While the core sound behind Book Of Wyrms has always been a balance between Doom Metal and Space Rock, their third album sees the band committing much more to the latter. Occult New Age (Desert Records) retains the methodical tempos and some of the beefy riffs of 2019’s Remythologizer but ultimately devotes its atmospheric ends to lighter textures and looser structures. The heavier sequences have more in common than Kyuss than Cathedral and their underlying Hawkwind influence had previously never been highlighted to this extent.
After releasing two albums and an EP under the Witch Hazel moniker, the York, Pennsylvania quartet has rebranded as SpellBook. Their first album under this new moniker, Magic & Mischief (Cruz Del Sur Music), doesn’t deviate too far from their established Occult Rock style. There are a multitude of Seventies Rock grooves fitted with a slight Doom crunch that is quick to recall their contemporaries in groups like Lucifer, Demon Eye, and Icarus Witch.
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Stoner Rock masters Lucifer will release their brand new album, Lucifer III, this spring via Century Media Records. Check out ‘Ghosts’ right now! Continue reading
As far as large multi-day fests go, Psycho Las Vegas is still pretty wet behind the ears having only just had their fourth annual incarnation this August but already it has begun growing into what will likely continue to be the summer juggernaut of partying and music. New this year, to the dismay of many, was the location change from the off the strip and perfectly themed haunt, The Hard Rock Hotel and Casino, to the megaplex that is Mandalay Bay. Gone is the feeling of a true fest take over and in its place, a sprawling amalgamation of “psychos” and people from any town USA or abroad there simply to gamble, throw pre-wedding bashes, get drunk or maybe attend a conference (*ahem* “conference”). Once everyone got their bearings and navigated through this corporate mega casino/hotel/shopping mall, pushed back a few drinks or whatever preferred substances they were into, and found the locations of the four stages, the complaining ebbed and instead, people experienced the fest for what it is. A gigantic party with a great combination of bands playing for four days.Continue reading
Ghost Cult is once again honored to be part of Psycho Las Vegas, a goddam heavy metal casino/beach party extravaganza if there ever was one. The filth of Rock, Sludge, Doom, Trad, Hardcore, Prog, and Stoner Metal genres and the glitz of Vegas- baby, all rolled into one. Headlined by Original Misfits, Opeth, Electric Wizard, Corrosion of Conformity, Bad Religion, YOB, Lucifer, High on Fire, GsY!BE, Clutch, Carcass, Triumph of Death, Graveyard, ASG, Primitive Man, Deafheaven, Kadavar, Vio-Lence, Soft Kill, Andrew W.K., Tomb Mold, Power Trip, Full of Hell, and a ton more bands, it promises to be a rager. Sadly, Oranssi Pazuzu and Rotting Christ have dropped out. Every band is carefully curated and picked, so try to see them all if you can. If you can’t get set with the full lineup, and our “must not miss list” picks for each day!Continue reading
Psycho Las Vegas has grown and evolved over the years and has shaken off any comparisons to niche European fests and your traditional US fest, itself having no close comparisons, and being its own beast. Having everything under one roof including your stay can lead to late and debaucherous nights for some, packed and planned diverse schedules for the devout, a little compromise of both for others, but an all around good time for all. For a journalist working the fest, it goes by in a blur but you still experience having those stand out moments as well as highlights of your own. Continue reading
Norwegian trippy harbingers Saint Karloff gave us a taste of things to come when they released initial single ‘Ghost Smoker’, and it’s this mammoth track that opens up debut album All Heed the Black God (Twin Earth/ Hellas), dripping diseased Doom through the ears with the groove and pace of Rock ‘n’ Roll and the banging heaviness of Occult mystery. The rhythms ooze power, and whilst some gorgeous lead guitar and vocal harmonies occasionally lighten the air, the time switches add electricity.Continue reading
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Whilst there is no pre-requisite for nominative determinism in music when you call your band Lucifer, you do set a bit of an expectation that your sound is going to, at the very least, a bit dark and evil. No one seems to have told Lucifer this. Their second album of what can only be loosely regarded as Occult Rock weaves its (black) magic in a way that is as unexpected as it is compelling.Continue reading