Rejoicing still in the simple fact we can have a physical Roadburn again, the final two days definitely wore on our pandemic shocked psyche and physique. Stumbling more and wearing down in a way I’m not used to, I mentioned to some friends during the weekend the Pandemic has made us all old, and 5 days on our feet now feel a lot longer. Saturday started with the feeling it felt like a Sunday, traditionally called the afterburner, because by that time you are fairly burnt out.
After a two year postponement, Oblivion Access Festival finally happened! Although I couldn’t attend all four days of festivities, I drove up to Austin, TX on Saturday to catch the legendary hardcore Youth of Today! It only took over three decades to finally see them lol. The festival was quite an undertaking, involving a lot of local Austin venues on 5th, 6th, and 7th Street. After 3 /12 hours of driving I was ready to stretch my legs, get some blood moving and stay cool in the humid Texas heat. Picking up my passes was a breeze as there were signs posted at Native Hostel directing you to the kind staff who greeted people with friendly smiles and words of encouragement to enjoy themselves.
After three years of waiting and longing, finally there will be an in person Roadburn Festival again. While the 2021 online edition Roadburn Redux, was in itself, innovative and the best digital festival I’ve seen set up during the dark days of the pandemic, nothing beats being physically shaken by bass heavy music and hugging friends from all over the world you only see once a year.
Oblivion Access, the eclectic music festival metal, hardcore, hip-hop, electronic, avant-garde, and punk music takes palce this weekend around Austin, Texas. The multi-venue music festival returns to downtown Austin on May 12-15. Tickets are on sale now! Over 100+ artists are now set to perform including Blonde Redhead, Carcass, The Body, Windhand, Deaf Club, Xiu Xiu, Autopsy, Converge, Full of Hell, Zola Jesus, Youth of Today, Danny, Coven, Grouper, Andy Morin (of Death Grips), The Microphones, HO99O9, Massacre, Cities Aviv, King Woman, Billy Woods, and KTRK, and many others. There is also a plethora of other experiences, vendors villages, merch, food, and other experiences on tap. Check out our day by day guide of the can’t miss artists, set times, and other happenings at Oblivion Access.
As we continue to live in one of the most challenging times in history, one this for certain: music lovers are relieved to have somewhat of a return to normalcy. The return of live music, especially heavy music, provides the cathartic relief we have all been looking for. After over a year of postponements, cancellations, and livestreams, it’s a relief to get to experience live music, and return to experiencing art in the best way possible – together!
Psycho Las Vegas festival confirmed their lineup for their 6th annual fest, added a second wave of bands, as well an expected move to a new location. The fest takes place August 19-21 at Resorts World Las Vegas in Las Vegas, Nevada. A Psycho Swim pre-party is set for August 18. Confirming the 2022 edition of Psycho Las Vegas will feature Mercyful Fate (USA-Exclusive Performance), Emperor (USA-Exclusive Performance), Mayhem, Satyricon, Watain, Wolves In The Throne Room, Samael, Boris, Mgla, Cirith Ungol, King Woman, Marissa Nadler, Bömbers and Year Of No Light. Psycho Las Vegas also shared the trailer and the expanded lineup.Continue reading
Oblivion Access, the eclectic music festival highlighting hip-hop, electronic, avant-garde, and punk has added tremendous new names to the ever expanding bill. The multi-venue music festival returns to downtown Austin on May 12-15. Tickets to each of the newly announced festival concerts will go on sale tomorrow, Friday, February 11th, 2022 at 10 a.m. CT via the link below, in addition to a limited amount of full festival badges at the link below. Joining the lineup are Danny Brown to help headline the expanded four-day fest in addition to other new performers like Grouper, Andy Morin (of Death Grips), The Microphones, HO99O9, Massacre, Cities Aviv, King Woman, Billy Woods, and KTRK, among others. Over 100+ artists are now set to perform including previously announced acts Blonde Redhead, Carcass, The Body, Windhand, Deaf Club, The Locust, Xiu Xiu, Autopsy, Converge, Full of Hell, Zola Jesus, and Youth of Today.
