Industrial metal — of a recognisably early 90s style — lives on in 2022 in the form of Body Prophecy (20 Buck Spin) by Oklahoma’s Black Magnet. Following up Hallucination Scene — the project’s debut album — this latest release arrives with more than a casual nod to Nine Inch Nails, Ministry, and Godflesh (from which Justin K. Broadrick even lends his mixing talents on the album’s closing track). Continue reading →
A Rammstein record a mere three years after the last one and preceded by no rumbling stories of friction between bandmates or nebulous warnings of permanent disbandment? The last time the Neue Deutsche Härte/industrial act had such a swift turnaround was when Reise Reise was followed by fun leftovers album Rosenrot a year later, so could this quick release (by their standards anyway) mean Rammstein are actually happy or could it be hinting at something more ominous?
Remixes and collaborations, and the concept that the growth and life and mutations and splices and impositions to a song don’t stop once it has been committed to a released format, have become so ingrained and integral to HEALTH that their reworkings of songs are as patiently awaited as the origin pieces.Continue reading →
I have been to quite a few concerts since the world began to re-open and attempt some semblance of normal but so far none have left me with the sense of inspiration and hope the way that the Gary Numan show at The Paradise in Boston has. Not even being crammed into the most challenging venue in the city could crush my spirits. (photographers are not allowed in the barrier and there are few good places just to watch from).Continue reading →
If you told me that Stabbing Westward, an Industrial Rock band originally from Chicago, would reenter my life twenty years after they first impacted it, I would not have believed you. Yet after all this time, I am listening to their first new studio album since 2001, Chasing Ghosts (COP International), and my world has been changed again. After devouring their most recent EP release Dead And Gone (COP International), fans were hungry for more and I was certainly no exception. Original founding members Christopher Hall and Walter Flakus have retained their signature style and newer members Carlton Bost and Bobby Amaro have brought so much richness to the sound.
It’s been well documented that the road to Aggression Continuum (Nuclear Blast Records), the latest album from Californian cyber-metallers Fear Factory,has been strewn with obstacles, challenges, and all manner of highly publicised internal disputes. Since its recording, the band has endured a lengthy legal battle which concluded with the departure of vocalist Burton C Bell, and saw guitarist, songwriter, and current studio bassist Dino Cazares winning the rights to the Fear Factory name via auction.
Industrial band Skold, the namesake group of producer, former member of Marilyn Manson’s band, ex-KMFDM member, Motionless In White producer, and co-founder of Swedish metal act Shotgun Messiah Tim Skold has released a brand new album today, Dias Irae, today via Cleopatra Records. The patently heavy approach is the throwback to Skold’s penchant for musical aggression of his earliest work as an artist. The band also shared a new music video for “Dirty Horizon,” another collaboration between Skold and filmmaker/award-winning music video director Vicente Cordero. The two had collaborated previously on the sweeping, cinematic video for “Small World” from Skold’s 2019 album Never Is Now as well as other past work. The “Dirty Horizon” video finds Skold paying homage to the legendary film by fellow Swede Ingmar Bergman, the 1957 epic “The Seventh Seal.” Shot in the stone dungeon of the stunning Abbey Arroyo. Watch the video:
Industrial Metal legends Stabbing Westward have shared a brand new Halloween covers EP dubbed Hallowed Hymns! The release, a gift to their die-hard fans and new ones too, is streaming and physical copies are for sale from their new label COP International at the link below. The covers include new takes on old Industrial and post-Punk/Goth classics from Ministry, The Cure, and Echo and the Bunnymen. The EP was produced by their longtime collaborator John Fryer, who worked on the band’s early classic albums. Fryer and Stabbing Westward are in the studio now working on a new full-length album for release in 2021. Purchase and stream the EP now!
