The year 2000 is very memorable for many things, exceptionally in music. As pop dominated the airwaves with releases such as, N*Sync’s No Strings Attached, and Britney Spears’ Oops I Did it Again, an album that was forced by the media into the new category nu-metal was about to become historic. Continue reading
Linkin Park celebrates 20 years of its debut Hybrid Theory this fall. The band have announced Hybrid Theory: 20th Anniversary Edition and dropped a previously unreleased song called “She Couldn’t.” The track is incredible, with Chester Bennington (RIP) and his amazing vocals. Check the track and visualizer here! Continue reading
Mike Shinoda says that Linkin Park is planning “something very cool” for the 20th anniversary of the band’s debut album, “Hybrid Theory”. “Hybrid Theory” — the band’s original name before it was changed to Linkin Park for legal reasons — was issued in October 2000 and was a breakout success for the group, which had formed in 1996 and had played the Los Angeles club scene for several years. The album yielded four massive hit singles — “One Step Closer”, “Crawling”, “Papercut” and “In The End” — while going on to sell more than 10 million copies in the U.S. alone.
Nu Metal leaders Linkin Park are planning to celebrate the 20th anniversary of their 2000 debut album Hybrid Theory (Reprise) this year. The band made a call out to fans on social media seeking historical material to share with other fans in their community. Hybrid Theory has been certified 11x multi-platinum as of August in 2017 and stands tall as the most commercially successful album from the nü-metal movement. In a statement to fans, the band’s surviving members offered the following call to help contribute: Continue reading
I’ve written a few times in reviews about the current resurgence of the Nu-Metal sound that was so popular and prevalent in the mid 90’s to early 2000’s. Ultimately the genre became so over saturated and watered down it imploded with only a handful bands surviving and progressing beyond it. Looking to pick up the nu-metal ball again are Arizona’s Dropout Kings who are about to release their debut album Audiodope (Napalm Records).
When Chester Bennington died on July 20th, it sent a shockwave through the music world. Although there seems to have been a lesser number of deaths in the music world this year compared to last, they have been no less painful. The fact that he died by suicide is tragic, and should not come with any sort of stigma, or lessen his greatness and accomplishments. As a singer, musician, and icon in the rock world, in many ways, he served as the distinctive voice of the millennial generation, in a way few others have. Continue reading
I’ve never been a fan of the phrase “guilty pleasure”. I think you either like something or you don’t, especially when it comes to music. Notwithstanding, admitting that you quite like Linkin Park is most definitely a time when the phrase can come in quite handy.
Since their debut album, the much purchased and much vaunted Hybrid Theory (Warner Bros.) graced us with its presence, Linkin Park have been a band for whom it has been very easy to dislike. Dependent on your point of view they have been described as “sell outs” “not metal” and, simply, “terrible”.
I’m not sure about whether The Hunting Party (Warner) is a return to rock as much as it is a return to Hybrid Theory– namely a bunch of highly efficient, energized songs that trade on all the leitmotifs that made this band famous and popular in the first place. And, you know what, I happen to think it’s alright, actually.
‘Keys to the Kingdom’ starts off in a fairly aggressive manner, the band seemingly re-energised and up for something akin to a fight. It’s as if they have reconciled themselves to the fact that they are never going to win over everyone and have settled for sounding, well, like Linkin Park.
If you don’t like Linkin Park, you’re unlikely to be swayed by the dozen tracks on offer here but, even if you are amongst the naysayers, you won’t fail to recognise that this is something approaching a return to the form that created the megastars in the first place. Of course, the entire record is filled with all the silly nonsense that you’ve come to expect from Messrs Bennington and co. Once again, the late 30-something multi-millionaires cast themselves in the role of eternal teenage outsiders railing against impending apocalypses, corrupt politicians and looking for the new horizons of better days etc.
Despite no cliché being actively overlooked, I still find myself warming to what’s on offer here. The debut single, the punchy and effervescent ‘Guilty All The Same’, with rap artist Rakim, has plenty of gusto and drive; second single, the more reflective ‘Until It’s Gone’ is, in the nicest possible way, ‘Numb’ part 2 which, to my mind, is no bad thing. Former System of a Down-er Darion Malakian turns in a really smart turn on one the album’s stronger cuts, the immigration tale of Rebellion; Page Hamilton and Tom Morello pop their heads and respective instruments in as well, which, as you all know, are also Very. Good. Things. Indeed.
I understand that I win no cool points on this one but I’m far too old to actually care about cool points. The Hunting Party is a highly polished and effective record. It is not a masterpiece, but neither is it a car crash. As an exercise in efficient, modern heavy metal, it’s pretty good. Yes, there, I said it. New Linkin Park album: pretty, pretty good.
With summer right around the corner, it’s time to get psyched for festival season. In the UK, there is no event bigger or more venerable than Download. As the feisty offspring of the legendary Monsters of Rock concerts at Castle Donnington in Donnington Park that lived in the imagination of rock and metal fans the world over for two decades, Download is as value packed as ever with bands. This years lineup shows a willingness not to be intimidated or outshine by the competition of other big festivals, the UK or elsewhere in Europe.
Held over three days, 13-15 of June at Donnington Park on five stages daily, the 2014 lineup is a bold one that promises something for everyone to enjoy. Bands of note for Friday include the much talked about headliners Avenged Sevenfold, Opeth, Anathema, Rob Zombie, Within Temptation, Black Label Society, Quicksand, Skindred, Miss May I, Huntress, Bloody Hammers as well as Bad Religion and Offspring.
Saturday blends the catchy, more mainstream fair with the best of modern underground metal. Linkin Park is playing all of their Hybrid Theory album and for fans of a certain age, that will sure bring back a few things. Among the main bands that our readers would most be interested in Killswitch Engage, Fozzy and Dying Fetus play along with Bring Me the Horizon and others. I kind of feel bad for everyone that has to follow Dying Fetus actually, so #WhyNotDyingFetus indeed. The other big band of import this day is Behemoth, who is coming of a sizzling run of shows in the UK and the USA recently. Other big bands include the reactivated American Headcharge, The Black Dahlia Murder, Orange Goblin, Monster Magnet, Battlecross, Anathema doing a special second unplugged set, Skid Row, Chevelle, and Sikth. Also for the more rock motivated Twister Sister, Status Quo and Ginger Wildhearts solo sets are are worth seeing.
On the final day Download has brought out the big guns, quite literally in Aerosmith. While their recent music is nothing to write home about, they always step up big live and play all of their hits brilliantly. Other worthy bands on Sunday include Alter Bridge, The Dillinger Escape Plan and their insane stage antics, Trivium, Volbeat, Philip Anselmo and the Illegals, Sabaton, Sepultura, Suicide Silence, Red Dragon Cartel, Avatar, Thy Art Is Murder, Kill Devil Hill, Monuments, Polar and Nick Oliveri (Kyuss, QOTSA, Dwarves) solo acoustic.