Greg Fox (Liturgy, Ex-Eye, Z’s) will release a new solo album, Contact, available on May 29, 2020 on vinyl and digital formats. This follows his 2017 album The Gradual Progression. We’re looking forward to this new album since Greg is an exceptional, thoughtful artist. The album features original artwork by Emma Kohlmann and design by Will Work For Good. Produced and mixed by Randall Dunn, Contact sees Fox accessing ever more raw and ruminative states. Greg has also launched a Kickstarter to release the album and build a new studio. Watch the new video for the single ‘From the Cessation of What’, directed by Michael A. Flanagan and artwork by Emma Kohlmann.Continue reading
If you have followed Ghost Cult from the olden days when we were a magazine more than a website, you might know we have a deep love for the Avant-garde, experimental, the underground, and the unusual music that dots the landscape as much or more than the mainstream. Coming from way out, but definitely falling under avant-garde and exceptions is NOUS who are releasing their second album, NOUS II tomorrow via Our Silent Canvas. Made up of a who’s who of legendary underground artists such as Christopher Bono (Ghost Against Ghost), Greg Fox (ex-Liturgy), Shahzad Ismaily (Yoko Ono, Laurie Anderson, Bonnie Prince Billy), Thor Harris (Swans, Shearwater), Grey McMurray (itsnotyouitsme, Tyondai Braxton) with ACME & yMusic string players, NOUS II is challenging and entrancing to the listener. Turn off your typical playlist and digest this musical brainfood at once right now. Pre-order and stream the full album now!
And now the end is near, and so we face 2015’s final curtain, and once more the Ghost Cult army got together to vote for their favourites. The results? More than 20 writers pitched and voted on over 220 albums ranging from indie pop to the most horrific savage tentacle laden death metal showing the depth, breadth of the official Ghost Cult Album of the Year for 2015.
The votes have been cast, the dust has settled… let the countdown commence…
“Despite what you may have heard, The Ark Work is neither the ultimate transformation of stupid music into art nor the final betrayal of Metal’s values by the poser hordes. It is, however, one of the boldest, most distinctive and utterly unflinching Metal albums you’ll hear all year”
“A startling, spellbinding piece of work. Having given us Sabbath, Napalm Death, Godflesh, and Anaal Nathrakh, Birmingham – and Khost – has just provided Metal’s latest evolution.”
“A strong, distinctive album with its own character and some genuinely excellent songwriting and works well as both an introduction to one of the most genuinely interesting metal bands of the last twenty years and an album in its own right.”
47. Rivers of Nihil – ‘Monarchy’ (Metal Blade)
“Rather than fifty minutes of a constant snare and uninspiring distorted low tuned guitars, Rivers of Nihil have really focused on expanding, adding more atmosphere and a dynamic to keep a hold.”
“Now that they can’t be pigeonholed to djent or the “Sumerian sound” it leaves Periphery open to be viewed for what they truly are, a brilliant metal band. ”
45. Publicist UK – ‘Forgive Yourself’ (Relapse)
“When I cranked this album on my laptop the last thing I expected was the musical equivalent of Joy Division on a collision course with Cave In, but what a lovely wreck it turned out to be.”
“Complete with Gorod’s signature Bossa Nova-infused jazzy riffs and complex arrangements, A Maze of Recycled Creeds stands not only as Gorod’s crowning achievement, but also that of 2015.”
‘Monotony Fields’ adds a touch of light to the overwhelming darkness of Funeral Doom yet, far from trivialising it, only increases its power to move and intrigue. This is as refreshing as it is heartfelt and affecting.”
42. Bell Witch – ‘Four Phantoms’ (Profound Lore)
“Bell Witch continue to confound, enthral, terrify and move in equal measure; and in creating a second album of such weight and emotion prove themselves peerless.”
“Armed with 12 new ditties toasting humanity’s self-destruction, the new Slayer album is a complex one. Overall Repentless is an enjoyable, fierce album that sounds essentially like a Slayer album should.”