Megadeth’s Thrash Metal Classic “Last Rites” Used in Apple iPhone Commercial


Megadeth’s classic ‘Last Rites’, a track from their seminal 1986 album Killing Is My Business… And Business Is Good! (Combat) has been used as the music for the new Apple iPhone commercial. In a spot called “Don’t Mess With Mother”, for their “Shot on iPhone” series, the clip is set to a montage of nature videos while an edited down version of the song plays! Check it out! Continue reading


Pentagram – Curious Volume


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Last time, nobody really thought there would be a next time. Some of us maybe hoped there wouldn’t be. Four years on from Last Rites (Metal Blade) however, Pentagram return with Curious Volume (Peaceville), and there’s still a level of energy despite the weight and omen of previous victories having lost its potency.

Opener ‘Lay Down and Die’ and ‘Earth Flight’ have more of the power and sleaze of early Kiss: Bobby Liebling’s gruff vocal Simmons-like; whilst Victor Griffin’s deep riffs dance around the rhythms, his solo work proving as stellar and timeless as ever. Nowadays, of course, we’d class much of this stuff as good-time Heavy Rock, adding fuel to the argument that some people should know when to quit. ‘Dead Bury Dead’ however, with its return to Iommi-style riffage, tortured solos and lascivious vocal, sounds like a fresh foray into Liebling’s song vaults: returning the band to its former glories whilst simultaneously displaying an existing relevance.

Conversely, the ensuing title track sounds like something that should have been recorded thirty years ago: the squalling strings and ominous nature not enough to hide the belief that a younger band could have prevented this from becoming a mere ‘filler’. Similarly the Punkish feel of ‘Misunderstood’ descends to a ‘pub Rock ‘n’ Roll’ that the band’s history ill deserves, despite the up-tempo rhythm recovering some of the early vim. A return to the signature Proto / Doom of ‘Close the Casket’ and ‘Devil’s Playground’ shows where the real power of Pentagram will always reside: the tolling riffs and Bobby’s ringing yet sinister vocal betraying both his years and his troubles, while the Country Rock twangs of the latter still show they can mix the sound up.

While it strums the heartstrings to see Vic and Bob back together, it’s plainly obvious that their outfit’s best days are behind them. Still capable of eliciting an involuntary twitch of the hips however, Curious Volume is unlikely to win new fans but raises a fond smile, and still shows the odd flash of why we should be thankful for their very existence.

 

6.0/10

PAUL QUINN