Maryland Doom Fest Early Bird Sale Runs Through The End Of The Year

The Maryland Doom Fest celebrates its fifth anniversary this upcoming June and has confirmed fifty bands including headliners Pentagram, Conan, Earthride, and Mothership. For the first time in its history, MD Doom Fest brings international artists, the mighty Conan from the United Kingdom and Interitum from Tasmania, with another 48 American acts. Taking place from June 20th – 23rd, 2019 ,  in Frederick, MD. The Early Bird Discount for weekend passes are only available until December 31st, which you can purchase from the link below. Continue reading

Maryland Doom Fest 2019 Books Pentagram, Conan, Earthride, Mothership And More For 5th Anniversary

Maryland Doomfest will launch it’s 5th edition in 2019, from June 20th to the 23rd. The bill features fifty of the heavy hitters of the genre such as Pentagram, Conan, Earthride, Mothership and many more. There is also a Pre-Fest Party on Thursday, June 20th, which will also be a 20th Anniversary celebration of the Stoner Hands of Doom Festival (ShoD), with a spectacular lineup. These bands have all performed at great SHoD fests of years past! The Pre-Fest / SHoD 20th Anniversary Celebration must not be missed. Early Bird Tickets sales open December 17th through the 31st. Continue reading

Descendants Of Crom Festival 2018, Various Venues, Pittsburgh PA

Sojourning to the Steel City, where the steel these days is mostly from the music, Descendants of Crom Festival enjoyed a second annual event recently and Ghost Cult was there. From the pre-fest gala and parking lot party (think of a modern “Heavy Metal Parking Lot” with stoner rock and doom fans), three nights of badassery at both Howlers and the Cattivo club, it was a rager. Shout out to the sponsors Blackseed Records and Riff Relevant among others. Highlights of the weekend included sets from Heavy Temple, Howling Giant, Doomstress, Come to Grief, Thunderbird Divine, Toke, Geezer, Duel, but really you can’t really go wrong with a deep lineup like this. We can’t wait for next year and round three! In the meantime, check out these photos by Dante Torrieri of Useless Rebel Imaging for Ghost Cult. Continue reading

Mos Generator, Lo-Pan, Duel, Come To Grief, Heavy Temple Booked For Descendants Of Crom Fest

Blackseed Records Presents the Descendants of Crom Festival, a three-day underground heavy music festival is taking over Pittsburgh, PA this coming weekend for its second annual event. Billing itself as “A Gathering Of Rock, Doom, Sludge, And Metal” in the Steel City, Descendents of Crom Fest takes place September 27th to 29th at Howlers and Cattivo clubs and features Mos Generator, Lo-Pan, Duel, Come To Grief, Heavy Temple, Worshipper, Devil To Pay, Freedom Hawk, Disenchanter, Geezer and many more. There is also a Pre-fest Gala and other events all weekend long! Full set times, venue info and ticket info can be found at the links below.  Continue reading

GOZU Signs To Metal Blade, New Album Due In 2017

Gozu

GOZU, by Hillarie Jason

Boston stoner rock gods GOZU have signed a world-wide deal to Metal Blade Records and their sub-label Black Light Media led by celebrity chef Chris Santos. They are currently writing a new album for release in 2017. Continue reading

Psycho Las Vegas: Part 2 – Various Venues, Las Vegas, NV

Alice Cooper

Alice Cooper, by Hillarie Jason

 

Part II

Saturday at Psycho Las Vegas was no less impressive and perhaps the best single day of the fest band for band, especially if you were still able to stand after the first few days. Starting off with the public première of the Melvins documentary, The Colossus Of Destiny, followed by a Q & A by the director, Bob Hannam; this set the tone for the day. Continue reading

Get Hot & Heavy with Smolder & Burn

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Smolder & Burn, Photo credit: Greg Masonn

If you’ve read anything I’ve written over the last several months, you know I’m a recent Denver transplant who sings toe-curling praises about this mountain town’s Metal scene.

Here, long-drawn, Mary Jane-inspired riffs reverberate out past the vast expanses of breathtaking natural aesthetics, and leave a heavy-handed sonic impression on scenes across the nation.

And if you’re a fan of the best in “underground” Doom-driven Metal, you’ve likely heard of locals Primitive Man, In the Company of Serpents, and Khemmis.

Now, add to this list Smolder & Burn, a band whose hot and heavy, stony Sludge is driven by guitarists Jess Ellis’ and Pat Devlin’s hearty riffs, vocalist Chris Chango’s throaty vox, and bassist Chad Roth’s and drummer Marc Brooks’ captious low-end, a pointed mélange with solid grooves and a searing after burn.

