The first time I saw Between the Buried and Me live was at The Gramercy Theatre in New York City, during a tour for their then-newly released Colors (Victory Records) album; it was a pivotal period for the group who had, at that time, seen a series of lineup changes in short order. Five drummers, four guitarists, and three bassists later, the band was shaping their sound to dull the edges from the ever-aggressive Silent Circus (Victory Records) and Alaska (Victory Records) albums to an arguably more technically complex, albeit at times mellower, Jazzy era that would set the tone for the rest of their musical trajectory as we know it today. Continue reading
Ghost Cult’s chief editor Keefy caught up with Tommy Rogers of Between the Buried and Me recently to discuss their upcoming remastered and remixed version of their debut album, due out on May 15th via Craft Recordings. We chatted with Tommy about the formation of the band, the post-hardcore, metalcore, and Death Metal scene the band came from in Raleigh North Carolina in their previous band Prayer for Cleansing and peers such as Code 7, Undying, Day of Suffering, recording with Jamie King on his first significant release and Jamie’s impact on the band, how the debut telegraphs elements of music the band would incorporate later, the process of remixing and remastering, what shaped Tommy as a singer and lyricist on the first album, taking “creative risks” as an artist, how the lineup change for the Alaska release shaped the future, how the band looked like nerds in their first photos, being a “keyboard” act in heavy music, his favorite song now from back then, and much more. You can order the album in several different bundles here https://found.ee/btbam-st-r and listen to our chat now.
Scale The Summit’s new album will be titled V, due out this summer via Prosthetic Records. They have completed the recording of the album with Jamie King (Between the Buried and Me, The Contortionist) and he will begin mixing duties shortly. This also marks the recording debut of new drummer J.C. Bryant.
Karyn Crisis’ Gospel Of The Witches is streaming an interview video featuring her entire band, in regards to her debut album Salem’s Wounds out March 24, 2015 via Century Media Records. Salem’s Wounds contains 13 tracks recorded by Karyn together with Davide Tiso (Ephel Duath), Ross Dolan (Immolation), and Charlie Schmid (Vaura).
View it below.
Salem’s Wounds was financed by fans via websites like Indiegogo/Etsy and was recorded at The Basement Recordings in North Carolina with producer Jamie King (Between The Buried And Me, The Contortionist). The album cover was painted by Karyn herself, who (in addition to her vocal talents) is a respected painter and leatherworker. See below for the complete album track-listing.
Salem’s Wounds track-listing:
02. The Alchemist
03. Ancient Ways
07. Goddess Of Light
08. Howl At The Moon
10. The Secret
11. Salem’s Wounds
12. The Sword And The Stone
13. The Ascent
In support of this upcoming release, they will perform two special shows in New York this March:
KARYN CRISIS’ GOSPEL OF THE WITCHES live 2015:
Mar 28: Trick Shot Billiards and Music Hall – Clifton Park, NY
Mar 29: Saint Vitus – Brooklyn, NY
Dwell will be releasing their self titled EP on March 10, 2015 via Blood & Ink Records. Their debut, self-titled EP, mastered by Jamie King (Between the Buried and Me) and with guest vocals by Joe Musten (Advent, Beloved), is made up of five heavy-hitting songs that you won’t want to pass up. Dwell are sure to make waves in the coming year. Stream “Voyage” here.
They officially formed in 2014 in Kernersville, NC, featuring its current lineup of Jacob (vocals), Isaac (Drums), Ian (Guitar), Ryan (Bass) and Jeremy (Guitar). But their history is much deeper… Ian and Isaac are twin brothers and they are longtime friends with Jeremy, Jacob and Ryan; playing together in a handful of local hardcore bands.
Mar 07: Red Dogs – Wilmington, NC
Mar 10: The Shed – Greensboro, NC
Mar 26: Southland Ballroom – Raleigh, NC (w/ Code Orange, Harms Way)
Apr 04: The Drunk Horse Pub – Fayetteville, NC (w/ Earth Crisis, Bitter End)
Abiotic is releasing their new album Casuistry on April 21, 2015 via Metal Blade Records. In support of the record, they will be hitting the road on an extensive North American tour, which is posted below. Stream “Cast Into The Depths,” featuring John Gallagher of Dying Fetus on guest vocals, here.
They had re-tooled their line up by adding vocalist Travis Bartosek and drummer Brent Phillips. In the late summer of 2014, Abiotic ventured to Basement Recordings with acclaimed producer Jamie King.
The addition of Brent Phillips and Travis Bartosek were particularly influential on the recording process. Phillip’s drumming allowed for the band to spend more time exploring tones and sounds than ever before. He brought a renewed sense of groove and feel to the process, along with being the fastest drummer the band has played with to date. Vocally, fans will notice the largest change here. Bartosek took over lyric writing duties and topics range from suicide, Middle East conflict, religion, and a bit of misanthropy. An additional note on vocals – John Gallagher of Dying Fetus can be heard lending his trademark sounds on “Cast Into the Depths.”
