ALBUM REVIEW: Vertebra Atlantis – A Dialogue With The Eeriest Sublime


 

There’s a solitary figure on a frozen plane, playing a strange melody, while a howling storm beats a furious march against his back. He’s probably being chased by goblins as well. That’s one way to describe A Dialogue With The Eeriest Sublime (I, Voidhanger Records) the second album by Italian (kind of one man) band Vertebra Atlantis. Another way would be as intricate, powerful, creative and atmospheric death / black metal. Evocative, lyrical, mysterious, magical.

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ALBUM REVIEW: Fleshvessel – Yearning: Promethean Fates Sealed


 

Anyone can make a concept album (which is not to say that it’s easy, but that it doesn’t depend on a particular musical style). That said, when it comes to the rock-opera-style concept album, the tendencies towards elaborate instrumental explorations and grand, dramatic spectacle often found in progressive rock and metal, provide particularly fertile ground. Pink Floyd, Queensryche, The Who, and many others have followed this path (coloured by their own particular musical approaches).

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ALBUM REVIEW: Bekor Qilish – Throes Of Death From The Dreamed Nihilism


 

As though transmitted from a parallel dimension, Throes Of Death From The Dreamed Nihilism (I, Voidhanger Records) – the debut record by Bekor Qilish is a strange and magnificent avant-garde metal beast. The brainchild of Italian vocalist and multi-instrumentalist Andrea Bruzzone, Bekor Qilish is a solo project, aided by a smattering of key collaborators — who add colour to Bruzzone’s already mesmeric creation. Whether the term “extreme” or “avant-garde” fits better, Throes Of Death From The Dreamed Nihilism is a whirlwind of creativity and impressive technicality.

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