Metal and Hip-Hop legend Tairrie B. Murphy has released a new album, dropped in time f(October, 20th, 2020) or the election run-up last weekend. The title Feminenergy is a portmanteau of Feminine Energy and could be a summation of Mrs. B’s entire career as a ground-breaking artist many times over in her glass-ceiling destroying career as a solo artist and with bands Tura Satana, Manhole, and My Ruin. The new album is great, includes a Rage Against the Machine cover (“Fistful of Steel”), and is available as a pay what you want on her Bandcamp and released via her own House of Capricorn Records. Tairrie has kept busy the last few years releasing some of her early records for free on her Bandcamp, releasing covers and new originals, working on this new music with her husband Mick Murphy (Chevy Metal), and reportedly writing her memoirs. Jam out to her album now watch the trailer and get out and vote like your life depends on it, because it actually does.
Metal heavyweight Corey Taylor has officially made his solo debut with the release of a full record. This new space has granted him the freedom to create songs you’d never find on a Slipknot record, for better or for worse. If you follow Taylor’s career exclusively because of Slipknot, CMFT (Roadrunner) might not be worth your time. But, for fans of Stone Sour, the collection of different hard rock styles and adjacent alternative influences are sure to please. Continue reading →
Ghost Cult’s chief editor Keefy caught up with Tommy Rogers of Between the Buried and Me recently to discuss their upcoming remastered and remixed version of their debut album, due out on May 15th via Craft Recordings. We chatted with Tommy about the formation of the band, the post-hardcore, metalcore, and Death Metal scene the band came from in Raleigh North Carolina in their previous band Prayer for Cleansing and peers such as Code 7, Undying, Day of Suffering, recording with Jamie King on his first significant release and Jamie’s impact on the band, how the debut telegraphs elements of music the band would incorporate later, the process of remixing and remastering, what shaped Tommy as a singer and lyricist on the first album, taking “creative risks” as an artist, how the lineup change for the Alaska release shaped the future, how the band looked like nerds in their first photos, being a “keyboard” act in heavy music, his favorite song now from back then, and much more. You can order the album in several different bundles here https://found.ee/btbam-st-r and listen to our chat now.
I’m writing this letter and Permanent Waves is playing in the background. You don’t know me and, with your passing on the 7th January 2020, I guess we will have to make our acquaintance in the next life. Continue reading →
Ghost Cult had the distinct pleasure of chatting with the one and only Mikael Åkerfeldt of Opeth recently. In a wide-ranging chat with our Chief Editor Keefy, Mikael discussed the new album, In Cauda Venenum,due out September 27th via Moderbolaget Records / Nuclear Blast Entertainment. We discussed his creating both English and Swedish language versions of the album, using an orchestra and choir, concept records, progressive rock artists he likes such as Pink Floyd, King Crimson and Peter Gabriel, working at Park Studios, philosophical lyrics, and why he treated this album like it was the final Opeth album. Continue reading →
Ghost Cult’s crew was lucky to catch up with Anders Friden of In Flames at their label, Eleven Seven Music Group in New York City to discuss their new album, I, The Mask. We chatted about the making of the album, changes of their music over time, his opinion on fan criticism, production, social media, climate change, touring, beer, their second annual curated festival, Borgholm Brinner! Thanks to Anders for hanging out. Interview by Keefy and photos and videography by Omar Cordy of OJC Photography.Continue reading →
It’s no surprise given the current political landscape of the world, that our artists, musicians, and other creators are going to be the greatest champions for the people. It’s clear that the systems we have propped ourselves up on for decades such as government, schools, the church, brutal corporations and other institutions have failed us terribly. So, of course, Otep Shamaya and OTEP come back now with a new album to basically put everyone sucking the love out of this world on blast. Hitting ’em where it hurts verbally and bringing the heavy, Kult 45 (Napalm) is just the antidote if you’ve lost your faith about the future. Continue reading →
Kreator will be releasing their new album, Gods Of Violence, on January 27th via Nuclear Blast, and the German legends have added another instant classic to their already impressive discography. Continue reading →
Heavy metal is my world, and has been for decades, but the word “heavy” itself can be used to describe other types of music as well. Sure, hearing Pantera play ‘Suicide Note Pt. II’ live was the heaviest thing my ears have ever heard, but I’m talking about the heavy music that hits your heart as well. For example, when you hear ‘Redemption Song’ by Bob Marley, or Johnny Cash‘s cover of ‘Hurt,’ your whole soul feels like it has been taken over by the artist until the song ends. That’s the heavy I’m talking about, and last Friday Nick Cave and the Bad Seeds released the heaviest record of 2016. Continue reading →