It is a time of change for the Baltimore based psych-doom three piece Black Lung, who following the release of their third album Ancients in 2019, parted ways with founding guitarist Adam Bufano, replacing him with Deaf Scene’s Dave Fullerton. Four months later and their subsequent tour of the album was cancelled as the pandemic struck, so the band decided to regroup and start working on fresh material with their new guitar player straight away. Continue reading
The UK doom scene continues to pump out solid releases and the latest from Alunah is no different. Strange Machine (Heavy Psych Sounds) kicks right off with the album track and does not let up on the psychedelic rock/doom metal mixture. A lot of fans of the scene tend to just say things like “Oh it’s just more Sabbath worship”, but rest assure, these Birmingham natives are not here to hit copy and paste.Continue reading
Kurokuma – Born Of Obsidian
Having released multiple EPs and splits since their 2014 formation, Born Of Obsidian is the first proper full-length from Kurokuma. The UK group plays a style that could be best described as ritualistic Sludge Metal, incorporating tribal percussion somewhere between Sepultura circa Roots and Gojira overseen by a hypnotic aura not unlike Oranssi Pazuzu. The former influences are most immediately apparent on the one-two punch of ‘Smoking Mirror’ and ‘Sacrifice to Huitzilopochtli,’ which are largely driven by downright bouncy rhythmic chugs punctuated with extra fuzz.
However, the band’s atmospheric side gets time to shine as the album goes on. ‘Jaguar’ saves the harsher guitar crashes for its climax, allowing the percussion to provide a more subtle buildup that is given even greater precedence on ‘Ololiuqui’ and the closing ‘Under The Fifth Sun.’ It’s an accessible listen as far as this sort of freakout sludge goes; the less than forty-minute runtime isn’t too tough to digest, and the rhythmic focus gives it a more pulsating presence than most. A strong journey suited well to the balance of brutal and trancelike.
8 / 10
Sleepwulf – Sunbeams Curl
Sleepwulf’s second album, Sunbeams Curl (Heavy Psych Sounds) continues down the path of Doomy Occult Rock set up by their 2020 self-titled debut. The mood is a tinge more ominous with a slightly heavier push in the guitars and tighter drumming, but the vocals retain that jovial warble with enough of that rustic aesthetic to trigger comparisons to Witchcraft, Kadaver, and Graveyard.
‘Stoned Ape’ and ‘Toad Licker Mushroom Picker’ are the biggest highlights, adding some extra Psychedelia as suggested by their righteous titles, while ‘Man Under The Mountain’ dares to stomp into full-on Doom territory. It’s a simple package perhaps better done these days by groups like Green Lung and Magic Circle, but enjoyable enough to satisfy fans of those bands looking for more of the same.
7 / 10
Fostermother – The Ocean
Fostermother’s sophomore album sees some considerable expansions to their Shoegaze-informed brand of Heavy Psych. In addition to a move to Ripple Music giving The Ocean a larger platform than before, the songs noticeably run longer and play heavier than those on their 2020 self-titled debut. The album isn’t too drastically different from its predecessor but upgrading to a trio lineup certainly gives the proceedings some appropriate power.
Putting more emphasis on the Doom portion of Stoner Doom admittedly makes for less varied songwriting, but this methodical approach works well in its own ways. The guitar and bass fuzz are as thick as ever with the vocal effects providing an ethereal contrast without getting too overwhelmed. Things really pick up in the second half as ‘Unholiest Of Days’ and ‘Redeemer’ put in more upbeat hustles, the former seeming to channel classic The Sword, that are strongly counteracted by the title track’s particularly oppressive riff set. It may not have the same quirky appeal for me as the debut, but The Ocean is a worthy step forward.
8 / 10
Hazemaze – Blinded By The Wicked
Hazemaze plays the sort of Doom Metal that’s somewhere between Cathedral and Electric Wizard, driven by fuzzy mid-tempo riffs and an occult aesthetic without getting too zoned out. Their third album, Blinded By The Wicked (Heavy Psych Sounds), offers more of the same albeit with a somewhat darker tinge than their previous efforts. While the execution is admittedly vanilla at times, there are some strong songs that come out of it.
‘Divine Harlotry’ is my pick of the litter for its winning riff and equally catchy chorus with ‘Malevolent Inveigler’ coming close with its thicker riff set. There’s also promise in the atmospheric keys on ‘Ceremonial Aspersion’ and ‘Luciferian Rite.’ Another album that’s simple in design with a style arguably done better elsewhere, but enjoyable enough to warrant a listen.
