ALBUM REVIEW: Spiritbox – Eternal Blue

Let’s take a minute and talk about hype. We all have a vague notion of what it is, but how does one obtain it? Can it be harnessed long term or is it a matter of riding that wave while it’s marginally available? For instance, how did Job For A Cowboy use it to jump from MySpace unto Metal Blade? Beats me. Whatever the case may be, it appears abundantly clear that Spiritbox know how to tap into it and are doing so on Eternal Blue (Rise Records). But can Spiritbox carry this momentum all through an album? Continue reading

Watch Linkin Park Perform “One Step Closer” on Late Night with Conan O’Brien in 2001

Linkin Park has shared a live performance video of the band performing their very first hit song “One Step Closer” on Television on January 16, 2001 on Late Night with Conan O’Brien. The band recently celebrated their debut album Hybrid Theory (Reprise Records), with Hybrid Theory: 20th Anniversary Edition. Watch the clip below.

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FEVER 333 and Grandson Record Covers Of Linkin Park Classics For Spotify Singles


FEVER 333, and grandson are now streaming covers of two classic Linkin Park tracks as part of a new double A-side Spotify Singles recording. These special recordings mark the first time the popular Spotify Singles program has dove into the catalog to celebrate a classic album: The 20th anniversary of Linkin Park’s diamond-selling, groundbreaking debut album Hybrid Theory which just turned 20 years old. You can read our retrospective here. grandson delivered a rendition of “One Step Closer,” while FEVER 333 provided their take on “In The End.” Listen to them exclusively on Spotify now.


grandson commented, “I first heard ‘In The End’ when I was just a kid, illegally downloaded it off Kazaa when I was like ten and learned all of Mike’s verses. Then 10 years later I played the Forum with Mike in front of thousands of people. Chester is an all-time great, and I could never try and sing like he does. We had to pitch the song down just so I could come close to hitting the notes in this song. I just wanted to try and pay homage and do this incredible song justice.”


Jason Aalon-Butler of FEVER 333 remarked, “I will never forget that overcast morning in Los Angeles walking from my locker in the F building down the now infamous 11 stair handrail at Westchester High (now of numerous skate vids fame) toward the bungalows that housed my algebra 2 education and being stopped by my only website building homie to tell me of this ‘awesome new band he found called Linkin Park.’ ‘In The End’ was the song that made me believe that rap and rock still belonged together. I studied their tasteful marriage of the two styles from that moment on and created my own music with that in mind. I wish I could tell my 14-year-old self that one day I’d receive a DM from Mike Shinoda about him liking my music. I wish even more that I could tell my younger self he’d offer to share his talents and energy with me to make more music. I don’t think 14-year-old me would believe it, though. 35-year-old me still doesn’t.”


FEVER 333 just released their new EP WRONG GENERATION via Roadrunner Records / 333 WRECKORDS CREW and are currently in the midst of their WORLDWIDE D333MONSTRATIONS FOR THE WRONG GENERATION livestream tour. Tickets for the remaining dates are available HERE.


grandson is set release his full-length debut, Death of an Optimist, on December 4th through Fueled By Ramen. The forthcoming album includes recent singles “Identity,” “Riptide,” (co-produced by Linkin Park’s Mike Shinoda) and “Dirty,” which is currently climbing the Alternative Radio chart.



Driving more than three billion streams since the program began in 2017, Spotify Singles was created to give artists an opportunity to record new versions of their own songs, and the songs of the artists they love. The Singles scope includes a unique version of each artist’s own song (Side A) and a cover song of their choosing (Side B). To date, there have been over 300 Singles recorded as part of the program.


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Fueled By Ramen


CLASSIC ALBUMS REVISITED: Linkin Park – 20 Years of “Hybrid Theory”

The year 2000 is very memorable for many things, exceptionally in music. As pop dominated the airwaves with releases such as, N*Sync’s No Strings Attached, and Britney Spears’ Oops I Did it Again, an album that was forced by the media into the new category nu-metal was about to become historic. Continue reading

Linkin Park Shares Previously Unreleased “Hybrid Theory” Era Song – “She Couldn’t”


Linkin Park celebrates 20 years of its debut Hybrid Theory this fall. The band have announced Hybrid Theory: 20th Anniversary Edition and dropped a previously unreleased song called “She Couldn’t.” The track is incredible, with Chester Bennington (RIP) and his amazing vocals. Check the track and visualizer here!Continue reading

Linkin Park is Planning to Celebrate 20 Years of “Hybrid Theory” This Year


Mike Shinoda says that Linkin Park is planning “something very cool” for the 20th anniversary of the band’s debut album, “Hybrid Theory”. “Hybrid Theory” — the band’s original name before it was changed to Linkin Park for legal reasons — was issued in October 2000 and was a breakout success for the group, which had formed in 1996 and had played the Los Angeles club scene for several years. The album yielded four massive hit singles — “One Step Closer”, “Crawling”, “Papercut” and “In The End” — while going on to sell more than 10 million copies in the U.S. alone.

