Trip The Witch (STP) Shares New Single – Saturn We Miss You” ft. Jon Anderson of Yes

Dean Deleo of Stone Temple Pilots has teamed with renowned Nashville session player, Tom Bukovac for a new band, Trip The Witch! Their new self-titled debut album released on September 10th, 2021 and the album is mostly instrumental rock jams, different from the work fans might be accustomed to hearing from their respective projects. The first single “Saturn We Miss You” features Jon Anderson of Yes on vocals. Hear the track now and stream the entire albumContinue reading

United Progressive Fraternity – Fall In Love With The World



Sometimes bands like to choose their name via the “does what it says on the tin” approach; a sentiment that certainly rings true with United Progressive Fraternity, even if it does clumsily sound like some kind of University society which really should have existed. A band formed from the ashes of Australian act Unitopia, with Mark Trueack at the helm; this also holds the additional talents of Guy Manning of The Tangent and Dan Mash of The Tangent and Maschine fame, oh and contributions from some guys called Steve Hackett and Jon Anderson.

The name even holds little surprise about their sound, and Fall In Love With The World (InsideOut) is expectedly warm sounding. The overall message of the album is one of ecological and preserving significance; spelt clearly in the title this is about our world and the importance of maintaining and saving it; but presented in a more joyous manner than say, a politically charged hardcore act.

Sonically there is quite an array of styles at play, interlinking from jazz interludes, woodwind, traditional Eastern effects and instrumentation, combined with changing paces and flows plus numerous nods to the greats of Prog. Oddly this project took the mantra of an open door policy without a true creative head but with contributions of various people coming in and out; yet it does feel a cohesive effort throughout.

Returning to messrs Hackett and Anderson, although it is clear where Anderson appears (‘Water’ on backing vocals), Hackett’s contributions seem oddly illusive despite his memorable style, which begs the question, could these huge presences have not been more prominent? Otherwise FILWTW is a pleasing, if not spectacular release; proving a decent showcase of a dictionary definition of a ‘typical’ sounding Prog album, but not a great deal else.


UPFrat on Facebook