Ghost Cult’s Album of the Year 2019 – Part 1 (75-41)

Carcass with Surgical Steel (Nuclear Blast) in 2013, Behemoth and The Satanist (Metal Blade) in 2014, Ghost in 2015 and 2018 with Meliora and Prequelle (both Loma Vista), Magma (Roadrunner) by Gojira in 2016, and 2017’s Emperor of Sand (Mastodon – Reprise) is our legacy. Those incredible, scene-enhancing, ear-destroying releases are the standard-bearers by which Ghost Cult‘s albums of the year are to be judged. These are the albums of our times; and following another sensation year of great alternative, rock, and metal, the pantheon cries out for more, for another slab of wax, another Album of the Year to join them… the very best of 2019.

With a fully democratic poll of the views and votes of the length and breadth of Team Ghost Cult (including our photographers, reviewers, newshounds, podcast and YouTube contributors) taken, with no editorial steer or amendment, we present to you Part 1 (75-41) of the Official Ghost Cult Albums of the Year for 2019, for your vulgar delectation… Continue reading

Bleeding Through Announces Exclusive London Concert This Summer

Metalcore leaders Bleeding Through made a big splash with their comeback album last year, Love Will Kill Us All (Nuclear Blast). Off the heels of playing Travis Barker’s Musink Festival, the band has booked a London headline show this June 30th at London Underworld. Direct support for the special one-off show will come from Ithaca, Nihility and Chamber. Tickets are on sale now via the link below. The band will also perform at Full Force Festival and Jera On Air Festival the same week. Continue reading

Ithaca – The Language Of Injury

Those of you with a keen ear to the underground Metal scene will doubtless already be familiar with Metallic Hardcore outfit Ithaca. Whilst it has been several years in its genesis, The Language Of Injury (Holy Roar) is the band’s full-length debut and, if the cliché that good things come to those who wait still has any relevance and cache at the start of 2019, then it most assuredly can be used here to welcome this record of brutal, uncompromising beauty. Continue reading