ALBUM REVIEW: Artillery – X


Armed to the teeth with more riffs than you can shake a Howitzer at, Danish thrashers Artillery return with X (Metal Blade Records), their self-explanatory and succinctly titled tenth album. Sadly, guitarist Morten Stützer, brother of fellow founder member and co-guitarist Michael Stützer, passed away in 2019 meaning the band were forced into a change in personnel. His replacement, Sacrificial axeman Kræn Meier, pulls off an excellent job under the darkest of circumstances and this latest record stands as one of their strongest to date.

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REVIEWS ROUNDUP: Haunt, Witchseeker, and Significant Point


HauntBeautiful Distraction

Having released six full-lengths and other assorted releases in just five years, it’s only inevitable for Haunt’s output to start getting samey. Their first (and probably not last) album in 2021, Beautiful Distraction carries on the polished, synth-laden variant of Heavy Metal last seen on 2020’s Mind Freeze and Flashback. Fortunately, the formula is still enjoyable with tracks like ‘In Our Dreams’ and ‘Face Of Danger’ offering uplifting hooks while ‘Imaginary Borders’ hits. It’s rather strange to see new versions of ‘Hearts On Fire’ and ‘It’s In My Hands’ considering their appearances on prior albums, but their later placements in the track order ultimately amount to inoffensive inclusions. As interchangeable as these albums have become lately, fans will still find their favorite pleasantries on full display.

7 / 10


Witchseeker Scene Of The Wild

Like 2017’s When The Clock Strikes before it, the second album from Singapore’s Witchseeker offers high octane Speed Metal with a certain Hard Rock sensibility. That latter element is especially pronounced on Scene Of The Wild (Dying Victims Productions) as songs like ‘Rock This Night Away,’ ‘Sin City’ (Not an AC/DC cover), and ‘Tokyo Nights’ among others are packed with catchy singalongs and frolicking beats. Fortunately, there’s still enough rawness to go around with the tempos often opting for total intensity, the vocals having an endearingly untrained quality and a filthy as hell bass tone. It may not be a serious gamechanger but another fun listen for fans of Enforcer and White Wizzard.

8 / 10

Significant PointInto The Storm

Significant Point’s debut album follows in the footsteps of their countrymen in groups like Loudness and Anthem, but their approach to Speed Metal ends up feeling more German than Japanese. Songs like the opening ‘Attacker’ and ‘Riders Under The Sun’ show strong influence from Running Wild and Walls Of Jericho-era Helloween with their blazing guitar runs, flamboyant harmonies, relentless drumming, and unhinged yet melodic wails.

There’s also room for more Classic Metal leaning fun with ‘You’ve Got The Power’ and ‘Night Of The Axe’ offering some in your face optimism. The more epic touches on ‘Running Alone’ also make for another highlight of a closer. Into The Storm (Dying Victims Productions) may be rather rough and tumble for some fans, especially when it comes to the vocals, but comes strongly recommended to those who like their Power Metal with extra grit.

8 / 10

CHRIS LATTA


ALBUM REVIEW: Blaze Bayley – War Within Me



With a solo career that is now going over two decades strong, Blaze Bayley shows no signs of slowing down with his tenth full-length album. While War Within Me (Blaze Bayley Records) is an inevitable step back from the Infinite Entanglement trilogy that he released through the late 2010s, this has more to do with the sense of scale than any sort of quality concerns. If anything, the album is essentially a fun look back on everything that Blaze has accomplished thus far.

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ALBUM REVIEW: Bewitcher – Cursed Be Thy Kingdom



Bewitcher has always stood out for having a more melodic slant than their Blackened Speed Metal peers and that distinction is at its most apparent on their third album. The band’s Venom meets Running Wild style leans much in the latter’s favor on Cursed Be Thy Kingdom (Century Media Records). The guitar rhythms are noticeably more accessible with more flamboyant leads above them and more dynamic song structures to match. Even the blatant Welcome To Hell worship on ‘Satanic Magick Attack’ has an almost Hard Rock flair to it.

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ALBUM REVIEW: Orden Ogan – Final Days


 

It’s been all change in the Orden Ogan camp recently, and while obviously playing it’s part, not all of it due to the current Coronavirus situation. Firstly, because of a hand injury sustained in 2018, frontman Sebastian “Seeb” Levermann was forced to perform a series of summer dates minus his guitar, fronting the band as vocalist only. Realising he actually prefers performing this way, Levermann has chosen to step back from six-string duties, recruiting guitarist Patrick Sperling to take over in his stead.

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REVIEW: Black Sabbath – Heaven and Hell and Mob Rules


While Black Sabbath fans tend to agree on most things, the argument over singers Ozzy Osbourne and Ronnie James Dio still rages on. Just who was the better frontman? Most will obviously side with the former but there are still those who insist Dio will always be number one. Ozzy was responsible for six of the finest albums in the annals of heavy metal but Dio rescued that same band (at least temporarily) from total collapse with two hugely important albums of his own.

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EP REVIEW: High Command – Everlasting Torment


Formed in Worcester, Massachusetts in 2016, five-piece thrash outfit High Command follow up their 2017 debut full length Beyond the Wall of Desolation with digitally released single Everlasting Torment (both Southern Lord).Continue reading


ALBUM REVIEW: AC/DC – POWER UP


 

After months of rumours fuelled by glimpsed sightings and blurry photographs taken outside recording studios, the worst kept secret in rock was finally confirmed at the end of September this year. With a sudden flurry of activity on their website, the announcement was clear. AC/DC was back.

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ALBUM REVIEW: Armored Saint – Punching The Sky


 

Showing no visible signs of wear and tear, classic Los Angeles metallers Armored Saint return with eighth studio album Punching the Sky (Metal Blade). Noted for their consistency in both output and personnel, you have to go all the way back to 1987’s Raising Fear (Chrysalis) to find a studio album with a different line-up. A surprising level of stability considering two lengthy hiatuses and the untimely death of original guitarist Dave Prichard.

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ALBUM REVIEW: Primal Fear – Metal Commando


Sometimes a title is all you need. And, as it unleashes a victorious scream of power metal majesty heard three townships away, Metal Commando (Nuclear Blast Records), the latest album from Primal Fear, is absolutely one of those titles. Continue reading