No matter how good they are, “Retro” bands always raise the questions of validity and necessity – when your aim as a band is to reproduce as accurately as possible albums or styles that already exist, it can be difficult to judge you on your own merits. As the album title suggest, Midnight’s biggest musical reference point is Venom, cut with a hefty dose of German Thrash to sharpen the edge.

As you’d expect from a band taking this route, No Mercy For Mayhem (Hell’s Headbangers) doesn’t fuck around – apart from the contractually-obligated acoustic intro, of course. It’s all razor-sharp riffing, hammering beats and caustic shrieks. The playing is much tighter than you’d expect, and the production lends them both weight and power.

Of course, whatever we say here it goes right back to that question – what do Midnight offer that Sodom, Kreator and, most importantly, Venom don’t – and unfortunately there’s no nice answer to that question. What’s allowed Venom to remain both so influential and beloved (as odd a word as that is in this context) despite their sloppy playing, raw sound and their extremity having been long-since eclipsed is the sheer quality of their song-writing. Midnight can write a sharp riff and turn a song-title into a catchy enough chorus, but there’s nothing on here that even comes close to their own Bloodlust, Countess Bathory or Witching Hour, and it’s hard to imagine many of these songs remaining in listener’s minds for longer than a few spins.

There are going to be plenty of people who love No Mercy For Mayhem, and if you’re happy with some tight riffing and sharp hooks you may well be one of them, but if a band like this is to aim for more than easy nostalgia they need a depth of song-writing that Midnight aren’t yet capable of.

 

6/10

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RICHIE HR