The Ronnie James Dio Stand Up and Shout Cancer Fund, founded in memory of the late rock music legend, commemorated the 10th anniversary of his passing and the formation of the charity with its 10th Anniversary Memorial Awards Gala held on February 20, 2020 at the Avalon Hollywood. Hosted Eddie Trunk (That Metal Show, SiriusXM Trunk Nation), the organization recognized honorees in eight categories—each named after songs written by Ronnie James Dio–who have played a role in either Dio’s legacy or that of the charity. Live entertainment was provided by Ronnie James Dio’s live band Dio, featuring vocalists Tim “Ripper” Owens and Oni Logan, and band members Simon Wright, Craig Goldy, Scott Warren and Bjorn Englen, and highlighted by the vocals and visuals of Ronnie James Dio. Los Angeles comedian Brian Posehn, in addition, his comedic duties, performed a song from his upcoming GRANDPA METAL album accompanied by Scott Ian (Anthrax) and Joey Vera (Armored Saint, Fates Warning), while local rockers Sadie & the Tribe opened the festivities with their set. Check out these EXCLUSIVE photos by Tyler Kanode of Brilliant Reverie Photography. Continue reading
The 3rd Annual Rock Against MS Benefit Show will be held once again at the Whisky A Go Go in Hollywood, CA on Wednesday, March 4, 2015. The 3rd Annual brings back Rock’s elite artists in support of longtime friend and publicist, Nancy B. Sayle. This rock-fueled concert is to help raise awareness and funding for Sayle and the new foundation benefiting those living with MS.
The list of participating artists for the show include:
STEVE STEVENS (BILLY IDOL), STEVEN ADLER (GnR), BLASKO (OZZY), STEPHEN PERKINS (JANE’S ADDICTION), WAYNE KRAMER (MC5), MIKE WATT (STOOGES/FIREHOSE) GILBY CLARKE (GnR), BILLY MORRISON (BILLY IDOL), JEFF PILSON (FOREIGNER/DOKKEN), GRETCHEN BONADUCE, PHIL X (BON JOVI), PHIL BUCKMAN (FILTER), MARTY O’ BRIEN (LITA FORD), ERIK ELDENIUS (BILLY IDOL), JOE RETTA (THE SWEET), JOHNNY GRIPARIC (SLASH’S SNAKEPIT/WALTER TROUT), MATT STARR (ACE FREHLEY), ROBERT SARZO (HURRICANE/QUEENSRYCHE), JOEY ALLEN (WARRANT), CHAS WEST (BONHAM), & MORE!!
In its finishing stages, the ROCK AGAINST MS FOUNDATION will provide services from a three (3) grant resource system, which will provide daily care, quality of life needs and emergency funding, while assisting people with multiple sclerosis (MS) to live independent and full lives. Additionally, a brick and mortar facility we will call THE ROCK HOUSE is in the planning stages, and will provide free of charge, multiple programs and opportunities designed to heal the mind, body and spirit of all those whose lives have been affected by MS.
• GENERAL ADMISSION – $35
• FLOOR – W/ PRE-SHOW MEET & GREET AT 6PM – $100
• BALCONY – VIP MEET & GREET – $150
• VIP – RESERVED BOOTH FOR 4 PPL W/ MEET & GREET – $500
• VIP – RESERVED BOOTH FOR 8 PPL W/ MEET & GREET – $1,000
PURCHASE: BUY TICKETS HERE.
ONLINE PAYPER VIEW TICKETS: LIVE FAR AWAY? CAN’T GET THERE? THIS WILL STREAM LIVE!
• $15 AND UP! The more you DONATE you get cool gifts!
PURCHASE PAYPER VIEW here.
When it comes to modern bands who play with a distinctively vintage metal style, there are two distinct types. There are those who tap into that near magic and illusive quality that makes the early greats the inspirations they are, yet still sound fresh and of this age at the same time. Then there are the ones who sound simply dated and should have been put to bed long ago. California’s Benedictum certainly fall into the latter camp.
It is quite staggering that Benedictum have continued as long as they have, considering how cliché ridden their fourth album Obey (Frontiers Records) is. From the (attempted at least) tension building intro, through each individual song, Obey simply shows no originality of its own, nor does it fill you with any of the adrenaline that heavy metal should do. Each riff sounds tiresome, no song stands out above more than complete tedium, and as big as Veronica Freeman’s voice is, it doesn’t have that commanding quality or unbridled sense of emotion that such a presence should have by any means.
Obey sounds embarrassingly outdated and ancient, in a way that really shouldn’t exist in this day and age. Seriously the likes of Grand Magus and Triaxis have taken from such classic heavy metal periods yet have still sounded timeless and relevant; Benedictum just sound like they are from a time forgotten. Obey, quite simply, is a lifeless album that should be buried with the dinosaurs.