7 / 10
Obsidian Sea – Pathos
Obsidian Sea has seen some neat evolution since they formed in 2009, rooted in Saint Vitus-esque Traditional Doom and gradually picking up a more laid back, Psychedelic disposition ala Orodruin, Pale Divine, and Kings Destroy. Their fourth album, Pathos (Ripple Music), pushes the trajectory forward even further with the hazy overtones threatening to completely overtake the Doom riffage. Fortunately, it’s a natural transition as the guitars keep an organic vibe, the vocals are pleasantly workmanlike, and the structures allow for plenty of jammed out instrumental segments.
In a fun twist, the more mellow tracks may be where the album shines the most. ‘The Long Drowning’ is a pretty smooth Blues track complete with climactic speedup, ‘I Love The Woods’ has an almost Folky touch appropriate for its pastoral theme. Elsewhere, ‘Sisters’ has an almost Grungy swagger and ‘The Meaning of Shadows’ closes the album with its most disorienting, Prog-oriented structure. It’s great to see the evolution that came about with 2019’s Strangers followed-up with even bolder confidence.
8 / 10
Culled from the same sessions that birthed the Lavender Blues EP in 2020, Big Scenic Nowhere’s second full-length expands the supergroup’s jammed out take on Desert Rock. However, The Long Morrow (Heavy Psych Sounds) sets itself apart from Vision Beyond Horizon by means of a more grounded approach. There aren’t as many songs as before and the album is about ten minutes shorter than its predecessor overall. The guest list also isn’t as loaded this time around, only featuring keyboardist Per Wilberg and The Cure/David Bowie guitarist Reeves Gabrels on the colossal title track.
Crystal Spiders – Morieris
With the second Crystal Spiders album, Morieris (Ripple Music), coming out just a year after Molt, it’s fair to say that it picks up where its predecessor left off. The guitar has a more noticeable presence courtesy of producer Mike Dean playing a more hands on role in the proceedings, but the songs remain primarily driven by Brenna Leath’s thumping bass and attitude-filled howls along with Tradd Yancey’s muscular drumming.
Stoner-Doom royalty Nick Oliveri (Mondo Generator, Stoner, Dwarves, Death Machine, ex- Kyuss, Queens of The Stone Age) will release a new album, N.O. Hits At All Volume 7 compilation on Heavy Psych Sounds, July 2nd. Jam out to “I Am Your Sun” right now.
Bongzilla’s fifth album comes with an interesting set of curveballs, being their first full-length release since 2005’s Amerijuanican as well as their first to be recorded as a trio. However, very little has changed about the Wisconsinites’ vision in the sixteen years they’ve been away. As evidenced by an appropriately dumb but endearing title like Weedsconsin (Heavy Psych Sounds), the Sweet Leaf remains the focal point of their aesthetic and their Stoner-Sludge sound is as potent as ever.
King Gizzard And The Lizard Wizard – L.W.
As indicated by the title, King Gizzard And The Lizard Wizard’s seventeenth full-length essentially serves as the second half of 2020’s K.G. and picks up where it left off stylistically. L.W. (Flightless Records) sees the completion of the microtone trilogy that started with 2017’s Flying Microtonal Banana, emphasizing a similar mix of Middle Eastern scales, rhythmic percussion, and loosely flowing song structures. ‘Static Electricity’ and ‘See Me’ do the best job of dialing that vibe with their upbeat pacing while the grandiose chugs and life-affirming chants make the closing ‘K.G.L.W.’ one of the band’s most over the top Doom Metal dives to date.Continue reading
Japan’s leading psychedelic rock outfit Sonic Flower has collaborated with members of Church Of Misery to unleash a new song taken from their upcoming sophomore album “Rides Again”, set for a January 22nd release on Heavy Psych Sounds. This new single is a cover of Larry Graham’s Graham Central Station track “Earthquake”. Jam it our right now!
Stoner Doom band High Reeper will see the re-release of High Reeper‘s self-titled debut album this January 11th, via Heavy Psych Sounds! Ther release will feature brand new artwork and two bonus tracks including a cover of Pentagram’s “Hurricane,” which you can hear right now, via The Obelisk!Continue reading