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Linkin Park to Honor 20th Anniversary of “Hybrid Theory” in 2020

Nu Metal leaders Linkin Park are planning to celebrate the 20th anniversary of their 2000 debut album Hybrid Theory (Reprise) this year. The band made a call out to fans on social media seeking historical material to share with other fans in their community. Hybrid Theory has been certified 11x multi-platinum as of August in 2017 and stands tall as the most commercially successful album from the nü-metal movement. In a statement to fans, the band’s surviving members offered the following call to help contribute:Continue reading

Dropout Kings – Audiodope

I’ve written a few times in reviews about the current resurgence of the Nu-Metal sound that was so popular and prevalent in the mid 90’s to early 2000’s. Ultimately the genre became so over saturated and watered down it imploded with only a handful bands surviving and progressing beyond it. Looking to pick up the nu-metal ball again are Arizona’s Dropout Kings who are about to release their debut album Audiodope (Napalm Records).
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Remembering Chester Bennington of Linkin Park- 1976 – 2017

Chester Bennington with Stone Temple Pilots, by Meg Loyal Photography

When Chester Bennington died on July 20th, it sent a shockwave through the music world. Although there seems to have been a lesser number of deaths in the music world this year compared to last, they have been no less painful. The fact that he died by suicide is tragic, and should not come with any sort of stigma, or lessen his greatness and accomplishments. As a singer, musician, and icon in the rock world, in many ways, he served as the distinctive voice of the millennial generation, in a way few others have.Continue reading

Linkin Park – The Hunting Party


I’ve never been a fan of the phrase “guilty pleasure”. I think you either like something or you don’t, especially when it comes to music. Notwithstanding, admitting that you quite like Linkin Park is most definitely a time when the phrase can come in quite handy.

Since their debut album, the much purchased and much vaunted Hybrid Theory (Warner Bros.) graced us with its presence, Linkin Park have been a band for whom it has been very easy to dislike. Dependent on your point of view they have been described as “sell outs” “not metal” and, simply, “terrible”.

I’m not sure about whether The Hunting Party (Warner) is a return to rock as much as it is a return to Hybrid Theory– namely a bunch of highly efficient, energized songs that trade on all the leitmotifs that made this band famous and popular in the first place. And, you know what, I happen to think it’s alright, actually.

‘Keys to the Kingdom’ starts off in a fairly aggressive manner, the band seemingly re-energised and up for something akin to a fight. It’s as if they have reconciled themselves to the fact that they are never going to win over everyone and have settled for sounding, well, like Linkin Park.

If you don’t like Linkin Park, you’re unlikely to be swayed by the dozen tracks on offer here but, even if you are amongst the naysayers, you won’t fail to recognise that this is something approaching a return to the form that created the megastars in the first place. Of course, the entire record is filled with all the silly nonsense that you’ve come to expect from Messrs Bennington and co. Once again, the late 30-something multi-millionaires cast themselves in the role of eternal teenage outsiders railing against impending apocalypses, corrupt politicians and looking for the new horizons of better days etc.

Despite no cliché being actively overlooked, I still find myself warming to what’s on offer here. The debut single, the punchy and effervescent ‘Guilty All The Same’, with rap artist Rakim, has plenty of gusto and drive; second single, the more reflective ‘Until It’s Gone’ is, in the nicest possible way, ‘Numb’ part 2 which, to my mind, is no bad thing. Former System of a Down-er Darion Malakian turns in a really smart turn on one the album’s stronger cuts, the immigration tale of Rebellion; Page Hamilton and Tom Morello pop their heads and respective instruments in as well, which, as you all know, are also Very. Good. Things. Indeed.

I understand that I win no cool points on this one but I’m far too old to actually care about cool points. The Hunting Party is a highly polished and effective record. It is not a masterpiece, but neither is it a car crash. As an exercise in efficient, modern heavy metal, it’s pretty good. Yes, there, I said it. New Linkin Park album: pretty, pretty good.




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