The Maryland Doom Fest celebrates its fifth anniversary this upcoming June and has confirmed fifty bands including headliners Pentagram, Conan, Earthride, and Mothership. For the first time in its history, MD Doom Fest brings international artists, the mighty Conan from the United Kingdom and Interitum from Tasmania, with another 48 American acts. Taking place from June 20th – 23rd, 2019 , in Frederick, MD. The Early Bird Discount for weekend passes are only available until December 31st, which you can purchase from the link below. Continue reading
Maryland Doomfest will launch it’s 5th edition in 2019, from June 20th to the 23rd. The bill features fifty of the heavy hitters of the genre such as Pentagram, Conan, Earthride, Mothership and many more. There is also a Pre-Fest Party on Thursday, June 20th, which will also be a 20th Anniversary celebration of the Stoner Hands of Doom Festival (ShoD), with a spectacular lineup. These bands have all performed at great SHoD fests of years past! The Pre-Fest / SHoD 20th Anniversary Celebration must not be missed. Early Bird Tickets sales open December 17th through the 31st.Continue reading
Sojourning to the Steel City, where the steel these days is mostly from the music, Descendants of Crom Festival enjoyed a second annual event recently and Ghost Cult was there. From the pre-fest gala and parking lot party (think of a modern “Heavy Metal Parking Lot” with stoner rock and doom fans), three nights of badassery at both Howlers and the Cattivo club, it was a rager. Shout out to the sponsors Blackseed Records and Riff Relevant among others. Highlights of the weekend included sets from Heavy Temple, Howling Giant, Doomstress, Come to Grief, Thunderbird Divine, Toke, Geezer, Duel, but really you can’t really go wrong with a deep lineup like this. We can’t wait for next year and round three! In the meantime, check out these photos by Dante Torrieri of Useless Rebel Imaging for Ghost Cult. Continue reading
Blackseed Records Presents the Descendants of Crom Festival, a three-day underground heavy music festival is taking over Pittsburgh, PA this coming weekend for its second annual event. Billing itself as “A Gathering Of Rock, Doom, Sludge, And Metal” in the Steel City, Descendents of Crom Fest takes place September 27th to 29th at Howlers and Cattivo clubs and features Mos Generator, Lo-Pan, Duel, Come To Grief, Heavy Temple, Worshipper, Devil To Pay, Freedom Hawk, Disenchanter, Geezer and many more. There is also a Pre-fest Gala and other events all weekend long! Full set times, venue info and ticket info can be found at the links below. Continue reading
Boston stoner rock gods GOZU have signed a world-wide deal to Metal Blade Records and their sub-label Black Light Media led by celebrity chef Chris Santos. They are currently writing a new album for release in 2017. Continue reading
Saturday at Psycho Las Vegas was no less impressive and perhaps the best single day of the fest band for band, especially if you were still able to stand after the first few days. Starting off with the public première of the Melvins documentary, The Colossus Of Destiny, followed by a Q & A by the director, Bob Hannam; this set the tone for the day.Continue reading
If you’ve read anything I’ve written over the last several months, you know I’m a recent Denver transplant who sings toe-curling praises about this mountain town’s Metal scene.
Here, long-drawn, Mary Jane-inspired riffs reverberate out past the vast expanses of breathtaking natural aesthetics, and leave a heavy-handed sonic impression on scenes across the nation.
And if you’re a fan of the best in “underground” Doom-driven Metal, you’ve likely heard of locals Primitive Man, In the Company of Serpents, and Khemmis.
Now, add to this list Smolder & Burn, a band whose hot and heavy, stony Sludge is driven by guitarists Jess Ellis’ and Pat Devlin’s hearty riffs, vocalist Chris Chango’s throaty vox, and bassist Chad Roth’s and drummer Marc Brooks’ captious low-end, a pointed mélange with solid grooves and a searing after burn.
“I had been wanting to start a side project for a while away from my other band (Chingaso), where I just focused on vocals and not on both vocals and guitar,” said Smolder & Burn vocalist Chris Chango of the band’s formation. “I was at my friend Benny’s house for a BBQ, and he was looking to get back on the scene after a long hiatus. He introduced me to [Smolder & Burn drummer] Marc Brooks. We knew of each other, but we didn’t exactly know each other, so I was asked if I knew of any other musicians that might want to get in on the action—I called [guitarist] Pat [Devlin] and [bassist] Chad [Roth]. We had a few rehearsals that went well, then some things came up, and Benny dropped out. I asked [guitarist] Jess [Ellis] to come in, and that’s when things got kicked into overdrive.”
