ALBUM REVIEW: Godflesh – Purge


 

Thirty-one years after the release of their sophomore Godflesh album Pure, Justin K Broadrick and Ben Green (and Machines) allude to this one aspect of the band’s crushing history with new album Purge, releasing on June 9th on Avalanche Recordings.

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ALBUM REVIEW: Jaaw – Supercluster


 

Jaaw is an intriguing collaboration, bringing together a group of musicians that few people may have predicted hitting the studio together. The ‘super-group’ fronted by Therapy?’s veteran singer and guitarist Andy Cairns, joins Wayne Adams (Petbrick/ Big Lad), Jason Stoll (Mugstar / Sex Swing), and Adam Betts (Squarepusher / Goldie) in creating their debut record Supercluster (Svart Records) at Adam’s notorious Bear Bites Horse Studio in London.

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CONCERT REVIEW: Ministry – Gary Numan – Front Line Assembly Live at Franklin Music Hall


Currently touring the US are Front Line Assembly, Gary Neuman, and Ministry. This past Thursday saw them descend on Franklin Music Hall in Philadelphia and what an experience it was.

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CONCERT REVIEW: Stabbing Westward – The Hunger – Unitcode:Machine Live at Scout Bar


 

This weekend saw fans of Industrial music flocking to a pair of shows in Texas. A three-band bill consisting of Unitcode:Machine, The Hunger, and headliner Stabbing Westward promised an evening not soon forgotten. Friday night was in San Antonio at Paper Tiger and Saturday was the Scout Bar in Houston. Both are one thousand plus capacity (at least according to fire code) and feature powerful sound systems that render earplugs inadequate. Tying all everything together is the fact that lead singer for Stabbing Westward, Christopher Hall, has been working with the other two bands on their music and even producing the latest albums from both of them. The setlists and performances stayed the same at both locations and were well worth seeing twice.

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CONCERT REVIEW: Static-X – Fear Factory – Mushroomhead – Dope Live at Irving Plaza


 

Long-awaited and long-delayed; Static-X – Fear Factory – Mushroomhead, and Dope finally got to play their show at Irving Plaza on Sunday night as part of The Rise Of The Machines tour. Planned a couple of years ago, the packed bill encountered the now all too familiar COVID delays, and coordinating that big of a bill takes monumental effort. Eventually, everyone was in place and the tour was a go. Any one of these bands would be worth the price of admission. Put them all together, and you have an epic evening in store.Continue reading


CONCERT REVIEW: Cradle of Filth – DevilDriver – Black Satellite – Oni Live at The Observatory


 

As I approached The Observatory in Santa Ana, California, people were still hanging in the parking lot, talking about bands and shows. But one group that caught my attention, was a group of people putting on corpse paint on their faces. Such admiration for them to be able to get dressed up for shows.

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Rhys Fulber on a Front Line Assembly Classic Album, Remixing Fear Factory, and Work-Life Balance


 

Ghost Cult caught up with Producer and Industrial Metal legend Rhys Fulber to discuss the Wax Trax! Records 30th-Anniversary reissue of Front Line Assembly’s groundbreaking studio LP Tactical Neural Implant. Discussing the album and remix, Fulber shared a lot of insights into the album and his career. Rhys also went deep on details about his producing career, working with Dino Cazares of Fear Factory, and more!

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EP REVIEW: .GIFFROMGOD – Digital Red


Signed to Los Angeles-based Prosthetic Records (Yatra, ACxDC, Pupil Slicer, Vile Creature) Richmond, Virginia six-piece .GIFFROMGOD bring you their latest release, an EP by the name of Digital Red. It sees the band’s first recorded output since 2019’s full-length debut Approximation of a Human.

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ALBUM REVIEW: Elyose – Déviante


 

It has been five years since the last full length from French Industrialists Elyose, a period of time that has seen significant change for them. Following on from their previous full-length Reconnexion, much of the band departed leaving vocalist Justine Daaé to keep moving forward. Now returned as either a band or essentially a solo venture (guitarist/producer Anthony Chogard is certainly in the ranks but it certainly seems like Daaé is the centre piece), the first full length of this incarnation Déviante (self) isn’t quite the statement of intent could have been hoped for.

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