Ice-T and his legendary Hardcore, Metal and Hip-Hop band Body Count just shared a new single, the title track from their new album, due out next spring via Century Media Records. The song is brutal as hell! The video is by Guilherme Henriques, using the original cover artwork by Zbigniew M. Bielak. The track like the album was produced by Will Putney, and engineered, mixed and mastered by Putney for Graphic Nature Audio and by Body Count. Watch the visualizer right now, and follow this space closely for more Body Count and “Carnivore” news. Continue reading →
For just one weekend the Banc of California Stadium was transformed into a carnivalesque outdoor funhouse for the Adult Swim Festival. The stadium was alive with colorful distorted animations reminiscent of children’s cartoons and claymation scenes warped and hyperbolized beyond the mind’s comprehension, while a giant Meatwad dome sat across an even larger inflatable slide shaped like Morty’s head vomiting a rainbow.
Twenty-five years ago Korn released their debut self-titled album and changed the face of music. Yeah we know you think anything “Nu’ and metal bites. You can see yourself out right now. Whether you like all things Adidas tracksuits and Hip-Hop beats with downtuned riffs or not, what Korn put down on that first album changed heavy music for the better. All heavy music.
Pop, Punk Rock, Ska, and… Hip-Hop?! Alright, I’m in! Gilford, New Hampshire was host to what is probably the most fun-loving tour of the summer, the co-headlining tour of California’s The Dirty Heads and Nebraska’s own 311, along with The Interrupters, Bikini Trill, and Dreamers.Continue reading →
I’m twelve years old and watching MTV at Jennifer Mones’ house. I’m trying my best attempt at humor and charm, but a boy can only do so much while sporting a bootleg Chicago Bulls jersey. I’m crushing hard on her and failing but at the eleventh hour, this fucking music starts blaring in the background. I turn around to notice some outfit called Limp Bizkit has a video playing for a track titled ‘Nookie.’ I haven’t heard anything this remotely heavy ever. Suddenly my raging hormones and Jennifer had taken a back seat to ‘Nookie’ and whatever else was to be found on this Significant Other (Interscope).Continue reading →
Beastie Boys were on fo the biggest, most successful groups in the work in the early 1990s when they made Ill Communication (Capitol/Grand Royale), released twenty-five years ago today. Prolific, putting out a new album every 2-3 years, the band was focused on never repeating themselves, and constantly improving. It would have been very easy for them to just keep remaking Licensed To Ill (Def Jam) over and over and that would have been enough for many bands. But Ad-Rock, Mike D, and MCA (RIP Adam Yauch) kept on changing and evolving. As they had on the previous few albums, they played all the instruments, and played them incredibly well on every track, across multiple genes. They had genius guest stars and collaborators (Q-Tip, Biz Markie, Amery Smith of Suicidal Tendencies, Money Mark, Bobo from Cypress Hill) and put the music first, before everything. Even the production on Ill Communication is incredible, all respect due to the B-E-A-S-T-I-E’s and their frequent partner at this time, Mario Caldato (“Mario C”). Continue reading →
Much in the same way that Hip Hop is fine as long as you don’t mind blokes who can’t sing and lots of rhyming couplets, so Metal in all its forms is just as fine as long as you don’t mind the… ahem, special vocals. Continue reading →