Returning to the Effenaar venue on day two of Eindhoven Metal Meeting, logistical issues with trains sadly meant I missed the opener on the main stage, Izegrim. As I arrived I decided to do my best to at least catch Dervaza, but it quickly becomes apparent today is the “meat” of the fest for most people, and somehow it is even busier than the day before. Watching the bodies trying to squeeze into the small room, a line forming of metalheads craning their necks to see the band, I’m left to strike pretty much everything I wanted to cover in the small room off my itinerary today.
December, for most a time of going home and seeing family, retrospectives, lists and copious amounts of food. However, for many in the European metal community, it’s also the time for the magnificent Eindhoven Metal Meeting. For many it’s the final party of the year, a place to see friends, network, hang out and lift the horns up one last time before the dead space at the end of the year when we all ascribe to the forced merriness we call the holidays.
As every year, the line to get in trails quite a way before the doors even open. It’s cold this year though, and very much sold out solid. It has been for several weeks. Progress inside is somewhat slow because security meticulously checks everyone. But once we get inside the familiar maze of the Effenaar venue the pace quickens, at least for now. Continue reading
Less than a month away, Eindhoven Metal Meeting (EMM) is coming up fast on Friday 14th & Saturday 15th of December 2018 as the famous Effenaar venue in The Netherlands. With the lineup secured, the fest has announced their full running order, which you can see below, along with the full lineup and links to tickets, and other information.Continue reading
Kontinuum, on the strength of their recent album No Need To Reason (Season of Mist), have been added to the bill for Eindhoven Metal Meeting (EMM). Taking place on Friday 14th & Saturday 15th of December 2018, the Icelandic post-metal troupe joins the 10th-anniversary lineup along with Triptykon, Marduk, Solstafir, Moonsorrow, Septicflesh, Shining, Urfaust, Wiegedood are among the bands. The full lineup and links to tickets, expected to sell out as usual, can be found below. Continue reading
Formed 2010 in Reykjavik, Kontinuum set out to release hypnotic and spiritual musical noise, and over the course of the last two albums, they’ve largely succeeded. However with third album No Need to Reason (Season of Mist) they’ve set out to tone down the noise part and have come back with a much more refined sound. From the first album Earth Blood Magic (Candlelight) and an upbeat and eclectic mix of post-rock and dreamwave influences to the more epic sounding, Sólstafir worship of Kyrr (Candlelight) they’ve clearly been a band not afraid to experiment with their sound.Continue reading
Inferno Metal Festival, Europe’s longest running and most extreme black and death metal festival arrives again next April in Oslo. The fest has announced a change to their Dark Essence sponsored Stage with Madder Mortem dropping off and Sarkom and Slegest jumping on the bill.Continue reading
Part two of the Ghost Cult Magazine countdown to our Album of 2015.
And now the end is near, and so we face 2015’s final curtain, and once more the Ghost Cult army got together to vote for their favourites. The results? Over 20 writers pitched and voted on over 220 albums ranging from indie pop to the most horrific savage tentacle laden death metal showing the depth and breadth of the official Ghost Cult Album of the Year for 2015.
The countdown (to extinction) continues…
“Once again every track has its own theme and spirit – the “carnivalesque” sound that has been part of their image since LMI is still present… but in terms of musical excellence and thematic power it matches or even exceeds that classic album. Whether or not you’ve ever engaged with Arcturus before, do so now.”
“Throw (it) on at the end of a long day and just let fuzz consume your mind…The Night Creeper is an album worthy of a place in your doom collection. It’s got all of the darkness and foreboding of regular doom but without putting you (me) to sleep.”
A swirling, enchanting brew of post-rock with touches of blackened metal and psychedelic swirls, as melancholia most vivid is wrapped in progressive motions and dreamy epics and delivered to the sub-conscious in swathes.
“Qliphoth is a snapshot of a ferociously dedicated and hardworking band continuing to carve out their own unique sense of what Grindcore can be. Cloud Rat have offered something both rare and interesting, and have made themselves genuinely the best new Grindcore band in years in the process.”
A cocktail of stoner, progressive and doom metal, unafraid to stretch it’s mighty wings to allow an epic to pound and unfold, and proud to worship at the altar of The Riff.
“If ‘Ethnic Metal’ is a poor fit for Melechesh’s music, Black Metal is almost as inappropriate. The snarled vocals and trebly guitars put it superficially in that style, but the song-writing owes more to classic Thrash and Heavy Metal, filtered through the ever-present Mediterranean voice.”
Album of the Month – November “Puscifer delivers money shot after money shot in the form of aural enjoyment. So, instead of pounding away at your keyboard on social media bitching about the next Tool album, maybe you should hit up YouTube and try out Puscifer.”
“Produced by Kurt Ballou, the album crawls, kicks, stamps, and screams abuse into your face, pulverizing you in a variety of different ways; never dull with the slower parts merely serving to accentuate the chaotic flurries of speed and aggression when they do arrive.”
“Hammer Of The Witches is a competent enough album by a band who know exactly what they’re doing, and fans of their most recent material will find something worth listening to here, but those still waiting for a return to former glories may need to decide whether we’re happy to settle for the next best thing”
“Nightwish, the rulers of symphonic metal have returned and are ready to take over the world with their new album Endless Forms Most Beautiful. Trying to pick out highlights from this album is like trying to pick needles out of a stack of predominantly needles – there is not a strand of hay in sight.”