A Metallica and the San Francisco Symphony review was written by a band kid.
Full disclosure: I’ve known about Metallica since they were a four-line advert in the back pages of physical rock magazines. My first year of high school Kie C. gave me a mixtape of No Life Til Leather and Kill ‘Em All in the band room. I. Was. Hooked. Master of Puppets was released and I played it non stop. I learned to play the entire album on my flute, by ear. My first Metallica show was in 1986 when they opened for Ozzy. I was front row. That was my place for the next thirty-three years and nine countries consisting of 60 shows. It’s a lifelong love affair. Continue reading →
Following the premiere stream of their new single ‘Let It Go’, Ghost Cult caught up over email with the artist known as From This World over email for a Q & A interview to learn more about this project and the motivation behind the music. Armed with an inventive, excellent new album Variations on a Dream our dialogue covers the artist’s self-described “New Classic Rock”, influences, the personal nature of the music and much more! Continue reading →
On this day forty years ago, Led Zeppelin signaled the begging of the end when they released their final studio album, In Through The Out Door (Atlantic). That title alone should have been then first clue really, that this was not your older brother’s Zep album. The turmoil stricken members fought through loss, and injury, and drugs, and excess, but wound up still making fine music. ITTOD is a solid album with moments of greatness. It’s definitely a late-era gem in their catalog in many ways, but also a signpost to the fatigue they were feeling after over a decade on top of rock’s peak. Drummer John Bonham would pass away just thirteen months and two weeks after this release, more or less ending the band as a regular unit. Continue reading →
Ghost Cult does its best every week to uncover exciting new and artists who might be unsung today but could be important acts in the future. In this spirit, we bring you a new track by From This World, ‘Let It Go’! The song comes from their debut album Variations on a Dream and is a powerful mix of self-described “New Classic Rock”. We would liken these sounds and the album overall to a blend of Desert Scene rock, Jazz, proto-punk, great Americana, and Indie Rock bands of yesterday. At the same time, even with the throwback vibes, there is a modern nuance to the songs that will capture fans of Queens of The Stone Age, Nick Cave and The Bad Seeds, and even The White Buffalo! Jam out to this track and be on the lookout for more From This World soon.Continue reading →
After the heavy concepts of their previous couple of albums, London trio The Meads of Asphodel have thrown off those shackles and just fucking gone for it on their latest release, Running Out Of Time Doing Nothing (Godreah Records). Continue reading →
Thirty-seven minutes of dark passion. That’s what we get with the second album, Thrive on Neglect from Chicago troop, Immortal Bird. The production was handled by Dave Otero (Allegaeon, Archspire, Cattle Decapitation, Khemmis) at Flatline Audio in Colorado. Immaculately produced, the album sounds great in headphones or full on with speakers.
Most people’s experience of ‘spoken word’ music, outside of the Rap genre, is Jim Morrison‘s ‘American Prayer’. Beat Poetry, for this is essentially the format, is a hugely involving yet highly personal style which often resounds with the listener. This is most definitely the case with Enablers: a San Francisco post-Punk four-piece whose beguiling, occasionally fiery music is set to the poetry and narrative of frontman Pete Simonelli.Continue reading →
Beastie Boys were on fo the biggest, most successful groups in the work in the early 1990s when they made Ill Communication (Capitol/Grand Royale), released twenty-five years ago today. Prolific, putting out a new album every 2-3 years, the band was focused on never repeating themselves, and constantly improving. It would have been very easy for them to just keep remaking Licensed To Ill (Def Jam) over and over and that would have been enough for many bands. But Ad-Rock, Mike D, and MCA (RIP Adam Yauch) kept on changing and evolving. As they had on the previous few albums, they played all the instruments, and played them incredibly well on every track, across multiple genes. They had genius guest stars and collaborators (Q-Tip, Biz Markie, Amery Smith of Suicidal Tendencies, Money Mark, Bobo from Cypress Hill) and put the music first, before everything. Even the production on Ill Communication is incredible, all respect due to the B-E-A-S-T-I-E’s and their frequent partner at this time, Mario Caldato (“Mario C”). Continue reading →
Ghost Cult got to catch up with Twin Temple recently at their sold out show at Saint Vitus Bar, in Brooklyn. We chatted with the group about their new album, … Brings You Their Signature Sound: Satanic Doo-Wop, their new record deal with Rise Above Records, the principles that propel the band, their influences, their extremely NSFW music video, and more. Continue reading →