Opeth has announced that longtime drummer Martin Axenrot (Bloodbath, ex Witchery) has parted ways with the band, effective immediately. As Opeth is about to embark on their US tour tonight, November 16th, 2021 with Mastodon and Zeal & Ardor, Sami Karppinen will fill in for the tour. Axerot joined Opeth in 2006, replacing previous drummer Martin Lopez (Soen) and performing on Watershed, Heritage, Pale Communion, Sorceress and 2019’s In Cauda Venenum. Read the bands’ statement here.
It’s been well documented that the road to Aggression Continuum (Nuclear Blast Records), the latest album from Californian cyber-metallers Fear Factory, has been strewn with obstacles, challenges, and all manner of highly publicised internal disputes. Since its recording, the band has endured a lengthy legal battle which concluded with the departure of vocalist Burton C Bell, and saw guitarist, songwriter, and current studio bassist Dino Cazares winning the rights to the Fear Factory name via auction.
Former Ill Niño members Cristian Machado (vocals), Ahrue “Luster” Ilustre (guitar), and Diego Verduzco (guitar) have launched a new band called Lions At The Gate. The group’s lineup is completed by bassist Stephen Brewer (Westfield Massacre) and drummer Fern Lemus. Their debut single, “Not Even Human”, arrives this week, on Friday, June 4. A teaser for the track is available below. The band has completed their debut album as well, with more news and tour dates to come soon. Continue reading
In a post to their Facebook page, Oceans Of Slumber have announced major lineup changes to the rising progressive metal band. Both guitarists Anthony Contreras and Sean Gary are departing the band, and the group is actively seeking replacements. The band has been crushing 2018 with the release of their tremendous full-length The Banished Heart (Century Media Records), and constant touring. The band vows to continue, and we’re looking forward to what is next from them.Continue reading
The metal world was rocked earlier this week when Angela Gossow of Arch Enemy announced she was stepping down from the band after 13 years to slide into a management only role. Even more shocking to some was the coinciding announcement of Angela’s hand-chosen successor, Alissa White-Gluz of The Agonist. Also, The Agonist have announced they had already procured their new singer, Vicky Psarakis, and that they are planning their next release soon. From the outside, it sure looks like all of these moves were plotted and planned for a long time, so this no shocking revelation, except to the fans of these bands.
Now I can understand the dismay of some about the Angela departure, especially if Arch Enemy is one of your favorite bands. And I can see some of the skepticism about Alissa stepping in to the band, if you are unfamiliar with her and only know The Agonist from their proggy-metalcore hits. In terms of style and aesthetics, Arch Enemy and The Agonist are two different entities. However, if you look closely, the move makes sense on a lot of levels. Replacing someone in a band, especially someone of Angela’s stature and talent is not a move made lightly. The new person coming in has not just be able to do the job of performing the classic songs the band is known for, they have to fit in on a personal level. Alissa was clearly not just chosen just because she can knock it out of the box vocally (she will do great, trust us), but she lines up personally with the values of the band (vegetarianism, social activism, other endeavors outside of music, artistic qualities, able to keep up the touring/press lifestyle, marketability etc.) that make her a natural fit. Sure, I understand extreme fandom, and when a change comes to a band you admire and follow closely, it hurts. At that same token the reaction of some people is ridiculous, citing how much better the band was before Angela came in, Johan Liiva is better this, and Black Earth that. If that is your real opinion, fine, but to most people, the two eras of the band are quite different. I’m sure that Arch Enemy aren’t going to suddenly have huge sing-a-long melodic choruses in every song either, whenever they get around too making new music with Alissa. Which won’t be soon, sine AEs last album coming out with Angela drops in June.
Even though lineup changes happen to big iconic bands more often these days, we are reaching the age where drastic changes come to bands that are either established or rising stars are going to have upheaval in their ranks. This happens all the time, such as when Jesse Leach left Killswitch Engage just as they were getting big in 2002. Despite the mulch-platinum success with Howard Jones, some fans always clamored for Jesse, and he did in fact make a triumphant return with the band in 2013. This has happened over and over when band members depart, form new bands or things outside of the music world take precedence over people’s lives, such as personal problems, jail or deaths. Plus as the latest generation of bands turns 40 or even gets into their 50s, some of these bands that we have come up with as fans are going to start breaking up, retiring or going through long periods of inactivity as the grind of the music business wears them out. Maybe Arch Enemy will lose you as a fan, and maybe not, but having them continue with Alissa is certainly better than no more Arch Enemy at all. Her addition might actually be a shot in the arm for them, lighting a fire under them to move forward, since you can argue they may have been just retracing their steps on their last few efforts with Angela. But in terms of whether they suck now or not, perhaps you might want to hear Alissa perform with the band, before passing judgment. Just a thought.
Keith (Keefy) Chachkes