The EP, released on COP International Records, features 4 tracks that were instrumental to the industrial band’s beginnings and conjure the feeling of the season and include original takes on “Burn” from The Cure (famously featured on the soundtrack to The Crow), the classic “Every Day Is Halloween” by Ministry and Echo And The Bunnymen’s eternal hit “Killing Moon.” There is also a special “Devil’s Night Mix” version of Stabbing Westward’s “Burn” cover to round out the surprise release.
Stabbing Westward— featuring original founding members Christopher Hall (vocals/guitar) and Walter Flakus (keyboards/programming) as well as longtime bandmate Carlton Bost (bass) and newest member Bobby Amaro (drums)—originally released their cover of “Burn” to much fanfare for the Cold Waves Festival compilation album in September; the track was premiered by Revolver magazine that called it a “reverent cover” that kicked off the compilation “with a bang.”
Says frontman Christopher Hall about this special surprise release:
“2020 has been a shit year. We were supposed to release our new album and tour the U.S. to support it. But clearly that’s not happening. We know Halloween is different this year with no parties and no Trick or Treating so we wanted to give fans something special …. something that will help tie you over until we can release some new music.
We picked these three tracks because, for us, they represent the feeling of Halloween and they were very important songs during our early musical stages. If there were ever two bands that I would say most influenced Walter and I to form Stabbing Westward it would be Ministry and The Cure. From the earliest days of Ministry’s With Sympathy through the evolution of Twitch, they were the band that opened our minds and hearts to industrial music. To be able to reimagine these songs as Stabbing Westward while still trying to pay homage to the brilliance of the original versions was a terrifyingly fun adventure.
We have been working on the album so hard for so long that it was really a joy to take a break and explore all these tracks had to offer. As often as you listen to your favorite songs it’s a totally different experience to take one apart and see how it was built. It gave me such an immense appreciation for what these amazing artists created—especially the Ministry track knowing how primitive the gear was that Al Jourgensen had to work with back then with none of the modern tools we take for granted today. He literally created new techniques in the studio that we still use today. He was light years ahead of his time. We hope you enjoy listening to these tracks as much as we have enjoyed recording them.”
The EP’s title coyly illustrates that Stabbing Westward is in fact neither dead nor gone, but rather ready to pick up where they left off after a string of mid-‘90s hits that dominated alternative radio and film soundtracks, including “Shame,” “Save Yourself,” “So Far Away” and “What Do I Have to Do?”, and resulted in two Gold records.
Cleveland electro-industrial rock artist Ghostatic has followed up his last single ‘Violence’ with a new single and video ‘Catastrophic Love’! The video is fraught with drama and feeling, complimenting the track. Watch the clip right now!
Quote from Adamo Fiscella:
“The Catastrophic Love video was actually shot at two locations: an abandoned house in the middle of nowhere in the mideast part of Ohio. My friend and videographer, Jeff, had showed it to me for my paranormal/urbex channel on YouTube(conveniently called Ghostatic) and an old victorian house in Dover, OH. The storyline was something thaas organically birthed by the song’s lyrics, but taken to the next level. It’s an extreme case of toxicity in a relationship that gets our of control. I directed it, alongside Jeff Hartman of Bitmod Studios(IG-@bitmod), featuring Jenny Lynn(IG-@fallenangel_7). They are very talented and great to work with. I also did all the post production work. It was a pain, but I had a vision in my head that I wanted to bring to life.”
I basically came out of the womb listening to music. I was lucky enough to be one of those children that grew up being exposed to a multifaceted plethora of music genres. Today, when I started listening to the new album by Pinkish Black, Concept Unification (Relapse Records), I was caught up in a wave a delightful nostalgia. The music flooding my ear holes, created by the Fort Worth Texas duo of Jon Teaque and Daron Beck eerily reminded me of the solo work of one of my favorite bassist of all time, John Entwisle. Entwisle did an album in 1972, titled Whistle Rymes (MCA Records), that I feel the new Pinkish Black album echo’s. What am I trying to say here? I am saying that Concept Unification is fervently grandiose. Continue reading →