Shooter Jennings Featured In The New Season Of The Punisher

Marvel’s The Punisher Season 2 dropped yesterday and hopefully, it won’t be its last since it’s easily one of the best of the Marvel Netflix series there is. Certainly Punisher the most hardcore violent and true to the comic series (think Garth Ennis’ run for true fans). Music has always played a big role in these Netflix shows with Tyler Bates (Marilyn Manson, movie scores) composing the theme to Punisher, metal being used for Punisher trailers, Manson’s own ‘Fated, Faithful, Faithful’ in a season one episode, the use of Hip Hop, RnB, Jazz and Blues in both seasons of Luke Cage, and old-school Rap in Iron Fist. Outlaw Country finally got it’s due in the Season two premiere of Punisher- Roadhouse Blues, Shooter Jennings and his band play the bar band in the main locale for the episode. They performed the tracks ‘The Outsider’, his hit song ‘Outlaw You’, ‘Wild and Lonesome’, ‘The Other Life’, and ‘The Real Me’. For the uninitiated, Shooter is a great artist, a total badass, and the son of country royalty Waylon Jennings and Jessi Coulter. Continue reading

Obituary: Lemmy Kilmister Of Motörhead, 1945-2015

Motörhead © Kevin Estrada / kevinestrada.com

Motörhead © Kevin Estrada / kevinestrada.com

 

The music world lost one of its true great baddasses when Ian Frasier Kilmister, known to scores of fans by his eponymous nickname Lemmy of Motörhead, passed away suddenly from cancer on December 28th. The shockwave felt with from announcement of his death at age 70 on social media, and then confirmation by the band was heartbreaking for many who followed his career of nearly five decades. Although he has struggled with health issues the last few years, Motörhead was last seen on tour in Europe three weeks earlier, supporting their recent new album Bad Magic (UDR). One of the most enduring sounds in rock music, the obscenely loud volume of the bands’ live backline, unmatched by any band in any genre, will never be heard again. Continue reading

Game Over – For Humanity (Re-Release)

GameOver-ForHumanity

 

Italy’s Game Over were one of 2014’s surprise packages. Their sophomore album, Burst Into The Quiet (Scarlet), was rated by many as one of the best thrash releases of the year. To capitalize on their success, the band have re-released their 2012 debut, For Humanity (Scarlet).

From the Nuclear Assault-inspired logo and cartoon apocalypse cover to the copious amounts of denim vest jackets, these Thrash revivalists clearly know their source material. If it wasn’t for the crisp production job, this could have easily come from any number of 80s Bay Area bands.

From the off, there’s little introduction or fanfare and they just get stuck in with the good stuff. Sharp solos, air guitar-inducing riffs, and shout along choruses, everything you want and expect from a quality thrash experience. From the shredding opening of ‘Abyss of a Needle’ to the stomping ‘Bleeding Green’, there’s a strong scent of Anthrax running throughout the album, while frontman/bassist Reno’s vocals are often reminiscent of a slightly less accented Tankard, which is no bad thing.

Highlights including the fast and furious ‘War of Nations’, the Kill ’Em All-inspired ‘Another Dose of Thrash’, the blink and you’ll miss it blur of ‘N.S.A’ are all highlights, but there are occasional moments where things can get a bit tired. ‘Overgrill (El Grillador Loco)’ lacks any real sparkle until the final searing solo, while album closer ‘Tupa Tupa of Die’ fails to really stand out. The re-release comes with three live bonus tracks including a souped-up cover of Motörhead’s ‘Iron Fist’ and a couple of originals, showing off a band who can really bring it on stage.

Game Over know what they want to be, and are a pretty perfect version of it. Fans of Burst Into The Quiet will find their debut equally satisfying. Energetic and well-executed thrash may not be hard to come by, but these guys don’t do much wrong.

7.0/10

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DAN SWINHOE