Inquisition has released a new video for their song ‘From They Chaos They Came’. The track comes off of their 2016 album Bloodshed Across The Empyrean Altar Beyond The Celestial Zenith, out now via Season of Mist. Continue reading
If you were one of the first hundred people to enter the New Blood tent on Saturday morning, then first band of the day Ward XVI (8/10) would reward you with a goodie bag full of stuff like CDs, stickers and t-shirts etc. I strolled over to the tent a good half an hour before they were due on, only to find that half the festival was already in there. It’s amazing how people, no matter how tired or hungover, will always drag themselves out of bed on the promise of free stuff. Goodie bags aside, Ward XVI were a great way to start the Saturday fun. Eclectic and fun, they combined chuggy metal riffs with bouncy Psychobilly, creepy gothic melodies, and at one point, what appeared to be Russian folk. The band’s costumes and make-up were interesting, but like vocalist Psychoberrie‘s strait-jacketed ballad (Alice Cooper and ‘The Ballad of Dwight Frye’ anyone?) they all felt a little too familiar. Continue reading
For anyone looking for early indicators that Bloodstock 2017 would be as ridiculous and over the top as usual, then surely the sight which would have greeted many – a group of people in the field acting as the event’s main car park, cheering on a Red Power Ranger as he gyrated and danced on top of a car – would have been as good a first sign as any. Continue reading
The time is nigh! The largest and possibly best independent metal festival in the world, Bloodstock Open Air is upon us once again. A year of planning and waiting has come to pass and now the weekend is here, with 1000s of heshers and hesherettes descend on Walton on Trent in Derbyshire, UK ready to celebrate all that is heavy music in the UK over the long weekend. When your motto is “By The Fans For The Fans”, and you can honestly say they have delivered this year in and year out, one needs to show respect. Get hyped with our preview, and check back soon for our full review with photos in case you can’t make it out. Continue reading
Bloodstock Open Air continues to close in with day tickets releasing their at 9am tomorrow, 30th June! Weekend tickets are apparently selling faster than ever this year and may well sell out entirely before the festival weekend, so don’t delay if you want to guarantee a spot at the UK’s best metal festival! Continue reading
Bloodstock Open Air 2017 is coming up fast with just under 7 weeks to go for the festival first band to plug in and rock! The fest has added more bands to the bill including Havok, Fallujah, Shrapnel, Bloodoath, Criminal and more! Continue reading
Bloodstock Open Air is fast approaching and the fest has added a bevy of new bands. The infamous BOA club nights are also back, and have grown to 26 more nights. Details below: Continue reading
As spring turns to summer Bloodstock 2017 is approaching fast. The festival has added new bands to the lineup including Devilment, Battle Beast, Devil’s Playground and more for this years’ fest taking place at Catton Park. Continue reading
Holy shit! Mayhem has finally confirmed that they are bringing their ‘De Mysteriis Dom Sathanas Tour‘ to North America in January. Continue reading
Slipknot brought back heavy music into their brand of a festival called Knotfest once again to Southern California as they packed two days (plus a VIP only Friday evening event for campers) full of headbanging and mayhem at San Manuel Amphitheatre in Devore, CA.
The VIP pre-party show consisted of brief sets by Khaotika, Motorbreath, Rings of Saturn and The Faceless, while Sepultura became the main focus of that evening, performing many longtime favorites from their 30th anniversary tour, such as ‘Refuse/Resist’, ‘Arise’ and ‘Propaganda,’ while working on a few of the newer songs such as ‘Choke.’
Saturday’s main stage led the charge with the return of Pepper Keenan with Corrosion of Conformity, working in favorites such as ‘Clean My Wounds’ and ‘Albatross’; then Trivium and Mastodon both brought out powerful sets of powerful guitar driven hard rock leading into Korn’s semi-setlist of their début self titled album (ie they played only half of the album but they still brought their usual powerful live show) while working in other favorites like ‘Freak on a Leash’ and ‘Falling Away From Me.’
