It’s been over thirty years since Liverpudlian grindcore bastards Carcass left people gagging to the gloriously gory cover of debut album Reek of Putrefaction (Earache) and reeling to the twenty-two charmingly immature blasts of vomitous noise dripping inside. Symphonies of Sickness delivered improved musicianship and longer songs, Necroticism – Descanting the Insalubrious and its divisive follow up, Heartwork, continued that trend but the run ended in 1996 with the rather lacklustre Swansong. Rebooted and reinvigorated (but sadly minus drummer Ken Owen due to health issues), Carcass returned with a bang in 2013 with Surgical Steel (Nuclear Blast Records) and now, after a gap of eight years, they’re back. Again.
Carcass didn’t invent death metal, but they helped perfect it. The didn’t ascend to the pantheon of the death and goregrind genres overnight either. Their earlier work, especially their debut Reek of Putrefaction, Symphonies of Sickness, and Tools of The Trade and a few EP’s were all growers. The band had a penchant of shifting genres and styles within songs and albums, owing to their talent, but displeasing some of the more ardent fans. They likely didn’t think about this or even discuss it, just musically going wherever the evil spirits guided at the time. This kept their growing fan base agitated, but interested to see what the band would do next in the burgeoning underground scene. So when Heartwork was unleashed on the world (Earache) in 1993, it seemed like all of these elements coalesced. Continue reading
One of the most anticipated releases of this year is Surgical Steel by legendary death metal outfit Carcass. Ghost Cult caught up with bassist/vocalist Jeff Walker to see what’s going on in Carcass country…Continue reading