What is a witch? What is her purpose? And more importantly, what makes her a witch? These
are the very questions Karyn Crisis (Crisis) has spent many years trying to answer during her spiritual journey and work as a psychic medium. Blessed with the gift of clairvoyance, Karyn, has always felt connected to the spiritual world. But it was when while working in Tuscany; she first saw the appearance of Aradia, an ancient witch who had taught her about healing, the witches of Tuscany, and the medicine women throughout rural Italy. It was at that moment that Karyn learned about her past life and lineage as a healer and began her journey to uncover the truth about Italy’s witches. It was also the moment that inspired Karyn to get back into music and form Gospel of the Witches. Today, they share that journey with us on their sophomore album, Covenant (Aural Music). Continue reading
The Market Hotel in Bushwick has been a D.I.Y. Rock staple for many years. It is also one of the few D.I.Y. venues to survive foreclosure and resurface in the scene. With the continuous loss of venues in New York City that cater to Extreme Music, the Market Hotel, is making its mark on becoming the new home of Metal in Brooklyn. Continue reading
In an old interview, the Godfather of Death Metal, Chuck Schuldiner, laid out the blueprint of what the genre is, what its themes are, and what listeners should expect from it. He described the genre as “fantasy, tongue-and-cheek, Horror movie level type of scary stuff…” Many bands within the genre have followed this blueprint and carried on the tradition of writing gore lyrics, but none better than the legendary, Exhumed, who have always leaned more towards the gore aspect of Death Metal and later coined the term Gore Metal. Their new album, Horror (Relapse Records) follows this blueprint very well.
Legions of fans gathered under the scorching sun to witness a concert only fit for the gates of hell. On June 1st, the Overtures of Blasphemy tour made its stop in New York City as fans descended to a sold out Gramercy Theatre to witness the brutality of Death Metal legends, Deicide. Supporting the bill were the Disciples of Destruction – Origin, Jungle Rot, and The Absence. They gave a performance that was both unforgiving and unforgettable.
Like many Metalheads, you may have been introduced to Heavy music by listening to movie soundtracks, video games, or watching the WWE. In my opinion, those are very interesting ways to be introduced to music. It is also the way many underground bands find commercial success. Those mediums were my gateway to Heavy Metal. However, it was not how I was introduced to Aphyxion. Hailing all the way from Denmark, Aphyxion entered the industry with quite an impressive start. From being the youngest band to ever perform at the Wacken Open Air Festival to being called “the new saviours of Melodic Death Metal” by Dom Lawson of Metal Hammer Magazine, and even opening up for Metallica on the two years ago at their Copenhagen show, Aphyxion Metallers has managed to become well-decorated in their career thus far and with their new album, Void (Prime Collective), they have the potential to achieve commercial success. Continue reading
What is Viking Metal and what does it consist of? Is it having twenty-eight inches of hair, dressing up in armor and/or a kilt while wielding a sword? Is it dressing in all black while wearing Thor’s hammer pendants around the neck? Or perhaps it consists of including symbolic imagery such as runes and ships in the package art? More importantly, what is the formula to creating good Viking Metal? I ask these burning questions because ever since the Metal world included Norse mythology into its art, a majority of the bands at the forefront playing it are way too gimmicky. There are too many bands gravitating towards Norse mythology and its culture while writing about it because it is the trend rather than having love, appreciation, or genuine interest for it. In my opinion, good Viking Metal is a rarity.
On a chilly New York night, legions of fans gathered under the moonless
sky to witness the return of the British beasts of extermination, Cradle of Filth. They ascended to a sold-out Irving Plaza to witness the destruction during the Cryptoriana – The Second Coming Of Vice tour, which is a continuation of support for their 2017 album, Cryptoriana –The Seductiveness of Decay. Supporting the tour were Hollywood shock rockers, Wednesday 13 and LA’s own Dark Metal carnies, Raven Black. Together, they put on an unforgettable show.
Many years ago in his journey discovering what Heavy Metal meant to him, Trey Azagthoth of Morbid Angel once wisely stated that “Metal people want to get mowed down by viciously sick melodies slamming over an arrangement of beats that twists the body and pulls it in all directions; freak them up.” This brilliant quote still holds true today as it best describes what happens when you listen to the new Allegaeon album entitled Apoptosis (Metal Blade Records). This album is absolutely divine in every way. It takes you on a higher level of transcendence the further you listen to it. It is ART expressed in its purest form and you can easily find yourself getting lost in it. You don’t want it to end and it’s almost heartbreaking when you can to the realization that it will. This album was not only made for the Metalheads who can love and appreciate all forms of it, but for music enthusiast in general. It is the love child between the old and new generations of Metal.
Never have I listened to a band that made me want to learn about more about mythology, the band’s country of origin, their heritage, and their language all in one sitting. If you’re a Týr fan, you’ve most certainly been down this rabbit hole every album cycle – I can’t count how many times I’ve spent my spare time doing endless Google searches learning about mythology and Vikings as well as reading and reciting Faroese lyrics while getting lost in the beauty of their music; it’s like getting high without doing drugs. Continue reading