Taking its title from the 1965 Jean-Luc Goddard movie of the same name, and reverberating with echoes of Fritz Lang‘s 1927 silent classic, Metropolis, everything about Alphaville (Century Media), the latest album from New York trio Imperial Triumphant, is costumed heavily in film noir science fiction. Its unique atmosphere furthered by impressive cover art from Zbigniew M. Bielak, the Polish artist noted for his work with Swedish act, Ghost. Continue reading
Migration Fest tickets are on sale now! Presented by 20 Buck Spin and Gilead Media, Migration Fest III has booked False, Mizmor, Spirit Adrift, Yellow Eyes, Immortal Bird, Obsequiae, Thou and Emma Ruth Rundle Obsequiae, Imperial Triumphant, Buried At Sea, Falls of Rauros, Kowloon Walled City, Spirit Adrift, Tomb Mold, Ulthar and many more. The full list can be seen below. The fest takes place July 31st – August 2nd, 2020 and returning to Mr. Smalls in the Pittsburgh suburb of Millvale, PA. Continue reading
Migration Fest is coming back for its third edition and it looks like a rager! Presented by 20 Buck Spin and Gilead Media, Migration Fest III has booked False, Mizmor, Spirit Adrift, Yellow Eyes, Immortal Bird, Obsequiae, Thou and Emma Ruth Rundle Obsequiae, Imperial Triumphant, Buried At Sea, Falls of Rauros, Kowloon Walled City, Spirit Adrift, Tomb Mold, Ulthar and many more. The full list can be seen below. The fest takes place July 31st – August 2nd, 2020 and returning to Mr. Smalls in the Pittsburgh suburb of Millvale, PA. Continue reading
New York’s Black Metal collective Krallice has announced they will be releasing their first four albums in remastered reissues, according to Gilead Media. These albums include Krallice (2008), Dimensional Bleedthrough (2009), Diotima (2011), and Years Past Matter (2012) will be re-issued using brand new masters by guitarist/engineer Colin Marston. Each album will be available on limited smoky color vinyl and feature revised artwork.Pre-orders are live now in North America via Gilead’s website (link below). These albums will be available for pre-order soon in the UK via the Dry Cough label. The rest of the EU will see the release of these albums via Throatruiner/Deathwish Inc. Krallice released a new album in early 2019 that you can also purchase now. Continue reading
For the second year in a row, the best in underground metal bands will descend on Austin, Texas for the Austin Terror Fest, taking place from June 15th through 17th. “Powered by Worshiper Cabinets”, the festival features Exhorder, Agoraphobic Nosebleed, Yob, Acid King, 40 Watt Sun, Bell Witch, Pinkish Black, Come to Grief, Buzzov-en, Primitive Man, Krallice, Gnaw, Goya and many more announced for the full line-up. Tickets are available now (link below) but may sell out since this bill is so killer and many of these bands will make their Austin début. Continue reading
After releasing Loüm last month, Krallice promised that another new album would be coming our way soon, and today they’ve delivered on that promise. Continue reading
New York City kvlt black metallers Krallice have announced via social media that they have not one, but two new albums ready for release. The first of which Loüm will feature Neurosis member Dave Edwardson on lead vocals, lead synths, and lead lyrics for release and is due out in two weeks, roughly by the end of October. The second new release will be available for pre-order at that time. Continue reading
It’s not a bad time for the American Black Metal scene. Seems like every year we’re getting superb releases from upstarts and institutions like Leviathan, Krallice, Nachtmystium (RIP), Wolves In The Throne Room, Vattnet Viskar, and dare I say, Deafheaven. Woe, and their latest album, Hope Attrition (Vendetta) are no exception to this budding tradition. Continue reading
Krallice has been hinting that their new record would be coming soon, and it’s finally here. Continue reading
What exactly is going on in New York? The city has a long musical history, of course, but in recent years it seems to have become a focus point for challenging, original and distinctive Heavy Metal. We’re not talking about some forced “scene” with three or four decent bands setting the tone for a horde of bland followers, either – though Psalm Zero share a certain spirit with their neighbours in Pyrrhon, Krallice and Artificial Brain, musically they’re as distinctive as those bands are from each other.
Not that the music on Stranger To Violence (Profound Lore) is especially easy to describe. The label blurb makes much of their Pop influence, but this is hardly the chorus-heavy cheese-fest that word may suggest – the song-writing somehow marries catchiness to a genuine sense of unease and strangeness. The Metal elements shouldn’t be overlooked, either – the use of synths often calls to mind the darker side of eighties Pop, but just when you think you’ve got them in a box they’ll shift to a surging bombast that has more in common with Emperor than Depeche Mode. The extremely sparse use of harsh vocals in the most aggressive sections create a real sense of dislocation, too, hitting with an impact that they lack in music which uses them more regularly. It’s Pop Metal, but nothing like any other band that’s been given that name before.
If the music is hard to describe, the aesthetic behind it is no less so. The artwork suggests urban dystopia, and though that is certainly present on tracks like ‘Real Rain’ and ‘Stolen By Night’, there’s also an undercurrent of dark fantasy and strangeness to it that can’t be described easily. It’s frequently as uplifting as it is sinister, as dark as it is catchy.
In a genre with so many offshoots and sub-types that it seems as though every possibility has been thoroughly explored, Psalm Zero have genuinely succeeded in carving their own little niche – and it’s a strange, fascinating little place indeed.
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