Headliners Judas Priest came out strong with a cross-section of newer songs such as ‘Dragonaut’ and ‘Valhalla’ while working in longtime favorites such as ‘Breaking The Law’ and ‘Hell Bent For Leather,’ as well as ‘Turbo Lover’. Following a strong showing on their previous tour, they did not disappoint and showed that after all of these years they can still deliver classic metal the right way.
Unlike the 2014 edition, Slipknot only played one day instead of both days, and they brought back the mini roller coasters and the Slipknot museum for attendees to enjoy. Another addition to this year’s edition was the Extreme Stage with such bands as Kataklysm, Abysmal Dawn, Belphagor and Inquisition living up to their musical brand and the headbangers representing as well.
The only band who did not quite fit the stage was Chilean-Canadian alternative-metallers The ReAktion, where their synth-driven riff metal was something fans grew accustomed to but was greatly out of place on that stage. The early set time worked in their favor on Sunday, with fans enjoying sightings of Slipknot DJ Sid Wilson around their set. Despite that, their eclectic sound was refreshing and somewhat interesting to see how they evolve from here.
Slipknot vocalist Corey Taylor made a brief appearance with fellow Iowans Green Death during their brief set later on Sunday. Fans got acquainted quickly with the band despite their lack of recognition prior to the show.
Stages 2 and 3 were placed on the revolving stage where bands could get going much easier. Saturday’s set began with Battlecross, Red Fang and Goatwhore getting early set calls, but the packed crowd showed up to rock out with each band. Even the well publicized Josh Barnett joined in the pit action early on.
Veteran metallic hardcore outfit Earth Crisis brought back memories of their appearance of Ozzfest 1996 at this venue. Other highlights included At The Gates’ aggression driven set, while Body Count plowed through their set of classics (despite minor technical difficulties with Ice T killing time with his attempt at telling jokes on stage). GWAR capped out the stage with their usual antics and over the top stage show, moving forward post Oderus Urungus (a.k.a. Dave Brockie).
Sunday’s main stage opened with Ghostface Killa and Mobb Deep’s brief old school hip hop set that attracted curious onlookers, while Clutch came in with their usual power riff rock set that their stripped down stage show appeared a bit bare for such a large sized stage.
Bring Me The Horizon’s updated stage show and sound definitely caught the attention of the crowd with their LED powered backdrops with the letters to SPIRIT aligning with each word of their opening song ‘Happy Song.’ Frontman Oli Sykes had the crowd moving along with his commands, and kept the show entertaining. Plus their newer synth oriented melodic rock sound on songs like ‘Throne,’ and ‘Can You Feel My Heart’ made their live show much more anthemic driven tunes for the crowd to sing along to. Even with the older heavier songs like ‘Chelsea Smile,’ Bring Me The Horizon showed that they have a full arsenal within their bag of tricks and is no surprise why they have the attention of the hard music world.
When Slipknot took the stage, they unveiled their new stage setup that resembled the carnival from hell, and they took charge from the opening minute. Opening with ‘Sarcastrophe’ and leading into ‘The Heretic Anthem’, Slipknot was on a mission to show why they are one of the biggest hard acts on the planet and can command their own festival. They even worked in ‘Me Inside’ (which they have never played live before apparently) and ‘Eeyore,’ giving the crowd more to get manic over.
The second and third stages on Sunday featured hard rockers Devour the Day and Kyng giving the crowd energetic melodic rock to nibble on, while semi-hometown favorites Snot got the crowd rocking with selections from their Get Some album while paying tribute to their late singer Lynn Strait.
Helmet, All That Remains and Beartooth all plowed through power sets of rock and metal that got the crowds working up a sweat, while led into the massive stampede of fans eagerly awaiting Cannibal Corpse and Suicidal Tendencies to perform. Cannibal Corpse simply owned Knotfest’s second stage and possibly had the largest crowd of headbangers and mosh pit participants of any act, which bled into Suicidal’s already veteran LA punk rock fan base. Overall, the insanity that came with those acts simply made the observing that much more enjoyable.
Overall, Knotfest 2015 brought together a strong collection of acts within the heavy music world once again and gave fans something to be excited about. After two consecutive years, hopefully Knotfest will continue to be an annual event (or something close to it).
PHOTO SET DAY 1:
PHOTO SET DAY 2: