ALBUM REVIEW: Pop Evil- Skeletons


 

Long-time hard rock champs Pop Evil have unveiled their latest album, Skeletons (MNRK Music Group). Discussing the album, frontman Leigh Kakaty said, “This is about us as a band stripping everything down to the bones. It’s more up-tempo, it’s got bigger riffs, and we’re trying to capture the energy of our live show. But it’s also a positive message, I know it’s a morbid visual, but behind every skeleton, there’s a story and something worth talking about. Overall, it’s about looking at something in a positive way. And I’m excited for everyone to hear that.”

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Pop Evil Singer Leigh Kakaty Has Contracted COVID-19


Pop Evil was forced to postpone a concert last weekend in Denver, Colorado due to a case of COVID-19 within their crew. Now they have revealed that singer Leigh Kakaty has indeed been diagnosed with COVID-19 and received a second positive test result to be sure. The band is sad to disappoint their fans, but are placing safety above all else. The band has postponed all dates until their tour stop in Virginia Beach on August 27. The affected dates, which will hopefully be rescheduled to the end of the tour include, Denver, CO (8/15), Des Moines, IA (8/17), Fargo, ND (8/18), Joliet, IL (8/20), Nashville, TN (8/21), Savannah, GA (8/23), Asheville, NC (8/24) and Jacksonville, NC (8/25) to the end of the tour.

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Pop Evil – Pop Evil


Pop Evil’s newest offering, Pop Evil (eOne), starts strong out of the gate, a glorious return to good old-fashioned, popular, light Heavy Metal. Dave Grahs and Nick Fuelling prove some nice chunky guitar work interplayed with air guitar worthy riffs. Leigh Kakaty provides vocals you can actually hear! Not only can you hear the vocals but they are also of a pitch and timbre that are pleasing to the ear. Best of all, you can sing along. Frat Boys, Norebang addicts, High Schoolers, Air Guitar and Air Drummers rejoice! An album for all of us!Continue reading


Pop Evil – Up


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It may be all too easy to scoff at bands that come from that America specialty of post-grunge hard rock acts following the likes of Nickelback, bands often cited as lowest common denominator rock and metal. What this does overlook is the genuine talent that does come through in this style, and at the very least that they do sometimes bring some great songs (even Nickelback have some anthems, don’t deny it). Relative unknowns in the UK and Europe, Pop Evil are big news in their native USA and are beginning to make some waves across the Atlantic (a pretty well received Download Festival main stage slot is a good start), and with good reason.

Pop Evil have always been a little bit different from the crowd they find themselves in, with a bit of an exploratory streak beyond their peers, whilst not proving wildly unpredictable or hard to follow. On this, their 4th effort Up (eOne Music) proceedings are immediate and huge from the start but also have an underlying sense of atmosphere, almost veering on eerie and morose at times.

Opening with lead single ‘Footsteps’ is a statement of intent, displaying the album’s new found positivity in comparison to its predecessor’s gloomy tone, as its instant chorus and metallic crunch embed themselves firmly into your head. Not that it lapses after this as throughout, each song proves strong, if not as memorable as others. Even the obligatory ballad ‘If Only For Now’ has a darker feel opposed to the sugar coating that many would do. Leigh Kakaty’s vocals prove heartfelt and genuine and certainly match the band’s colossal, if somewhat unoriginal, sound.

This kind of stadium ready contemporary rock is certainly not for everyone’s taste and it very rarely sets the world alight in the sense of reinvention or necessity, and whilst Up doesn’t entirely buck this trend it certainly further evidences Pop Evil’s prowess and their edge above many of their peers. With a greater sense of atmosphere than many similar bands and an ear for a good tune, these guys have proven themselves as one of the strongest in their field. Big things await.

