Released almost exactly a year to the day from the Coronavirus outbreak being officially declared a global pandemic, Louisiana sludge merchants Eyehategod take the last twelve painful months and turn them into a forty-minute outburst of depressive rage and explosive nihilistic aggression.Continue reading →
To celebrate the twenty-fifth anniversary of their now-iconic debut album NOLA (Elektra Records), the band Down originally planned a tour at select venues worldwide before a global pandemic shut down the normal cadence of life as any of us ever knew it for the foreseeable future. Not to be silenced on such a momentous occasion, the guys took to the stage at a private location instead to stream The Quarter Century Throwdown as a global virtual concert. Featuring vocalist PhilAnselmo, guitarists PepperKeenan and KirkWindstein, drummer JimmyBower and PatBruders on bass, the event aired live with two encore performances in the days following the livestream for ticket holders.
If God took the seventh day off for some rest, then Satan was hard at work piecing together Denver, Colorado’s Primitive Man. The nihilistic and tortured sounds encased in Caustic (Relapse) are the proof you need that the devil is not only kicking but that his influence is still very much among us. Approach this beast on your own accord, but don’t say I didn’t warn you. Continue reading →
After undergoing a successful liver transplant, Mike IX Williams returned to the stage with EYEHATEGOD back in April (video), and now the band have their sights set on their next record. Continue reading →
This past year was a huge one for music with so many bands releasing new material it was hard to keep up, even for us here at Ghost Cult. So many legacy bands, modern classic acts, and up and comers dropped new music this year, some may wish they had waited until 2017 to drop it like it’s hot. Without further ado, here are our picks for the new tunes you need in your life in 2017. Continue reading →
Superjoint unleashed Caught Up In The Gears of Application last week via Housecore Records, and as Keith said in his review, the record “is a nice return to form for this supergroup of metal veterans.” In my recent interview with Jimmy Bower, he mentioned how good the new stuff would sound live, and he was not lying. Superjoint killed it at their record release show at Gas Monkey Live in Dallas over the weekend, and we have fan footage of their set for you today. Continue reading →
One thing that is apparent as we grind down to the end of 2016 in the music world, is the dearth of quality legacy acts. Sure there are some great bands still kicking around and the dad metal crowd will always love the reunions that seem to be on tour forever. It’s definitely tough be nostalgic when you don’t have time to miss anyone. So when a quality act like Superjoint makes a comeback, you need to pay attention to it.Continue reading →
Superjoint, the band risen from the ashes of 90s hardcore metal band Superjoint Ritual is currently on the road opening for Danzig’s “Blackest of the Black Tour”, along with Veil of Maya, Prong, and Witch Mountain. Superjoint was conceived of and is led by Philip Anselmo (Pantera, Down, Philip H. Anselmo & The Illegals), Jimmy Bower (Down, EyeHateGod) and Kevin Bond (Christ Inversion, Artimus Pyledriver) and came to form a supergroup 15 years ago. They are currently backed by Anselmo accolytes José Manuel Gonzalez Jr. on drums (Warbeast, Philip H. Anselmo & The Illegals) and Stephen Taylor (Philip H. Anselmo & The Illegals, Wovenhand, 16 Horsepower), on bass. In addition to tearing it up on the Danzig tour the band is heading toward the finish line of Phil’s 3rd annual Housecore Horror Festival. On the first night of the full tour at The Marquee in Tempe, Superjoint seemed energized from coming back and the reaction of crowd was vocal in their support. Unlike other bands trying hard to be clean and all prettied up, Superjoint is 100% no bullshit. Just ugly music for brutal music fans, who don’t need their riffs white-washed with interludes or overlong jams. The only breakdown you will hear is an emotional one, collectively from the crowd when all is said and done. Thanks to Melina Dellamarggio of Melina D Photography for being on point in the photo pit on this night.
If you visit their Facebook page, this London, England set of rabble-rousers’ bio simply states: “Tune it down, turn it up.” And now that I’ve given Limb’s new album Terminal (New Heavy Sounds) a few spins I have to wholeheartedly endorse that mantra.
For a band that’s only been around since 2011 the rattling guitar tone and stellar production sure sounds confident. Rob Hoey’s throaty barks serve as the perfect complement to Pat Pask’s downtuned blues and Tom Mowforth’s forceful but controlled work on the drums. In terms of sonic quality, these Londoners sound on par with most doom acts on imprints like Relapse or Profound Lore. It’s groovy enough to show to your dad, but has enough impact to satisfy the younger heshers.
Terminal starts off with ‘Three Snake Leaves’ and at a running time of 1:45 it sets the stage for the headbanging to come, but it also drove me to a realization. Compared to typical Doom or Sludge offerings the songs on Terminal tend to come and go very quickly. There are four tracks that are done and over with in or less than three minutes. That isn’t necessarily a bad thing as it won’t wear out its welcome, but it makes you wonder how numbers like ‘Mortuary Teeth’ would’ve turned out given a little more room to grow. Truth be told the best songs here like ‘Spoils of a Portrait King’ and ‘Cocytus’ happen to be the longest in terms of length and for slowing the tempos down to Jimmy Bower levels of guitar crunch. And I’m not saying that playing slower is the key either as ‘Down by the Banks’ has a Clutch level of self-assured heavy rock swagger.
I don’t want to make it seem like this is a bad record by any stretch of the imagination. Hell, there’s only one moment on Terminal that feels uninspired and it’s the appropriately titled ‘Sleepwalkers.’ It’s all just a matter of these young Brits adding some tweaks to the songwriting.
England started it all with Black Sabbath and kept that momentum going over the years with legendary noise merchants like Cathedral and Electric Wizard. Only time will tell if Limb are up to that task, but I like their chances.