ABIOTIC Headline Dates:
Apr 09: Walters – Houston, TX
Apr 10: Empire Control Room – Austin, TX (Texas Independent Fest)*
Apr 11: Yays – San Angelo, TX
*Denotes Festival Appearance
ABIOTIC w/ Boris the Blade, Alterbeast, Reaping, Asmodeia
Apr 12: Hotshots – Shreveport, LA
Apr 13: Riot Room – Kansas City, MO (w/Vital Remains & Vale of Pnath)
Apr 15: High Tone Records – Memphis, TN
Apr 16: Tremont Music Hall – Charlotte, NC
Apr 17: 10th Street Live – Kenilworth, NJ
Apr 18: Coco 66 – Brooklyn, NY
Apr 20: Montage Music Hall – Rochester, NY
Apr 21: Mavericks – Ottawa, ON
Apr 22: The Ritz – Detroit, MI
Apr 23: Vintage Villains – Danville, IL
Apr 24: Bada Brew – Crest Hill, IL
Apr 25: Warehouse – Lacrosse, WI
Apr 26: Metal Grill – Milwaukee, WI
Apr 27: Vaudeville Mews – Des Moines, IA
ABIOTIC w/Boris the Blade, Alterbeast
Apr 28: The Skatuary – Denver, CO
Apr 29: Metro Bar – Salt Lake City, UT
Apr 30: Green T – Pocatello, ID
ABIOTIC w/Boris the Blade, Alterbeast, Lord of War
May 02: The Pin – Spokane, WA
May 03: Duffy’s Hangar – Salem, OR
May 05: The Rockbar – San Jose, CA
May 06: The Grizzly Den – Upland, CA
May 07: Rock City Studios – Camarillo, CA
May 08: Soma – San Diego, CA
ABIOTIC Headline Date:
May 09: The Underground – Mesa, AZ
Native Construct is the product of collaboration between Berklee College of Music students in 2011 – guitarist and composer Myles Yang, bassist Max Harchik and vocalist Robert Edens, and have recorded their debut album Quiet World with an April 2015 release date via Metal Blade Records. Stream “Mute” here.
Quiet World was largely self-produced and written between 2011 and 2013 in between the individual band members’ studies at the Berklee College of Music. What began as jam sessions simply for fun eventually turned into a full-fledged musical endeavor. All tracking and programming was done at the band’s home studios in Boston, MA, with the exception of vocals, which were recorded with Jamie King at The Basement Studios in Winston-Salem, NC. The album was mixed by Rich Mouser at The Mouse House Studio in Los Angeles, CA, and mastered by Jamie King (Between the Buried and Me, The Contortionist).
A brief listen to Quiet World is enough to make it apparent that there is a concept, here. Though it’s best to let the band explain the album in their own words: “Quiet World is about a guy who loves a girl. The guy is a bit of an odd and eccentric person – an outcast. He’s also a mute, and a little unstable, as it turns out. The girl doesn’t return his feelings, but he can’t bring himself to let go. As his unrequited passion for her devolves into obsession and eventual resentment, his mind begins to slip further and further away. He convinces himself that he can’t be loved because of his condition and abnormalities. So he decides to create for himself a new, fantastic world of which he has complete control – a world where there are no oddballs or outcasts. A world where everyone is surrounded by people who are just like themselves: a much quieter world.
“It’s at this point that the first track of the album, “Mute,” begins. And it turns out that many of the subjects of his new world are not as content living this way as he is. In the second track we see a new character, the Archon, rise up and unite his people in the clouds with the once distant people in the sea. He leads an opposition to “Sinister Silence,” as the people come to call him. The rest of the album unfolds with events within the “Quiet World” and manifestations of the enduring struggle between the Archon and Sinister Silence. The lone exception is track number four, “Your Familiar Face,” which steps out of this world for a moment to give a closer look at the events prior to the first track and the tragedy of Sinister Silence.”
Native Construct on Twitter
Native Construct on YouTube
Between The Buried And Me have began tracking in North Carolina their eighth full length album with producer Jamie King (For Today, Scale The Summit), with a summer release via Metal Blade expected. The band has posted the following:
“Halfway through the rhythm guitars and bass. We’ve yet to lose our minds, it’s coming though; stay tuned.”
As for working on a new album, comments Between the Buried And Me frontman Tommy Rogers:
“I’m very proud to say that we are now recording a brand new BETWEEN THE BURIED AND ME record.
“We have really pushed and challenged ourselves more than ever with this material. It is a perfect representation of where we stand as musicians and as people. This is our voice in the current age of music. Evolution is a must. We now enter the coma and we will see you on the other side… hopefully.”
Between The Buried And Me has already confirmed several shows for 2015, including dates in Mexico, plus appearances at Bonnaroo Music And Arts Festival in Tennessee, and the New England Metal And Hardcore Festival in Massachusetts.
North Carolina progressive metal act Between The Buried And Me will be entering the recording studio in mid-January to begin tracking their seventh full length album with producer Jamie King (For Today, Scale the Summit), with a spring/summer release via Metal Blade Records expected.
Karyn Crisis’ Gospel Of The Witches is streaming “Mother”, off her forthcoming album Salem’s Wounds, out March 9, 2015 in Europe and March 10, 2015 in North America via Century Media Records, here and here.
Salem’s Wounds contains 13 tracks recorded by Karyn together with Davide Tiso (EPHEL DUATH), Ross Dolan (IMMOLATION), Mike Hill (TOMBS) and Charlie Schmid (VAURA).
Salem’s Wounds was financed by fans via websites like Indiegogo/Etsy and was recorded at The Basement Recordings in North Carolina with producer Jamie King (BETWEEN THE BURIED AND ME, THE CONTORTIONIST). The album cover was painted by Karyn herself, who (in addition to her vocal talents) is a respected painter and leatherworker. See below for the complete album track-listing.
Salem’s Wounds track-listing:
2. The Alchemist
3. Ancient Ways
7. Goddess Of Light
8. Howl At The Moon
10. The Secret
11. Salem’s Wounds
12. The Sword And The Stone
13. The Ascent
Stay tuned for more news about KARYN CRISIS’ GOSPEL OF THE WITCHES coming soon!