 

7.0/10

CHRIS TIPPELL


Pop Evil Recording New Album With Producer Adam Kasper


pop evil adam kaspar

POP EVIL will enter Studio Litho and London Bridge Studios with veteran producer Adam Kasper to begin work on an all new LP due out this summer. Kasper, who has produced mega-hit records for bands like Pearl Jam, Soundgarden and Foo Fighters, it was an easy choice for the band to make. “It was very important to us to choose a producer that has the credentials” says frontman Leigh Kakaty. “We also had a distinct vision on where the band could move forward and take our sound into the future. With the success of our last record we wanted to challenge ourselves and explore new and creative ways of musical expression”.

“Individually, these guys are all great players and writers,” says Kasper. “Collectively they are a force to be reckoned with. Musically this record is intricate, heavy and melodic. With their charismatic lead singer and a drummer that sounds like John Bohnam and Dave Grohl’s love child, I’m more than excited about this one.”

Photo Credit: Scott McKliney

Photo Credit: Scott McKliney

Photo Credit: Scott McKliney

Photo Credit: Scott McKliney

The yet to be titled effort will be the highly anticipated follow up to the band’s 2013 release, Onyx, which recently reach 115,00 copies sold domestically. Watch a thank you video by the band here.

pop evil onyx

POP EVIL IS: Leigh Kakaty (Lead Vocals) , Nick Fuelling (Lead Guitar), Dave Grahs (Rhythm Guitar), Matt DiRito (Bass), Chachi Riot (Drums)

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Stone Sour – Pop Evil – Stolen Babies: Live at The House of Blues, Boston, MA


_DSC1408Although it has nearly been a year since their last album release, Stone Sour visited fans in Boston on January 22nd. They brought the post-grunge Pop Evil, and eccentric Stolen Babies with them. The diverse lineup worked well and the audience was in for a night of great music.

 

 

Many fans braved single digit temperatures to be at the House of Blues when the doors opened. This allowed openers Stolen Babiesplayed to a large audience. Their latest album was 2012’s Naught and they are currently working on a follow up. The group has recently become a three piece, but the loss did not hinder their performance. Their usual strangeness was present in songs such as ‘Spill’. Lead singer and accordion player Dominique Persei commanded attention with her surprising vocal range and sense of style. Their set may have flown by but viewers were left with either feelings of awe or confusion long after the members left the stage. Presumably not many had seen a band with an accordion playing such a large role at a rock show before.

Rockers Pop Eviltook to the stage with the place nearly packed. They seemed a bit out of place since many of their songs are played in _DSC1726arena and sports related settings, but the audience was enthusiastic nonetheless. The band’s overall sound is best described by their own name: mostly a radio friendly pop sound but with a tinge of heaviness. Their latest album was 2013’s Onyx. Singer Leigh Kakaty’s vocals are comparable to that of Scott Stapp or Chad Kroeger, for the uninitiated. The group kept the energy going throughout their set by playing anthems such as ‘Last Man Standing’. At one point they even did a brief and cheesy cover of Survivor’s ‘Eye of the Tiger’.

 

 

 

The venue was finally full and waiting in anticipation before Stone Sour hit the stage. Fans went crazy as soon as Corey Taylor came out. The band began by playing ‘The House of Gold & Bones’, appropriate since it is the name of their two part release, double-album which they completed last April. A wide range of their material was played including some of their biggest songs: ‘Inhale’, ‘Through Glass’, and ‘Bother’. The only cover they did was Alice in Chains ‘Nutshell’.

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Anyone who has ever seen Taylor’s other and more recognized band, Slipknot, can tell Stone Sour’s live presence is far more toned down. The show focuses mostly on Taylor which is a shame since the band is comprised of talented musicians including James Root, who is also from Slipknot. For some songs, it was just Taylor on an acoustic guitar. The encore consisted of two songs, ‘Gone Sovereign’ and ‘Absolute Zero’. Although the show may have left something to be desired in terms of presentation, it was nice to see a different side of Taylor. Here’s hoping he will come back to Boston after the next Slipknot album is released.

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Stone Sour on Facebook

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Stolen Babies on Facebook

Words by Melissa Campbell

Photos by Evil Robb Photograpy