Now, fourteen months later, Smolder & Burn is set to release their début EP, a four-song flex of desert Rock-infused Doom—think of a ballsier Queens of the Stone Age with bigger beards and way more booze.
The tracks are capped by Chris Chango’s clean vocal croon, a distinctive stamp that characterizes the band’s already inventive tunes.
“[Chango’s vocals] are what really got me psyched about this band,” said Devlin. “I listen to a lot of music, and I’m of the opinion that the voice should be used as another instrument. I’m not knocking guttural stuff at all—I’m a fan! But I want to make music with multiple layers, and having clean vocals from the get-go is much better then to trying to introduce them later.”
“I always wanted and preferred more of a singer [too],” added bassist Chad Roth.
“When I was writing the lyrics for the first songs we came up with, I was going to try and be a more guttural with the vocals, but the strange thing is because of the actual low tuning we’re in, [I was forced] to go higher in range in order to hit the notes being played. People heard it, and they liked it, so it just kind of worked its way into what it is,” said Chango.
Smolder & Burn recorded the EP at the Crash Pad, a recording studio over in suburban Denver, where they tapped engineer Bart McCrorey to capture their big sound over a two-day live recording session, the result of which is an impressive debut from one of Denver’s most impressive new bands.
What kind of stuff do you guys talk about in your songs?
“I’m a straight-up fuckin’ nerd, so I’m really influenced by Sci-Fi and comic books—Silver Surfer is one of my top five favorites,” Chango said. “So a lot of the stuff I write is pretty much about traveling the universe, loneliness, isolation, lost love, uneasiness in regards to never truly knowing who you are or why you’re here.”
What do you think makes the Denver music scene tight and different from that of other cities?
“There’s a lot of real motherfuckers here,” Devlin said. “People in this music community can sense bullshit a mile away. Granted, there’s a few assholes everywhere, but overall this place rules.”
Adds guitarist Jess Ellis, “I agree that this is one of the strongest, tightest scenes I have ever encountered. I believe what sets us apart is the fact that we are pretty isolated here. I believe that holds people to be accountable and respectful of each other, or you’ll get your ass run out. Most the bands in this city, regardless of genre, are incredibly supportive of each other.”
Fun stuff: Who are some bands you’d love to tour with?
“I will play anywhere, anytime, with any band. But I’d personally like to tour with The Sword, Lo-Pan, Clutch, Fu Manchu, Cake, Baroness, and C.O.C.,” Devlin said.
“If we’re talking dream tour, I’d give my left nut to play with Neurosis, Pelican, or be the opening act for KISS in 1976 on the Destroyer tour,” Chango added.
Speaking of touring, do you have any plans to play shows outside of the city?
“Nothing as of yet,” Devlin said. “But I’ve been planting a seed with some of the bands like [Denver locals] Cult of The Lost Cause and The Worth about doing some Midwest shows together, just to show everyone the musical diversity Denver has.”
Anything else you’d like to add?
“I’m honestly blown away and very thankful for the reception that we have received as a ‘young’ band. It always makes me jazzed when a friend’s band who I respect and really dig asks us to play a show [with them],” Devlin said. “And the fact that you dig us enough to give us a chance in your magazine— we are extremely lucky guys!”
Those of us stationed in Denver are lucky as well—were able to see the band live Friday, May 6th, over at the Three Kings Tavern. This CD-release show for the band also features fellow Doom-dealers In The Company of Serpents, Valiomierda, and Aeraco. It all kicks off at 8:00 p.m., and copies of the Smolder & Burn EP will be available for purchase. You’ll also be able to download the mixed and mastered version of EP over at Smolderandburn.bandcamp.com.
More information on Smolder & Burn can be found at www.Facebook.com/Smolder-Burn
These days the London borough Camden is mostly just a tourist trap; full of tourists, and overpriced beer. It is, however, still home to some quality venues, and is the perfect place to let Desertfest UK take over for a weekend of stoner rock in all its forms. Special thanks go out to Jessica Lotti Photography for sharing her images of the weekend with our readers.
Opening the proceedings over at the Electric Ballroom is Icelandic trioThe Vintage Caravan.Boasting some decent rock star shapes on stage, front man/guitarist Óskar Logi Ágústsson clearly has an affinity for the late 60s/early 70s, delivering a boogie-filled set full of riffs and jams Jimi Hendrix and Cream would be proud of. A nearly full Ballroom is bouncing long before their set is over.
