Sad news to report as Marsha Zazula, the legendary co-founder of Megaforce Records which launched the careers of Metallica, Anthrax, King’s X and many others, has died. She was 68 years old. News of her passing was shared by her daughter Rikki, writing: “RIP Mom April 21, 1952 -January 10, 2021 Your love, Your strength, Your memory and Your music has changed lives and will continue to FOREVER.”Marsha formed Megaforce with her husband Jon “Jonny Z” Zazula in 1983, as metal music lovers and entrepreneurs with no prior industry experience, but founded a brand that will always hold an iconic place in the hearts of metal fans and band. In Jonny’s 2020 memoir, he largely credited a lot of the success of the label to Marsha. The label released Metallica’s first two albums, 1983’s “Kill ‘Em All” and 1984’s “Ride The Lightning”, before the band signed to Elektra. Other bands they fostered and worked with included Testament, Overkill, Ace Frehley, Ministry, Stormtroopers Of Death, Raven, and many more. The Zazula’s latest venture was Breaking Bands, a music management, and services company run with Chuck Billy of Testament and Maria Ferrero. RIP Marsha.
Stars from across Rock and Metal will join together on a livestream to raise money tonight on the David Z Foundation Livestream. David Z (David Zablidowsky) was the brilliant metal and progressive rock musician best known for his work in bands such as Adrenaline Mob, Trans-Siberian Orchestra, and ZO2, died three years ago on July 17th, 2017 when a tractor-trailer collided with Adrenaline Mob’s tour bus. Check out the updated poster from Mike Portnoy’s tweet below. You can donate at the GoFundM link below and watch the live stream including artists ranging from Mike Portnoy, Dee Snider, Chris Jericho, Ray Luzier (Korn), John Moyer (Disturbed) Rikki Rockett, Don Dokken, Richie Kotzen, Billy Sheehan, Jeff Scott Soto, Carmine Appice, Eddie Trunk, Marco Mendoza, Joel Hoekstra, Tiffany, John Pooper, Alex Skolnik, Charlie Benante, Dug Pinnick, Ra Diaz and more! Continue reading
I wish I could say I knew Jonny Zazula back in the day, but I wasn’t quite old enough. Sure, I had heard all the stories. As a major Metallica and Anthrax fan, Jon and his wife Marsha’s life stories are Metal history as much as any riff, album or chorus. I bumped into Jon about twelve years ago at Starland Ballroom in New Jersey. I was there to see a Testament headline show. Jon and Eddie Trunk, who owes his career to Jon and Marsha to an extent, walked right by and I totally fanboyed out. I’m pretty sure I blurted out something lame like “Holy shit, Jonny Z! Thanks for everything!”, since that what was in my heart. He gave me like a half-pat on the arm, half a “hey dude I need to get by you” move and slipped past me on his way backstage. Trunk just smiled. That was my in-person brush with him, until a recent phone interview (coming soon) for this book release. The book is a memoir about an enterprising music lover who put a genre or two on his back and raised up everyone around him toward greatness.
King’s X have entered Blacksound Studio in Pasadena, California with producer Michael Parnin to begin tracking their first new album in 10 years. The album is releasing later this year via Golden Robot Records. Parnin is acclaimed for his work with a varied range of artists, from Rage Against the Machine and Missy Elliott to Andrew Lloyd Webber and Barbara Streisand.Continue reading
A new supergroup of truly superb artists has formed! Beauty In Chaos led by guitarist Michael Ciravolo and Dug Pinnick of King’s X, are joined on their new track “Un-Natural Disaster (Collide Mix)” by Zakk Wylde (Black Label Society, Ozzy Osbourne) Ice-T (Body Count), and Pete Parada (The Offspring) for the track! Remixed by Statik of Collide. The new release features remixes from the debut album Finding Beauty in Chaos. Both albums are produced by Ministry’s Grammy-nominated producer Michael Rozon at Ciravolo’s own SAINTinLA Studio. Check it out now!Continue reading
The early-to-mid 1990s was a wild time for heavy music. With the Seattle bands like Pearl Jam and Nirvana blowing up and killing off a lot of hair metal bands, and Metallica and Pantera dominating, and death and black metal gaining steam and mainstream success, other kinds of rock bands struggled to cut through. King’s X already had four albums out by the time Dogman (Atlantic) landed in shops. Their heavy rock flirted with metal, but really they have always bucked trends and classifications. Interpreting their influences and their bare lyrics full of religious symbolism and metaphors have earned them a legion of fans and lengthy career worthy of respect. Continue reading
King’s X has announced a new record deal with Golden Robot Records, to release their new album, expected in 2019. The new KX album will be the follow up to 2008’s XV. The band just finished a brief tour of the USA. Continue reading
Legendary heavy rock band King’s X Will Kick Off A Mini-Tour Of The East Coast Tonight, At Sony Hall, In New York City. The band will have VIP packages at every show and several of their shows will be recorded for fan purchase later via Set.fm and VNUE INC, with the list below. In addition to this handful of dates, the band has tour dates later this fall in Houston and the Midwest, and also have booked the 2019 Monsters of Rock Cruises. The band is said to be plotting a new album, which would be their first new album of originals since 2008’s XV album (InsideOut Music). King’s X celebrated the 30th anniversary of their debut album, Out Of A Silent Planet (Megaforce), this past March. Continue reading
With the likes of Dream Theater’s John Myung and Ty Tabor of King’sX in their ranks (alongside Winger’s Rod Morgenstien), one would expect The Jelly Jam to be an ambitious and challenging progressive band, with a wide range of influences in their arsenal. In contrast, over their lifespan, their sound has been a much more direct, song based affair; and latest album Profit (Mascot).
With a plethora of ambitious works and journeys under their belt, Profit still shows them flexing their impressive creative muscles and offering virtuoso performances, but in a more refined and concise manner. This is more straight-forward grunge infused rock with some shades of AOR and the like, for a more gritty but no less immediate hard rock sound. Album opener ‘Care’ is a particularly heavier moment to kick of proceedings and provides an immediately anthemic chorus, preceding the softer, acoustic ‘Stain On The Sun’, before picking pace again.
Herein lies the album’s problem, of an undefined sound which seems to try and encompass too many tones and paces without flowing all too well. Immediately following one of the album’s heavier points with a complete contrast proves somewhat jarring in a manner such rock shouldn’t do. Fortunately the strength of the songs alone, whilst not groundbreaking by any stretch, do hold up strong enough to return to on numerous occasions.
Those unfamiliar with the band before hand may have expected wildly different when noting the personnel involved, but The Jelly Jam are a chance to prove that these guys are not just one trick ponies and can do short, sharp and catchy just as well as sprawling, complex epics. It does still need some refining in their sound to feel truly wholesome; but they have certainly succeeded in making a straight forward, fun album; and that is most definitely the mission.
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