Although the brand of epic European power metal that Crystal Viper performs is most definitely up my street, I must preclude this review by admitting that aside from hearing the odd song here and there, I have had no real exposure to them on a studio album level. The Cult, is the Polish act’s eighth full-length release in a legacy that has thus far lasted eighteen years. At face value, a band that maintains that level of consistency would have me assume they have nailed down a singular style and were comfortable releasing records in said style without a whole lot of variation. It is therefore with a great sense of irony that my first review of their noise is of a disc which caught me completely off guard by occupying a different scene entirely. The sweetly epic elements the band is known for are certainly present in The Cult, but the power metal is largely downplayed in favour of a more classic but simultaneously epic style of heavy metal, one that calls back to the days of bands like Accept and Saxon without ever sounding derivative of either.
For a band whose schtick has been carrying the torch for old school Heavy Metal, it’s interesting how Crystal Viper’s eighth album feels like a trip to their own early roots. The band didn’t venture too far from that core sound over the years, but The Cult (Listenable Records) comes with the “Running Wild as fronted by Doro Pesch” spirit that defined early staples like The Curse of Crystal Viper or Metal Nation. I like to think that recruiting Ced Forsberg of Rocka Rollas/Blazon Stone fame for drum duties was the spark for this shift in style.
A histrionic chime of a small bell is the first noise that greets the listener. It seemingly summons spiritual moans and groans that echo in the proverbial temple of Zaum‘s oeuvre. ‘Relic’ begins placidly, slowly building its way up to the riff that forms the song’s centrepiece, and when that riff arrives it is a blissful moment. Continue reading
Death Metal kvlt band Undead Prophecies release their new album, Sempiternal Void, tomorrow 22nd of March 2019 via Listenable Records. Their identities shrouded in mystery, little is know about the band save for their faith and reverence for classic old-school brutal music. Ghost Cult brings you this exclusive stream of the track ‘Suffocated Vanity’ right now! Continue reading
I’m beginning to notice a bit of a trend amongst modern Death Metal bands, and by beginning to notice I mean this has probably been happening for a while now. Loads of newer acts like Horrendous and Gruesome are quite eager to strap on the Nike high tops, leather jackets and reminisce about the good old days when guys like Chuck Schuldiner and his outfit Death were blowing the Thrash dudes out of the water with albums like Scream Bloody Gore or Spiritual Healing. Undead Prophecies’ Sempiternal Void (Listenable Records) sure as shit sounds like they’ve been inhaling the ash of whatever’s left of Morrisound Recordings.Continue reading
US miserabilists Fister reside in a dank, filthy corner of Doom, with a sound that is downright evil. It should come as no surprise that their touring buddies include the monstrous Primitive Man, peddling as they do a similarly hate-filled, toxic crawl.Continue reading
Times have been rather tumultuous for French progressive metal stalwarts Adagio since the release of their last album Archangels In Black (Listenable) way back in 2009. A continuing series of vocalist setbacks saw numerous changes in that time, with the latest seeing Mats Levén single year duration come to an end with him being succeeded by Kelly Carpenter. Jelly Cardarelli and Mayline Gautie have also joined as drummer and violinist respectfully. A mammoth wait for an album was also heightened by a crowdfunding campaign, and thus, the promise of big things to come. Now finally the follow-up arrives, revealing what is their most ambitious work to date, which sadly is not entirely a saving grace.Continue reading
Yes, it’s a cliché, and no, I don’t care if writing professors from here to hell say to avoid clichés at all cost, but Heinz was on to something… It has been six years since Lock Up’s last album, and three years since Kevin Sharp (Brutal Truth) replaced much-beloved vocalist Tomas Lindberg and very simply, good things come to those who wait.Continue reading
Lock Up will be unleashing their new album, Demonization, in March via Listenable Records, and the second single has made its way online. Continue reading
Lock Up will be unleashing their new album, Demonization, in March of 2017 via Listenable Records, and the first single has made it’s way online. Continue reading