I had been wanting to start a side project for a while away from my other band (Chingaso), where I just focused on vocals and not on both vocals and guitar,” said Smolder & Burn vocalist Chris Chango of the band’s formation. “I was at my friend Benny’s house for a BBQ, and he was looking to get back on the scene after a long hiatus. He introduced me to [Smolder & Burn drummer] Marc Brooks. We knew of each other, but we didn’t exactly know each other, so I was asked if I knew of any other musicians that might want to get in on the action—I called [guitarist] Pat [Devlin] and [bassist] Chad [Roth]. We had a few rehearsals that went well, then some things came up, and Benny dropped out. I asked [guitarist] Jess [Ellis] to come in, and that’s when things got kicked into overdrive.”

 

Now, fourteen months later, Smolder & Burn is set to release their début EP, a four-song flex of desert Rock-infused Doom—think of a ballsier Queens of the Stone Age with bigger beards and way more booze.

 

The tracks are capped by Chris Chango’s clean vocal croon, a distinctive stamp that characterizes the band’s already inventive tunes.

[Chango’s vocals] are what really got me psyched about this band,” said Devlin. “I listen to a lot of music, and I’m of the opinion that the voice should be used as another instrument. I’m not knocking guttural stuff at all—I’m a fan! But I want to make music with multiple layers, and having clean vocals from the get-go is much better then to trying to introduce them later.”

I always wanted and preferred more of a singer [too],” added bassist Chad Roth.

When I was writing the lyrics for the first songs we came up with, I was going to try and be a more guttural with the vocals, but the strange thing is because of the actual low tuning we’re in, [I was forced] to go higher in range in order to hit the notes being played. People heard it, and they liked it, so it just kind of worked its way into what it is,” said Chango.

Smolder & Burn recorded the EP at the Crash Pad, a recording studio over in suburban Denver, where they tapped engineer Bart McCrorey to capture their big sound over a two-day live recording session, the result of which is an impressive debut from one of Denver’s most impressive new bands.

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What kind of stuff do you guys talk about in your songs?

I’m a straight-up fuckin’ nerd, so I’m really influenced by Sci-Fi and comic books—Silver Surfer is one of my top five favorites,” Chango said. “So a lot of the stuff I write is pretty much about traveling the universe, loneliness, isolation, lost love, uneasiness in regards to never truly knowing who you are or why you’re here.”

 

What do you think makes the Denver music scene tight and different from that of other cities?

There’s a lot of real motherfuckers here,” Devlin said. “People in this music community can sense bullshit a mile away. Granted, there’s a few assholes everywhere, but overall this place rules.”

Adds guitarist Jess Ellis, “I agree that this is one of the strongest, tightest scenes I have ever encountered. I believe what sets us apart is the fact that we are pretty isolated here. I believe that holds people to be accountable and respectful of each other, or you’ll get your ass run out. Most the bands in this city, regardless of genre, are incredibly supportive of each other.”

 

 

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Fun stuff: Who are some bands you’d love to tour with?

I will play anywhere, anytime, with any band. But I’d personally like to tour with The Sword, Lo-Pan, Clutch, Fu Manchu, Cake, Baroness, and C.O.C.,” Devlin said.

If we’re talking dream tour, I’d give my left nut to play with Neurosis, Pelican, or be the opening act for KISS in 1976 on the Destroyer tour,” Chango added.

 

Speaking of touring, do you have any plans to play shows outside of the city?

Nothing as of yet,” Devlin said. “But I’ve been planting a seed with some of the bands like [Denver locals] Cult of The Lost Cause and The Worth about doing some Midwest shows together, just to show everyone the musical diversity Denver has.

 

Anything else you’d like to add?

I’m honestly blown away and very thankful for the reception that we have received as a ‘young’ band. It always makes me jazzed when a friend’s band who I respect and really dig asks us to play a show [with them],” Devlin said. “And the fact that you dig us enough to give us a chance in your magazine— we are extremely lucky guys!”

Those of us stationed in Denver are lucky as well—were able to see the band live Friday, May 6th, over at the Three Kings Tavern. This CD-release show for the band also features fellow Doom-dealers In The Company of Serpents, Valiomierda, and Aeraco. It all kicks off at 8:00 p.m., and copies of the Smolder & Burn EP will be available for purchase. You’ll also be able to download the mixed and mastered version of EP over at Smolderandburn.bandcamp.com.

More information on Smolder & Burn can be found at www.Facebook.com/Smolder-Burn

LINDSAY O’CONNOR