Over at the Jazz Café’s Prog stage, London five-piece Sumer aren’t afraid to show off their love of Tool. Clearly a talented bunch with a talent for combining thick riffs, vocal melodies and subtle dynamics all into one crunching ball. Unfortunately, while they fill the stage with numbers there’s not a lot of stage presence. But their debut album, The Animal You Are, is well worth checking out if you like your post/progressive metal.
The Black Heart boasts not only the best range of beers and ales Desertfest has to offer, but also the sweatiest venue. A tightly packed and perspiration–drenched throng squeeze in for the excellently-named Jeremy Irons & The Ratgang Malibus. The Swedish quartet deal in retro-psychedelic stoner and deliver an enjoyable set of classic rock, but their secret weapon is the wailing vocals of Karl Apelmo. Not a million miles away from the Scorpion Child’s Aryn Jonathan Black, he lifts decent music to something a lot more impressive.
Next up are Ten Foot Wizard, who deliverone the best sets of the weekend. Sporting some glorious Hawaiian shirts, the Mancunians take an already hot and sweaty venue into even wetter territorywith their blend of dirty, fuzzy riffs and good time rock’n’roll. The band clearly know how to have fun on stage and that translates into one of the liveliest crowds of the entire festival. Mixing riffs of Clutch and early Queens of the Stone Age with a dirty groove of Alabama ThunderPussy, chuck in some megaphones, Theremin solos and songs about tits, and you’ve got a winning combo. TFW are a hoot and far better than their (fairly decent) debut record Return to the Infinite suggests.
After such a party, returning to the cool and spacious Ballroom for Brant Bjork is something of a comedown. The set is full of quality tunes drawn mainly from his latest album, Black Power Flower, but the chilled out desert rock vibe, combined with a fairly static performance from Bjork – with his Low Desert Punk Band in tow – is kind of underwhelming. Bjork’s solo material is severely under-rated, but the former Kyuss drummer’s laid back style fails to really the get juices flowing.
Opening Sunday is Belgian psychedelic rockers Moaning Cities at The Purple Turtle. Sporting funky dance moves and the only sitar of the weekend, this Belgian outfit combine hypnotic atmospheres with 60s psychedelic pop and still manage to make a lot of noise. Trippy, intense, loud, and not a bad way to start the Sabbath.
Over at Koko, we’re treated with back-to-back instrumental bands with Karma in their name, but very different approaches. German four piece My Sleeping Karma do their best to create an atmosphere; employing eerie visuals [which unfortunately didn’t seem to be working right for much of the set] with soundscapes that create a nice audio-visual experience that’s easy to get lost in. It’s almost the opposite of Karma to Burn’s approach. The US power trio only deal in thunderous noise, punching their way through sonically crushing set that pounds your eardrums repeatedly for 60 minutes. There’s no subtly, but it is invigorating and gets and keeps the crowd’s attention throughout. This is how instrumentals bands should be done; Guitarist William Mecum is a one man riff machine that’s few on words but has stage swagger that makes up for the lack of verbatim, while drummer Evan Devine is an absolute powerhouse.
It’s not all quality however. Despite hailing from Hampshire, XII Boar really, really wish they were from the deep south of the US. The trio’s bland brand of cowboy metal is a concoction of groove, whiskey-soaked “YEAAAH!”s and unsubtly-recycled Pantera riffs. The kind of racket you’d expect at a keg party in a Bam Margera video, it’s really, really, really dumb fun at best, and a poor man’s Hellyeah at worst. The Underworld, meanwhile, has been wasted as stage dedicated to originally NWOBHM bands such as Quartz and Angel Witch along with a bunch of thinly-veiled tribute acts. Londoners Amulet fall unashamedly into the latter category. Sporting tight denim, bad moustaches and the Iron Maiden riff-book, Amulet definitely aren’t cool, but they clearly don’t care. An over-abundance of enthusiasm and a decent selection of riffs & solos ripped off from the likes of Maiden, Diamond Head and Angel Witch means by the end of the set it’s hard to dislike them. Painfully original, but harmless fun.
Back at the Purple Turtle, there’s a double bill of Doom. Despite some initial sound troubles, Sweden’s The Order of Israfel combine classic Black Sabbath-esque 70s doom with an almost Thin Lizzy-like appreciation of twin leads and guitar solos to create something evilly epic on a medieval scale. The Wounded Kings, by contrast are a bit of a let-down. Despite being chronically heavy on riffs, they’re surprisingly light on songs. They might be able to rattle the foundations of the building with the same kind of Earth shattering reverb as Electric Wizard, but vocalist George Birch is lost in the mix and things never really go as far as entertaining.
