Arising from Cincinnati, Ohio, indie singer and zany songwriter Lincoln puts out his debut album Everything Is Wrong (I Surrender Records), the follow-up to his 2017 EP A Constant State Of Ohio. Twelve tracks dive deep into his mind and thought processes, each one finds inventive ways to stimulate the listener’s senses with their vivid ambiance.Continue reading →
There’s an underlying belief that interim releases are merely disappointing cash-ins comprised mostly of filler and cast-off material. A strong title track usually followed by cover versions, demo versions, live cuts or songs simply not worthy to make it onto a full length record. A theory to which Hollywood based five piece Black Veil Brides clearly do not subscribe.
We chatted once again with the great Devin Townsend – all about his new album “Lightwork” now releasing on November 4th, 2022 via InsideOut Music! Devy discussed the last few years and releases in his life, his creative process, and then a track-by-track breakdown of the new album with songwriting and lyrical inspirations, and a hint at the next Devy album.
After the worldwide lockdown began in March 2020, Baltimore indie emo quartet Have Mercy decided to throw in the towel for the band four albums deep into their career. Seeing the world through a fresh lens, frontman Brian Swindle’s life then took a whole new turn. After getting sober and engaged, he started writing songs that would reintroduce the band and their growth through some of the craziest years in recent history. The new self-titled EP via ZODHIAC Records showcases Swindle’s progression with a more upbeat sound.Continue reading →
It is always refreshing when metalheads are not afraid to show their appreciation for genres other than Metal – especially if it means expanding their songwriting chops into entirely new territories. Formed by Kvelertak guitarist and bassist Vidar Landa and Marvin Nygaard, Norwegian Power Pop and Indie band Beachheads are more than meets the ear with their sophomore album, Beachheads II (Fysisk Format).
Success came quickly and early for UK indie pop quartet Bastille, topping the album charts in their home territory with their 2013 debut. Top 5 accomplishments followed for each subsequent album; a run the band is looking to continue with their fourth album, Give Me The Future(EMI), a release that arrives with a fair dose of expectation. Predecessor, Doom Days, critically, didn’t hit the heights of the band’s first two full-length outings, but the lead-off singles from …Future gave assurance that all was back on track.
Failure’s sixth album and third since their 2014 comeback is considerably scaled back compared to their previous outings. At just under forty minutes long, Wild Type Droid (Failure Recordings) is their shortest full-length since their debut, 1992’s Comfort, and a far cry from the hour-plus ventures that have come to define them since the classic Fantastic Planet. This setup suggests a more casual approach than usual but instead results in one of their most focused releases to date.
Emma Ruth Rundle seems to have become an artist with a licence to shift around stylistically as much as she wants while still maintaining, and continuing to build, her devoted fanbase. Last year’s revered collaboration with Thou — May Our Chambers Be Full (Sacred Bones)was dense, heavy, aggressive and complex. Whilst everything Rundle turns her hand to shares a certain delicate and fragile emotional openness, Engine Of Hell (Sargent House) in most other senses explores the opposite end of the Emma Ruth Rundle sonic spectrum.
Lansdowne Street in Boston, MA in October. It’s either extremely noisy and busy or it’s completely silent, in this instance it was the former rather than the later. Because we have Angels & Airwaves playing at the House of Blues the very same night that the Red Sox are facing the Houston Astros in the ALCS championship series… On the exact same street. We have baseball fans and music fans thrown together and it was pure magic. It’s gonna be a fun night, let’s dive right in.