ALBUM REVIEW: Wolftooth – Blood And Iron


 

It would be a stretch to call Wolftooth’s third full-length a Doom Metal album, but Blood And Iron (Napalm Records) is a rather methodical listen by their standards. The songs run noticeably longer than their first two efforts, especially when compared to the compact anthems on Valhalla, with the seven-minute runtimes on the opening ‘Ahab’ and the title track being their lengthiest to date. The pacing also seems slightly more lumbering as the faster sequences have a sort of hesitation behind them and the hooks are decidedly more subtle.

Continue reading


ALBUM REVIEW: Apostle of Solitude – Until The Darkness Goes


Apostle Of Solitude’s fifth full-length doubles down on the formula last expressed on 2018’s From Gold To Ash, condensing their signature melancholic Doom Metal even further to its most foundational elements. Until The Darkness Goes (Cruz Del Sur Music) is just a little over thirty-six minutes long, making it their shortest album to date, with the six songs herein almost exclusively driven by slow riffs and mournful vocal harmonies.

Continue reading


EP REVIEW: Mother Of Graves – In Somber Dreams


Based out of Indianapolis and featuring a who’s who of veterans from such bands as Obscene, Harakiri, and Bulletwolf, Mother Of Graves makes a strong first impression with their debut EP. The group’s melodic approach to Death/Doom makes no bones about the influence from Paradise Lost and Katatonia, mixing the former’s mournful leads with the latter’s mid-tempo pacing. One can also detect traces of Novembers Doom in the vocals and Dan Swano’s signature touches on the mastering.

Continue reading