It wouldn’t be a proper stoner festival without the riffs of the mighty Matt Pike, and with Sleep he delivers spades of them. The stoner legends were under-appreciated during their original run but a rammed Koko goes crazy for ‘Dragonaut’, while new song ‘The Clarity’ get a rapturous response. More involved in their own playing than the audience, the band stomp through barely ten songs with no encore in an hour and a half set, but there no complaints. The likes of ‘DopeSmoker’ and ‘Holy Mountain’; manage to be both crushingly heavy, yet at the same time hypnotizing. An appropriate ending for a weekend of Black Sabbath-and-bong worshipping.
WORDS BY DAN SWINHOE
With Roadburn having just ended last weekend, the season for European music festivals is here Joining the ranks of it’s better known sister festival in Germany, Desertfest UK is fast becoming one of the best events in the world. The event will take place from April 24th-26th at stellar venues in London such as: The Electric Ballroom, Koko, The Underworld, The Black Heart, The Jazz Cafe and the Purple Turtle Especially if you pray to at the altar of the riff almighty, the subsonic tones of sludge and just a rocking good time in general, this fest is for you. The weekend passes are already sold-out, further proving the attraction these line-ups will bring.
Friday kicks things off in the early afternoon with up and comers Torpor leading off. Likely the best afternoon band of any day of the fest will be Floor at the Electric Ballroom. Following them will be The Atomic Bitchwax, and headliners Electric Wizard and the mighty Red Fang. The Underworld is host to grimmer acts such as Dopethrone, Agrimonia, Black Cobra, Minsk, and Noothgrush. Also not to be missed on Friday are comeback kings End of Level Boss. They are always super fun live!
Saturday has a super doom and sludge infection in the form of Vintage Caravan, Sex Swing, Pale Horse, Black Pyramid, Lo Pan, Anthromorph, Obake, Ten Foot Wizard, Hang the Bastard plus Brant Bjork And Low Desert Punks. EyeHateGod continues their return to Europe, promising another brutal set.
Adding to the awesomeness of Saturday is the fests first prog stage, led by Amplifier, Sweet Billy Pilgrim, I am The Morning, Landskap and others. This is really momentous for the fest and hopefully it becomes a regular thing in years to come.
Sunday will bring things to a boil with more underground bands Amulet, Quartz Cancer, Sallie, Witch Hazel, SSS, The Wounded Kings, and Angel Witch amongst many others. Of course the headliner Sleep might be half the draw for the weekend, as well as Ufomammut, Karma To Burn, and Acid King. With official after show every night of the fest, this promised to be a non-stop jamming party the whole time.
KEN mode will be releasing their new album titled Success on June 16, 2015 via Season Of Mist. The album was produced by Steve Albini (Nirvana, The Pixies, ZAO). A trailer for the album can be viewed below.
Success Track Listing:
02: These Tight Jeans
03: The Owl
04: I Just Liked Fire
05: Management Control
06: A Passive Disaster
07: Failing At Fun Since 1981
08: A Catalog Of Small Disappointments
09: Dead Actors
Their music video for their Christopher Mills (Rush, Interpol) directed video for “Blessed” in Toronto, ON can be viewed below.
The band has confirmed a string of upcoming tour dates:
Apr 05: Velbloud – Ceské Budejovice (CZ)
Apr 06: 007 – Praha (CZ)
Apr 08: Usine – Geneva (SW)
Apr 09: Roadburn Festival – Tilburg (NL)
Apr 10: L’Oreille Qui Traine – Rouen (FR)
Apr 11: Gaswerk – Winterthur (SW)
May 29: OTB Festival – Paris (FR)
May 31: Audio – Glasgow (UK)
Jun 01: Macbeth – London (UK)
With Fight Amp:
Jun 16: The Shop (Parts & Labour) – Toronto, ON (feat. The Great Sabatini)
Jun 17: Turbo Haus – Montreal, QC (feat. The Great Sabatini)
Jun 18: St. Vitus – Brooklyn, NY (feat. Pyrrhon, Couch Slut)
Jun 19: Kung Fu Necktie – Philadelphia, PA
Jun 20: Ace of Cups – Columbus, OH (feat. Lo-pan)
Jun 21: The Burlington – Chicago, IL
Jun 26: The Goodwill – Winnipeg, MB (feat. Pop Crimes (no Fight Amp)