Industrial Rock legends Stabbing Westward have announced their first full-length album in 20 years, Chasing Ghosts. The album is due out on March 18, 2022 via COP International Records. The band has shared their first single and a lyric video for “I Am Nothing” – the first single! The band dropped a limited version of the single with remixes on their Bandcamp. The album was created with producer John Fryer, the band’s key collaborator on their iconic early albums.
Indie label COP International Records has announced the signing of the newest artist to its label roster, Stoneburner. The post-industrial music and art project is the latest from prolific multimedia creative Steven Archer, also known for co-founding the darkwave gothic rock duo Ego Likeness (Metropolis Records) with Donna Lynch that formed in 1999 and has successfully released several albums and completed several tours in Europe. Stoneburner’s new album Apex Predator will arrive in 2021, and have production from industrial music legend John Fryer (Depeche Mode, Nine Inch Nails, Love & Rockets, Stabbing Westward).
Industrial Metal legends Stabbing Westward have shared a brand new Halloween covers EP dubbed Hallowed Hymns! The release, a gift to their die-hard fans and new ones too, is streaming and physical copies are for sale from their new label COP International at the link below. The covers include new takes on old Industrial and post-Punk/Goth classics from Ministry, The Cure, and Echo and the Bunnymen. The EP was produced by their longtime collaborator John Fryer, who worked on the band’s early classic albums. Fryer and Stabbing Westward are in the studio now working on a new full-length album for release in 2021. Purchase and stream the EP now!
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The EP, released on COP International Records, features 4 tracks that were instrumental to the industrial band’s beginnings and conjure the feeling of the season and include original takes on “Burn” from The Cure (famously featured on the soundtrack to The Crow), the classic “Every Day Is Halloween” by Ministry and Echo And The Bunnymen’s eternal hit “Killing Moon.” There is also a special “Devil’s Night Mix” version of Stabbing Westward’s “Burn” cover to round out the surprise release.
Stabbing Westward— featuring original founding members Christopher Hall (vocals/guitar) and Walter Flakus (keyboards/programming) as well as longtime bandmate Carlton Bost (bass) and newest member Bobby Amaro (drums)—originally released their cover of “Burn” to much fanfare for the Cold Waves Festival compilation album in September; the track was premiered by Revolver magazine that called it a “reverent cover” that kicked off the compilation “with a bang.”
Says frontman Christopher Hall about this special surprise release:
“2020 has been a shit year. We were supposed to release our new album and tour the U.S. to support it. But clearly that’s not happening. We know Halloween is different this year with no parties and no Trick or Treating so we wanted to give fans something special …. something that will help tie you over until we can release some new music.
We picked these three tracks because, for us, they represent the feeling of Halloween and they were very important songs during our early musical stages. If there were ever two bands that I would say most influenced Walter and I to form Stabbing Westward it would be Ministry and The Cure. From the earliest days of Ministry’s With Sympathy through the evolution of Twitch, they were the band that opened our minds and hearts to industrial music. To be able to reimagine these songs as Stabbing Westward while still trying to pay homage to the brilliance of the original versions was a terrifyingly fun adventure.
We have been working on the album so hard for so long that it was really a joy to take a break and explore all these tracks had to offer. As often as you listen to your favorite songs it’s a totally different experience to take one apart and see how it was built. It gave me such an immense appreciation for what these amazing artists created—especially the Ministry track knowing how primitive the gear was that Al Jourgensen had to work with back then with none of the modern tools we take for granted today. He literally created new techniques in the studio that we still use today. He was light years ahead of his time. We hope you enjoy listening to these tracks as much as we have enjoyed recording them.”
The EP’s title coyly illustrates that Stabbing Westward is in fact neither dead nor gone, but rather ready to pick up where they left off after a string of mid-‘90s hits that dominated alternative radio and film soundtracks, including “Shame,” “Save Yourself,” “So Far Away” and “What Do I Have to Do?”, and resulted in two Gold records.
(photo credit: @Pharmadiver/Kim Hansen Photography)
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