquaintance in the next life.Continue reading
PODCAST: Episode 42: Mikael Åkerfeldt of Opeth Talks New Album and Progressive Music
Ghost Cult had the distinct pleasure of chatting with the one and only Mikael Åkerfeldt of Opeth recently. In a wide-ranging chat with our Chief Editor Keefy, Mikael discussed the new album, In Cauda Venenum, due out September 27th via Moderbolaget Records / Nuclear Blast Entertainment. We discussed his creating both English and Swedish language versions of the album, using an orchestra and choir, concept records, progressive rock artists he likes such as Pink Floyd, King Crimson and Peter Gabriel, working at Park Studios, philosophical lyrics, and why he treated this album like it was the final Opeth album. Continue reading
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